Celebration of the achievements of human creativity through time.

From Diderot's 18th-century masterpiece: elegant renderings of architectural landmarks; drawings and plans for theaters, windmills, bridges, boats; renderings of palatial interiors and furnishings; scenes of 18th-century craftsmen at work in the building trades; more.

Preliminary Discourse to the Encyclopedia of Diderot expresses the hopes, dogmas, assumptions, and prejudices that have come to characterize the French Enlightenment. In this preface to the Encyclopedia, d'Alembert traces the history of intellectual progress from the Renaissance to 1751. Including a revision of Diderot's Prospectus and a list of contributors to the Encyclopedia, this edition, elegantly translated and introduced by Professor Richard Schwab, is one of the great works of the Enlightenment and an outstanding introduction to the philosophes.

Inspired by Voltaire’s advice that a text needs to be concise to have real influence, this anthology contains fiery extracts by forty eighteenth-century authors, from the most famous philosophers of the age to those whose brilliant writings are less well-known. These passages are immensely diverse in style and topic, but all have in common a passionate commitment to equality, freedom, and tolerance. Each text resonates powerfully with the issues our world faces today. Tolerance was first published by the Société française d’étude du dix-huitième siècle (the French Society for Eighteenth-Century Studies) in the wake of the Charlie Hebdo assassinations in January 2015 as an act of solidarity and as a response to the surge of interest in Enlightenment values. With the support of the British Society for Eighteenth-Century Studies, it has now been translated by over 100 students and tutors of French at Oxford University.

This anthology of 81 articles is the first attempt to translate and collect the most significant political writing from the Encyclopédie (1751-1765). It includes every aspect of the ideas, practices, and institutions of Western political life.

Introduction about the mid-eighteenth-century masterwork Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers (Encyclopedia, or a Systematic Dictionary of the Sciences, Arts and Crafts), edited by Denis Diderot and Jean Le Rond d Alembert.50 illustrations to color.Lay-flat binding and high-quality paper-easy to use with all your fine coloring tools.With their Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers (Encyclopedia, or a Systematic Dictionary of the Sciences, Arts and Crafts), editors Denis Diderot and Jean Le Rond d Alembert set out to map the scope of human knowledge. Published between 1751 and 1772, the encyclopedia s 28 volumes tackled subjects from chemistry and philosophy to botany and bookbinding. Contributors, including philosophers Voltaire and Jean-Jacques Rousseau, espoused such Enlightenment values as empiricism and secularism, making the encyclopedia controversial in its time.The illustrations in this book are from a copy of the Encyclopédie owned by Gouverneur Morris, who served as a delegate at the Continental Congress and, later, as United States ambassador to France. Morris authored the preamble to the US Constitution, a document heavily influenced by Enlightenment philosophy. Morris s copy of the Encyclopédie is held in the Rare Book and Special Collections Division of the world s largest and most eclectic library, the Library of Congress, which holds materials in more than 470 languages. The Library s French collection, alone, comprises approximately one million items.

A groundbreaking work that places the mechanical arts and the world of making at the heart of the Enlightenment What would the Enlightenment look like from the perspective of artistes, the learned artisans with esprit, who presented themselves in contrast to philosophers, savants, and routine-bound craftsmen? Making a radical change of historical protagonists, Paola Bertucci places the mechanical arts and the world of making at the heart of the Enlightenment. At a time of great colonial, commercial, and imperial concerns, artistes planned encyclopedic projects and sought an official role in the administration of the French state. The Société des Arts, which they envisioned as a state institution that would foster France’s colonial and economic expansion, was the most ambitious expression of their collective aspirations. Artisanal Enlightenment provides the first in-depth study of the Société, and demonstrates its legacy in scientific programs, academies, and the making of Diderot and D’Alembert’s Encyclopédie. Through insightful analysis of textual, visual, and material sources, Bertucci provides a groundbreaking perspective on the politics of writing on the mechanical arts and the development of key Enlightenment concepts such as improvement, utility, and progress.

"During the sixteen years it took to write, compile, and produce all twenty-seven volumes, the writers had to defy authorities and face exile, jail, and censorship, as well as numerous internal falling-outs and philosophical differences. Encyclopedie's editors and contributors daily skirted danger based solely on their belief systems. Compiling this collection made them - the Encyclopedists, as they came to be called - the most feared men in all of Versailles and the intellectual leaders of the French Revolution. In Enlightening the World, novelist and historian Philipp Blom breathes new life into the sixteen-year struggle to create the Encyclopedie, by portraying the men who wrote it, the powerful forces that tried to suppress it, and the tremendous impact it had on the world."--BOOK JACKET.