The World Cafe is a flexible, easy-to-use process for fostering collaborative dialogue, sharing mutual knowledge, and discovering new opportunities for action. Based on living systems thinking, this innovative approach creates dynamic networks of conversation that can catalyze an organization or community's own collective intelligence around its most important questions. Filled with stories of actual Cafe dialogues in business, education, government, and community organizations across the globe, this uniquely crafted book demonstrates how the World Cafe can be adapted to any setting or culture. Examples from such varied organizations as Hewlett-Packard, American Society for Quality, the nation of Singapore, the University of Texas, and many others, demonstrate the process in action. Along with its seven core design principles, The World Cafe offers practical tips for hosting "conversations that matter" in groups of any size- strengthening both personal relationships and people's capacity to shape the future together.

Spy thriller fiction written in the Golden Age of Murder "War is coming—and that means our secret agents must get busy." August 1918. On his way to the Western Front, Captain Alan Clinton spends a night in Paris with a young Frenchwoman, Marie Roget. Seduced by Marie's charms, Clinton discloses British military secrets—with disastrous consequences. Seventeen years later. The central European state of Ronstadt is ruled by the ruthless dictator Kuhnreich, and Europe is inching towards another war. Clinton's son Bobby travels to Europe as the political situation grows tenser, and seems dangerously close to repeating the sins of his father—leaving only his girlfriend to prove his innocence in a race against time. This new edition of The Traitor gives contemporary readers a long overdue chance to rediscover an early thriller that is plotted with dash and verve—a novel that helps to explain the author's phenomenal popularity in his own time.

The seascapes of Ivan Aivazovsky (1817-1900) made his name in Russia, his native country where he was a painter of the court of Nicholas I, yet his fame barely extended beyond these borders. Master of the Sublime, he made the ocean the principal subject of his work. Sometimes wild and raging, sometimes calm and peaceful, the life of the ocean is composed of as many allegories as the human condition. Like Turner, whom he knew and whose art he admired, he never painted outside in nature, nor did he make preliminary sketches; his paintings were the fruit of his exceptional memory. With more than 6,000 canvasses, Aivazovsky was one of the most prolific painters of his time.