Spine title: Full pews & empty altars. Includes bibliographical references (p. 403-416) and indexes.

What if the church became more than a home for the hypocrites? What if the church became a hospital to heal the hurting? When the carnage of war broke out on D-Day, the wounded were brought to an empty, nearby church and laid on the pews so medics could treat them. When the war was over, and the blood-stained pews discovered, the townspeople decided to preserve the stains to remind all who would come afterward: This is the place where the wounded are welcome. Blood Stained Pews is a chance to examine Jesus’ original intent for the church, a hospital for the broken. Pastor and author Carl Kuhl is clear: Christians have been getting this wrong, but in this book, he gives clear steps to change our hearts, our practices, and ultimately our churches through the power of open brokenness. Through personal stories and powerful insights, Carl implores us to more deeply consider God’s grace and turn our churches into the places people run to when they’re wounded.

2020 Association of Catholic Publishers first place award in theology The available literature on the new evangelization is wide-ranging and focused on issues of ecclesial renewal. In The Truth Will Make You Free, Fr. Robert Leavitt adopts a different approach to the subject. From Paul VI until Pope Francis, the nature and challenges of modern secularism have become a recurring factor in the agenda of the new evangelization, yet often without historical perspective and philosophical balance. Few popular works bother to examine in such depth and scope, as this book does, what the history, nature, and implications of the secular age are for revitalizing ministry in an age of optional belief. Written for the interested layperson, seminarian, theology student, and pastor, The Truth Will Make You Free is an indispensable catechism for rethinking our understanding of the secular world in proclaiming the Gospel of Christ.

In The Nones: Where They Came From, Who They Are, and Where They Are Going, Second Edition, Ryan P. Burge details a comprehensive picture of an increasingly significant group--Americans who say they have no religious affiliation. The growth of the nones in American society has been dramatic. In 1972, just 5 percent of Americans claimed "no religion" on the General Social Survey. In 2018, that number rose to 23.7 percent, making the nones as numerous as both evangelical Protestants and Roman Catholics. Every indication is that the nones will be the largest religious group in the United States in the next decade. Burge illustrates his precise but accessible descriptions with charts and graphs drawn from more than a dozen carefully curated datasets, some tracking changes in American religion over a long period of time, others large enough to allow a statistical deep dive on subgroups such as atheists or agnostics. Burge also draws on data that tracks how individuals move in and out of religion over time, helping readers to understand what type of people become nones and what factors lead an individual to return to religion. This second edition includes substantial updates with new chapters and current statistical and demographic information. The Nones gives readers a nuanced, accurate, and meaningful picture of the growing number of Americans who say that they have no religious affiliation. Burge explains how this rise happened, who the nones are, and what they mean for the future of American religion.

The American political scene today is poisonously divided, and the vast majority of white evangelicals play a strikingly unified, powerful role in the disunion. These evangelicals raise a starkly consequential question for electoral politics: Why do they claim morality while supporting politicians who act immorally by most Christian measures? In this clear-eyed, hard-hitting chronicle of American religion and politics, Anthea Butler answers that racism is at the core of conservative evangelical activism and power. Butler reveals how evangelical racism, propelled by the benefits of whiteness, has since the nation's founding played a provocative role in severely fracturing the electorate. During the buildup to the Civil War, white evangelicals used scripture to defend slavery and nurture the Confederacy. During Reconstruction, they used it to deny the vote to newly emancipated blacks. In the twentieth century, they sided with segregationists in avidly opposing movements for racial equality and civil rights. Most recently, evangelicals supported the Tea Party, a Muslim ban, and border policies allowing family separation. White evangelicals today, cloaked in a vision of Christian patriarchy and nationhood, form a staunch voting bloc in support of white leadership. Evangelicalism's racial history festers, splits America, and needs a reckoning now.

The New York Times–bestselling author’s Whitbread Prize–winning debut—“Winterson has mastered both comedy and tragedy in this rich little novel” (The Washington Post Book World). When it first appeared, Jeanette Winterson’s extraordinary debut novel received unanimous international praise, including the prestigious Whitbread Prize for best first fiction. Winterson went on to fulfill that promise, producing some of the most dazzling fiction and nonfiction of the past decade, including her celebrated memoir Why Be Happy When You Can Be Normal?. Now required reading in contemporary literature, Oranges Are Not the Only Fruit is a funny, poignant exploration of a young girl’s adolescence. Jeanette is a bright and rebellious orphan who is adopted into an evangelical household in the dour, industrial North of England and finds herself embroidering grim religious mottoes and shaking her little tambourine for Jesus. But as this budding missionary comes of age, and comes to terms with her unorthodox sexuality, the peculiar balance of her God-fearing household dissolves. Jeanette’s insistence on listening to truths of her own heart and mind—and on reporting them with wit and passion—makes for an unforgettable chronicle of an eccentric, moving passage into adulthood. “If Flannery O’Connor and Rita Mae Brown had collaborated on the coming-out story of a young British girl in the 1960s, maybe they would have approached the quirky and subtle hilarity of Jeanette Winterson’s autobiographical first novel. . . . Winterson’s voice, with its idiosyncratic wit and sensitivity, is one you’ve never heard before.” —Ms. Magazine

Jesus might love you, but does his cult following? In this book, a trained preacher, and former church leader, thoroughly accuses evangelical leaders in the United States of committing cult-like crimes. You'll want to evaluate you own allegiances, no matter your faith, after reading.

Pastor and author Donna Schaper takes the long view of religious institution in an age of rapid change. The question of who the church is today—and how it uses its buildings—is connected to the church’s past identities and its future hopes. Schaper is both concrete and provocative in her examination of how the church might be renewed for the modern age.

In the wake of the horrific 9/11 terrorist attacks we, as an increasingly secular nation, were reminded that religion is, for good and bad, still significant in the modern world. Alongside this new awareness, religion reporters adopted the tools of so-called New Journalists, reporters of the 1960s and '70s like Truman Capote and Joan Didion who inserted themselves into the stories they covered while borrowing the narrative tool kit of fiction to avail themselves of a deeper truth. At the turn of the millennium, this personal, subjective, voice-driven New Religion Journalism was employed by young writers, willing to scrutinize questions of faith and doubt while taking God-talk seriously. Articles emerged from such journalists as Kelly Baker, Ann Neumann, Patrick Blanchfield, Jeff Kripal, and Meghan O'Gieblyn, characterized by their brash, innovative, daring, and stylistically sophisticated writing and an unprecedented willingness to detail their own interaction with faith (or their lack thereof). The God Beat brings together some of the finest and most representative samples of this emerging genre. By curating and presenting them as part of a meaningful trend, this compellingly edited collection helps us understand how we talk about God in public spaces--and why it matters--in a whole new way.