This detailed discussion of Augustine's journey toward God, as it is described in the first six books of the Confessions, begins with infancy, moves through childhood and adolescence, and culminates in youthful maturity. In the first stage, Augustine deals with the problems of original innocence and sin; in the second, he addresses a pear-stealing episode that recapitulates the theft of the forbidden fruit in the Garden of Eden and confronts the problem of sexuality with which he wrestles until his conversion; and in the third, he turns toward philosophy, only to be captivated successively by dualism, skepticism, and Catholicism. Augustine's journey exhibits temporal, spatial, and eternal dimensions and combines his head and his heart in equal proportions. Vaught shows that the Confessions should be interpreted as an attempt to address the person as a whole rather than through our intellectual or volitional dimensions exclusively. The passion with which Augustine describes the end of his journey is reflected best in a sentence found in the opening chapter of the text—"You have made us for yourself, and our heart is restless until it rests in you." Interpreting this statement, Carl G. Vaught presents a more emphatically Christian Augustine than is usually found in contemporary scholarship. Refusing to view Augustine in an exclusively Neoplatonic framework, Vaught holds that Augustine baptizes Plotinus just as successfully as Aquinas baptizes Aristotle. It cannot be denied that Ancient philosophy influences Augustine decisively. Nevertheless, he holds the experiential and the theoretical dimensions of his journey toward God together as a distinctive expression of the Christian tradition.

Continuing his groundbreaking reappraisal of the Confessions, Carl G. Vaught shows how Augustine's solutions to philosophical and theological problems emerge and discusses the longstanding question of the work's unity.

This reappraisal of the middle section of Augustine's Confessions covers the period of Augustine's conversion to Christianity. The author argues against the prevailing Neoplatonic interpretation of Augustine.

This book continues Carl G. Vaught's thoroughgoing reinterpretation of Augustine's Confessions—one that rejects the view that Augustine is simply a Neoplatonist and argues that he is also a definitively Christian thinker. As a companion volume to the earlier Journey toward God in Augustine's Confessions: Books I–VI, it can be read in sequence with or independently of it. This work covers the middle portion of the Confessions, Books VII–IX. Opening in Augustine's youthful maturity, Books VII–IX focus on the three pivotal experiences that transform his life: the Neoplatonic vision that causes him to abandon materialism; his conversion to Christianity that leads him beyond Neoplatonism to a Christian attitude toward the world and his place in it; and the mystical experience he shares with his mother a few days before her death, which points to the importance of the Christian community. Vaught argues that time, space, and eternity intersect to provide a framework in which these three experiences occur and which give Augustine a three-fold access to God.

Augustine’s Confessions is probably the most commented upon text of early Christianity. Yet, there is a general consensus that this justly famous work is neither well composed nor structurally unified. “You Made Us for Yourself” aims to challenge this common notion by approaching the Confessions in light of what Augustine himself would have considered most fundamental: creation, understood in a broad sense. Creation, for Augustine, is an epiphany, a light that reveals who God is and who human beings are. It is not merely one doctrine or theme among others, but is the foundational context which illumines all doctrines and all themes. Moreover, creation, for Augustine, is dynamically ordered toward the church, toward the deified destiny the body of Christ both is and brings about. Thus, the Confessions itself can be understood as Augustine’s prayer of praise in thanksgiving for the unmerited gift of creation (and re-creation). It is his self-gift back to God—a kind of eucharistic offering intended to take up and bring about the same in his readers. Augustine’s rich understanding of creation, then, can account for the often despaired of meaning, structure, and unity of the Confessions.

"This book has been written for the artist, for the theologian, and for the philosopher, each of whom must be concerned with the question, "What does it mean to be human?" But at a deeper level, it is written for any reader who knows what it means to be fragmented, and who is willing to undertake a quest for wholeness in experiential and reflective terms." — from the Preface The Quest for Wholeness is a philosophic odyssey into humankind's feelings of fragmentation, and the search for unity born of those feelings. It blends the concreteness of art and religion with the discipline of philosophy to illuminate those places in experience and reflection where fragmentation is encountered and the meaning of wholeness is first discovered. Carl Vaught discusses the problems of fragmentation and unity, beginning with the aesthetic concreteness represented by the quest in Herman Melville's Moby Dick; moving through the religious dimension represented by the biblical stories of Abraham, Isaac, Jacob, Joseph, and Moses; passing on to the reflective discourse in Plato's Euthyphro; and ending in a confrontation with Hegel that unites the concrete particularity of religious and communal life with the dialectic of Socrates' normative reasoning. This book is written with the conviction that the professional philosopher should not address a merely professional audience, but the larger world as well, and that in the end he must come to terms with himself and with the most pressing questions that confront the human spirit.

