A teasing but affectionate celebration of cricket through the ages, written by one of Ireland's greatest living critics. Cricket is the strangest game. It features idealism, brutality, low comedy, high intelligence, luck and sheer bravery in equal measure – and often achieves the condition of art. Declan Kiberd's remarkable book is a celebration of cricket through the ages, and of the peculiarities of the people who love and play it. He evokes brilliantly what it is like to be 'out there' on the field of play. Although the modern game is rooted in the gentle rural England described by LP Hartley and George Orwell, it has in its more modern versions come to reflect the industrial power and intermittent violence of modern life. England and Eternity is a teasing but affectionate study of the genius of the English people as seen from a postcolonial perspective – and of the game which was one of their richest, oddest and most lasting gifts to the wider world.

From "the world's greatest tour guide," a deeply-researched, captivating journey through the rich history of Christianity and the winding paths of the French and Italian countryside that will feed mind, body, and soul (New York Times). "What a wondrous work! This beautifully written and totally clear-eyed account of his pilgrimage will have you wondering whether we should all embark on such a journey, either of the body, the soul or, as in Egan's case, both." --Cokie Roberts "Egan draws us in, making us feel frozen in the snow-covered Alps, joyful in valleys of trees with low-hanging fruit, skeptical of the relics of embalmed saints and hopeful for the healing of his encrusted toes, so worn and weathered from their walk."--The Washington Post Moved by his mother's death and his Irish Catholic family's complicated history with the church, Timothy Egan decided to follow in the footsteps of centuries of seekers to force a reckoning with his own beliefs. He embarked on a thousand-mile pilgrimage through the theological cradle of Christianity to explore the religion in the world that it created. Egan sets out along the Via Francigena, once the major medieval trail leading the devout to Rome, and travels overland via the alpine peaks and small mountain towns of France, Switzerland and Italy, accompanied by a quirky cast of fellow pilgrims and by some of the towering figures of the faith--Joan of Arc, Henry VIII, Martin Luther. The goal: walking to St. Peter's Square, in hopes of meeting the galvanizing pope who is struggling to hold together the church through the worst crisis in half a millennium. A thrilling journey, a family story, and a revealing history, A Pilgrimage to Eternity looks for our future in its search for God.

The sound of the choir of King's College, Cambridge - its voices perfectly blended, its emotions restrained, its impact sublime - has become famous all over the world, and for many, the distillation of a particular kind of Englishness. This is especially so at Christmas time, with the broadcast of the Festival of Nine Lessons and Carols, whose centenary is celebrated this year. How did this small band of men and boys in a famous fenland town in England come to sing in the extraordinary way they did in the twentieth and early twenty-first centuries? It has been widely assumed that the King's style essentially continues an English choral tradition inherited directly from the Middle Ages. In this original and illuminating book, Timothy Day shows that this could hardly be further from the truth. Until the 1930s, the singing at King's was full of high Victorian emotionalism, like that at many other English choral foundations well into the twentieth century. The choir's modern sound was brought about by two intertwined revolutions, one social and one musical. From 1928, singing with the trebles in place of the old lay clerks, the choir was fully made up of choral scholars - college men, reading for a degree. Under two exceptional directors of music - Boris Ord from 1929 and David Willcocks from 1958 - the style was transformed and the choir broadcast and recorded until it became the epitome of English choral singing, setting the benchmark for all other choral foundations either to imitate or to react against. Its style has now been taken over and adapted by classical performers who sing both sacred and secular music in secular settings all over the world with a precision inspired by the King's tradition. I Saw Eternity the Other Night investigates the timbres of voices, the enunciation of words, the use of vibrato. But the singing of all human beings, in whatever style, always reflects in profound and subtle ways their preoccupations and attitudes to life. These are the underlying themes explored by this book.

“A rich, sensual, bewitching adventure of good vs. evil with love as the prize.” ~Publisher’s Weekly on ETERNITY WINNER: RT Book Reviews: Reviewers Choice Award WINNER: Reviewer's Listserv: Best Paranormal Romance Award WINNER: New Jersey Romance Writers: Golden Leaf Award One of BN.com's "Top 12 Reads of the Year" 300 years ago, Raven St. James was hanged for witchcraft. But she revives among the dead to find herself alive. She is an Immortal High Witch, one of the light. A note from her mother warns that there are others, those of the Dark, who preserve their own lives by taking the hearts of those like her. Duncan Wallace’s forbidden love for the secretive lass costs him his life. 300 years later, he loves her again, tormented by hazy memories of a past that can’t be real. She tells him of another lifetime, claims to be immortal. Though he knows she’s deluded, he can’t stay away. And the Dark Witch after her heart is far closer than either of them know. If you liked OUTLANDER, or HIGHLANDER, you will LOVE this series. Don’t miss Book 2, INFINITY or Book 3, DESTINY. “A hauntingly beautiful story of a love that endures through time itself.” ~New York Times Bestselling Author, Kay Hooper “This captivating story of a love that reaches across the centuries, becomes as immortal as the lover’s themselves, resonates with timeless passion, powerful magic, and haunting heartbreak.” ~BN.com’s official review

