Mysterious Lands covers two kinds of encounters. First, encounters which actually occurred between Egypt and specific foreign lands, and second, those the Egyptians created by inventing imaginary lands. Some of the actual foreign lands are mysterious, in that we know of them only through Egyptian sources, both written and pictorial, and the actual locations of such lands remain unknown. These encounters led to reciprocal influences of varying intensity. The Egyptians also created imaginary lands (pseudo-geographic entities with distinctive inhabitants and cultures) in order to meet religious, intellectual and emotional needs. Scholars disagree, sometimes vehemently, about the locations and cultures of some important but geographically disputed actual lands. As for imaginary lands, they continually need to be re-explored as our understanding of Egyptian religion and literature deepens. Mysterious Lands provides a clear account of this subject and will be a stimulating read for scholars, students or the interested public.

The allure of Egypt is not exclusive to the modern world. Egypt also held a fascination and attraction for people of the past. In this book, academics from a wide range of disciplines assess the significance of Egypt within the settings of its past. The chronological span is from later prehistory, through to the earliest literate eras of interaction with Mesopotamia and the Levant, the Aegean, Greece and Rome. Ancient Perspectives on Egypt includes both archaeological and documented evidence, which ranges from the earliest writing attested in Egypt and Mesopotamia in the late fourth millennium BC, to graffiti from Abydos that demonstrate pilgrimages from all over the Mediterranean world, to the views of Roman poets on the nature of Egypt. This book presents, for the first time in a single volume, a multi-faceted but coherent collection of images of Egypt from, and of, the past.

Consuming Ancient Egypt examines the influence of Ancient Egypt on the everyday lives of contemporary people, of all ages, throughout the world. It looks at the Egypt tourist sees, Egypt in film and Egypt as the inspiration for opera. It asks why so many books are published each year on Egyptological subjects at all levels, from the austerely academic to the riotous celebrations of Egypt as a land of mystery, enchantment and fantasy. It then considers the ways in which Ancient Egypt interacts with the living world, in architecture, museum going, the acquisition of souvenirs and reproductions, design, and the perpetual appeal of the mummy. The significance of Egypt as an adjunct to (and frequently the subject of) marketing in the consumer society is examined. It reveals much about Egypt's immemorial appeal and the psychology of those who succumb to its magic.

This book considers the evidence for actual contacts between Egypt and other early African cultures, and how influential, or not, Egypt was on them.

This book presents and analyses the results of the use and adaptation of ancient Egyptian architecture in modern times. It traces the use of ancient Egyptian motifs and constructions across the world, from Australia, the Americas and Southern Africa to Western Europe. It also inquires into the cultural, economic and social contexts of this practice. Imhotep Today is exceptional not only in its global coverage, but in its analyses of thorny questions such as: what was it about Ancient Egypt that inspired such Egyptianizing monuments, and was it just one idea, or several different ones which formed the basis of such activities? The book also asks why only certain images, such as obelisks and sphinxes, were incorporated within the movement. The contributors explore how these 'monuments' fitted into the local architecture of the time and, in this context, they investigate whether 'Egyptianizing architecture' is an ongoing movement and, if so, how it differs from earlier, similar activities.

A monumental eight volume set which contextualized ancient Egypt in both its own historical setting and its role in the modern world.

The Wisdom of Egypt examines the sources of evidence about Ancient Egypt available to scholars, and the changing visions of Egypt and of Egypt's role in human history that they produced. Its scope extends from the Classical world, through Europe and the Arabic worlds in the Middle Ages, to writers of the Renaissance, to the work of scholars and scientists of Early Modern Europe.

"Never Had the Like Occurred" examines Ancient Egypt's own multifaceted encounters with its past. As Egyptian culture constantly changed and evolved, this book follows a chronological arrangement, from early Egypt to the attitudes of the Coptic population in the Byzantine Period. Within this framework, it asks what access the Egyptians had to information about the past, whether deliberately or accidentally acquired; what use was made of the past; what were the Egyptians attitudes to the past; what sense of past time did the Egyptians have; and what kinds of reverence for the past did they entertain? This is the first book dedicated to the whole range of these themes. It provides an explanatory context for the numerous previous studies that have dealt with particular sets of evidence, particular periods, or particular issues. It provides a case study of how civilizations may view and utilize their past.

The alien influences behind the rise and fall of Egypt’s Golden Age • Explains how Akhenaten was the last pharaoh entrusted with the sacred and ancient alien knowledge of stargates, free energy, and antigravity technologies • Reveals how the Brotherhood of the Snake, a secret society of reptilian aliens, sought to destroy Akhenaten and suppress the sacred knowledge of the pharaohs • Explores the original purpose of the pyramids--to transmit energy to expand consciousness--and how they were decommissioned after the Great Flood The sophisticated civilization of ancient Egypt arose seemingly overnight, complete with advanced levels of art, agriculture, astronomy, and physics. Then, with the death of Pharaoh Akhenaten, much of this higher knowledge was lost--or suppressed. But evidence of this former Golden Age, the alien visitors behind its rise, and those behind its decline still exists--some of it in plain sight. Examining the purposefully obscured reign of Akhenaten and Nefertiti, Xaviant Haze explains how they represent the last dynasty with access to the sacred knowledge of stargates, free energy, and antigravity technologies, knowledge handed down from an advanced interstellar race in the remote past. He reveals how the reptilian race known as the Shemsu Hor infiltrated the Egyptian priesthood and banking systems and formed the Brotherhood of the Snake--a secret society set on destroying Akhenaten’s flourishing kingdom and suppressing the sacred knowledge of the pharaohs. Haze examines the evidence of aliens in ancient Egypt, such as the reptilian beings depicted in the Temple of Hathor and Thutmose III’s alien encounter. He shows how Akhenaten and his family are always portrayed with elongated skulls and explores the connection between ancient aliens and Mars, including the Martian materials used in Egyptian monuments. He explains the original purpose of the pyramids--to transmit uplifting energy throughout the planet to help expand consciousness--and explores how they were decommissioned after the Great Flood of prehistory. He reveals how the original builders of the pyramids foresaw humanity’s fall from the Golden Age and strategically encoded these magnificent structures to wake humanity from the depths of the Dark Ages.

Presenting dynamic research, this publication explores two millennia of cultural interactions between Egypt, Greece, and Rome. From Mycenaean weaponry found among the cargo of a Bronze Age shipwreck off the Turkish coast to the Egyptian-inspired domestic interiors of a luxury villa built in Greece during the Roman Empire, Egypt and the Classical World documents two millennia of cultural and artistic interconnectedness in the ancient Mediterranean. This volume gathers pioneering research from the Getty scholars' symposium that helped shape the major international loan exhibition Beyond the Nile: Egypt and the Classical World (J. Paul Getty Museum, 2018). Generously illustrated essays consider a range of artistic and other material evidence, including archaeological finds, artworks, papyri, and inscriptions, to shed light on cultural interactions between Egypt, Greece, and Rome from the Bronze Age to the Late Period and Ptolemaic dynasty to the Roman Empire. The military's role as a conduit of knowledge and ideas in the Bronze Age Aegean, and an in-depth study of hieroglyphic Egyptian inscriptions found on Roman obelisks offer but two examples of scholarly lacunae addressed by this publication. Specialists across the fields of art history, archaeology, Classics, Egyptology, and philology will benefit from the volume's investigations into syncretic processes that enlivened and informed nearly twenty-five hundred years of dynamic cultural exchange. The free online edition of this open-access publication is available at www.getty.edu/publications/egypt-classical-world/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.