The study of any masterpiece can change one's life, but the Confessions of St. Augustine, like Plato's Republic or Dante's Commedia, has the almost uncanny power to enact in the reader what it describes. Plato's book reconfigures the city of the soul by freeing it from enslavement to the tyrannical passions and making it answerable to reason in its pursuit of the good. For Augustine, who shares many of the same ends, the pursuit of the good is not the rectification of philosophical reason, but (as it was for Dante) an intensely personal and consuming love: the encounter with the living God. Oddly, it may seem, that encounter comes for Augustine through the act of reading. Unlike Plato, who depicts the process of reasoning toward the truth, Augustine finds the truth revealed in another, immeasurably greater book that cannot be read in its true sense without the help of its author. The essays uncover a variety of themes, from Augustine's act of reading (Marc LePain and Bercier), his emphasis on memory (Roger Corriveau), and his choice to reveal to the world his "hidden and unworldly activity" (Daniel Maher), to the way Augustine's own education might serve as a corrective to contemporary understandings of "assessment" (Gavin Colvert). The vast wake of Augustine's work includes writers from Dante and Montaigne to Nabokov, but three representative figures were chosen to show his influence: Jean-Jacques Rousseau in the Confessions (Rick Sorenson), James Joyce in the whole range of his work (Eloise Knowlton), and T.S. Eliot in the Four Quartets (Glenn Arbery). The most direct engagement with Augustine is obviously Rousseau's. In his essay comparing and contrasting the pivotal moments of the two Confessions, Rick Sorenson explores major differences between the way of faith and the path of reliance on reason. Joyce might be said to have taken Rousseau's path (at least in rejecting revelation), whereas Eliot took Augustine's. In its sophistications and anxieties, the late antiquity Augustine inhabited feels a great deal like the late modernity we inhabit now. Certainly, the barbarians of materialist thought long ago sacked the civilization our ancestors inhabited. When Eliot published The Waste Land in 1922, he already saw the old order of antiquity and Christendom as "stony rubble," "a heap of broken images." As one of his speakers puts it, "Dry bones can harm no one." This old book, the Confessions, might seem to our contemporaries as dry and dead as those bones, but it is not so. Without being a defense of Christianity (as the City of God is) or a work of catechesis, the Confessions might be the greatest counter to the materialist creed in Western literature. It recounts Augustine's central, intensely personal, and ultimately liberating struggle to conceive of spiritual substance, an intellectual achievement without which he cannot even hope to accommodate his understanding to the reality of God. This book of essays has one primary end, which is to entice the reader to reopen Augustine's book, to look over his shoulder and see what the act of reading means to him and what it has accomplished: the world-changing encounter with the substance of the Word.

"This narrative of the first half of Augustine's life conjures the intellectual and social milieu of the late Roman Empire with a Proustian relish for detail." -- New York Times In Augustine, celebrated historian Robin Lane Fox follows Augustine of Hippo on his journey to the writing of his Confessions. Unbaptized, Augustine indulged in a life of lust before finally confessing and converting. Lane Fox recounts Augustine's sexual sins, his time in an outlawed heretical sect, and his gradual return to spirituality. Magisterial and beautifully written, Augustine is the authoritative portrait of this colossal figure at his most thoughtful, vulnerable, and profound.

"As the psalms are a microcosm of the Old Testament, so the Expositions of the Psalms can be seen as a microcosm of Augustinian thought. In the Book of Psalms are to be found the history of the people of Israel, the theology and spirituality of the Old Covenant, and a treasury of human experience expressed in prayer and poetry. So too does the work of expounding the psalms recapitulate and focus the experiences of Augustine's personal life, his theological reflections and his pastoral concerns as Bishop of Hippo."--Publisher's website.

The Confessions of St. Augustine is one of the few Christian classics that is still widely read in the secular academy. Yet, oddly enough, it is not often read in the manner Augustine appears to have intended and in which the church read it for centuries: as a model of conversion, devotion, friendship, and the love of God. This book is a companion for any reader of the Confessions--whether in an academic, ecclesial, or devotional context--informed by the latest scholarship yet always directed toward pushing the reader, with Augustine, toward God.