Ken Follett's extraordinary historical epic, the Century Trilogy, reaches its sweeping, passionate conclusion. In Fall of Giants and Winter of the World, Ken Follett followed the fortunes of five international families—American, German, Russian, English, and Welsh—as they made their way through the twentieth century. Now they come to one of the most tumultuous eras of all: the 1960s through the 1980s, from civil rights, assassinations, mass political movements, and Vietnam to the Berlin Wall, the Cuban Missile Crisis, presidential impeachment, revolution—and rock and roll. East German teacher Rebecca Hoffmann discovers she’s been spied on by the Stasi for years and commits an impulsive act that will affect her family for the rest of their lives. . . . George Jakes, the child of a mixed-race couple, bypasses a corporate law career to join Robert F. Kennedy's Justice Department and finds himself in the middle of not only the seminal events of the civil rights battle but a much more personal battle of his own. . . . Cameron Dewar, the grandson of a senator, jumps at the chance to do some official and unofficial espionage for a cause he believes in, only to discover that the world is a much more dangerous place than he'd imagined. . . . Dimka Dvorkin, a young aide to Nikita Khrushchev, becomes an agent both for good and for ill as the United States and the Soviet Union race to the brink of nuclear war, while his twin sister, Tanya, carves out a role that will take her from Moscow to Cuba to Prague to Warsaw—and into history.

Eternity in British Romantic Poetry explores the representation of the relationship between eternity and the mortal world in the poetry of the period. It offers an original approach to Romanticism that demonstrates, against the grain, the dominant intellectual preoccupation of the era: the relationship between the mortal and the eternal. The project's scope is two-fold: firstly, it analyses the prevalence and range of images of eternity (from apocalypse and afterlife to transcendence) in Romantic poetry; secondly, it opens up a new and more nuanced focus on how Romantic poets imagined and interacted with the idea of eternity. Every poet featured in the book seeks and finds their uniqueness in their apprehension of eternity. From Blake’s assertion of the Eternal Now to Keats’s defiance of eternity, Wordsworth’s ‘two consciousnesses’ versus Coleridge’s capacious poetry, Byron’s swithering between versions of eternity compared to Shelleyan yearning, and Hemans’s superlative account of everlasting female suffering, each poet finds new versions of eternity to explore or reject. This monograph sets out a paradigm-shifting approach to the aesthetic and philosophical power of eternity in Romantic poetry.

This remarkable work offers an analytical exploration of the nature of divine eternity and God's relationship to time.

In this highly original and ground-breaking work, the author brings together discussions in the philosophy of time and space, philosophy of language, phenomenology, philosophy of science, Special and General Relativity, classical cosmology, quantum mechanics, and so forth, with the concerns of philosophy of religion and theology, in order to craft a philosophically informed and scientifically tenable doctrine of divine eternity and God's relationship to time.

'I died in the Battle of the Somme...' These were the astonishing first words spoken to clairvoyant and healer Stephen Turoff by the soul of James Legett, a young soldier who was killed in the First World War. For two years, the world famous psychic surgeon communicated with the soldier's soul, and in the process wrote down his remarkable story; not the tale of Legett's tragically short life on the physical plane, but of his death on a battlefield in France and his soul's subsequent journey into the afterlife. Although he works with many discarnate spirits in his clinic, the dyslexic Turoff was initially reluctant to undertake the task of writing a book. But he was persuaded by the boisterous and genial soul of the dead man. Their literary collaboration involved an unusual method: Legett presented spiritual pictures to Turoff, who with clairvoyant perception interpreted them into words. The result is this enlightening testimony of life beyond the illusion of death, filled with insight, spiritual wisdom and delightful humour. It is written to show that we are all eternal; there is no death... only change.

The untold story of the religious figures, philosophers, astronomers, geologists, physicists, and mathematicians who, for more than four hundred years, have pursued the answer to a fundamental question at the intersection of science and religion: When did the universe begin? The moment of the universe's conception is one of science's Holy Grails, investigated by some of the most brilliant and inquisitive minds across the ages. Few were more committed than Bishop James Ussher, who lost his sight during the fifty years it took him to compose his Annals of all known history, now famous only for one date: 4004 b.c. Ussher's date for the creation of the world was spectacularly inaccurate, but that didn't stop it from being so widely accepted that it was printed in early twentieth-century Bibles. As writer and documentary filmmaker Martin Gorst vividly illustrates in this captivating, character-driven narrative, theology let Ussher down just as it had thwarted Theophilus of Antioch and many before him. Geology was next to fail the test of time. In the eighteenth century, naturalist Comte de Buffon, working out the rate at which the earth was supposed to have cooled, came up with an age of 74,832 years, even though he suspected this was far too low. Biology then had a go in the hands of fossil hunter Johann Scheuchzer, who alleged to have found a specimen of a man drowned at the time of Noah's flood. Regrettably it was only the imprint of a large salamander. And so science inched forward via Darwinism, thermodynamics, radioactivity, and, most recently, the astronomers at the controls of the Hubble space telescope, who put the beginning of time at 13.4 billion years ago (give or take a billion). Taking the reader into the laboratories and salons of scholars and scientists, visionaries and eccentrics, Measuring Eternity is an engagingly written account of an epic, often quixotic quest, of how individuals who dedicated their lives to solving an enduring mystery advanced our knowledge of the universe.