Reconstructing Empress Eugénie's position as private collector and public patron, this study is the first to examine Eugénie (1826-1920) in these roles. Her patronage and collecting is considered within the context of her political roles in the development of France's institutions and international relations. The book also examines representations of the empress, and the artistic transformation of a Hispanic woman into a leading figure in French politics.

The Empress Eugénie was one of the most glamorous, celebrated and ultimately tragic figures of the nineteenth century. Wife of Napoleon III and close friend of Queen Victoria, she suffered the loss of her beloved sister, her only son, and her adopted country. But did Eugénie take her greatest secret-an illegitimate child, conceived when she was a teenager in Spain and fathered by the only man she ever truly loved-to the grave with her? And if so, what became of the child? After half a lifetime's research Joyce Cartlidge has pieced together evidence from historic records and clues in correspondence from Eugénie and her family and friends, some of it never printed before, to tell a compelling story of love and motherhood that ties the Spanish house of Montijo and the French throne to a small family in Victorian Lancashire. 'An extraordinary odyssey into family history' -The Mail on Sunday

Eugenie de Montijo was Empress of the French, sharing the Second Empire with her husband Napoleon III. She impressed the Prussian Chancellor Bismarck so much that he called her The only man in Paris.

The tragic story of Clisson and Eugenie reveals one of history's great leaders to also be an accomplished writer of fiction.Written in an eloquently Romantic style true to its period, the story offers the reader a fascinating insight into how the young Napoleon viewed love, women and military life.

This account of William Kirkpatrick of Malaga reveals for the first time a remarkable man only occasionally mentioned in the numerous biographies of his famous granddaughter, the Empress Eugenie. As United States Consul in Malaga between 1800 and 1817, William Kirkpatrick was a strong advocate of the US Navy's role in combating the Barbary Corsairs. His Consular work, business enterprises and extensive European and American connections are explored using new sources. These show that the Kirkpatricks of Dumfriesshire who settled in Spain in the 1730s were an enterprising family of international merchants. Allied with similar families from across Europe, the Kirkpatricks revolutionised trade and industry in southern Spain and even had a hand in introducing grapevines to Australia. The Kirkpatrick family received wide attention when Eugenie, aided by her mother the formidable Maria Manuela, Countess de Montijo, made a spectacular marriage to Napoleon III and became Empress Regent of France, a confidante of Queen Victoria, and an iconic figure in 19th Century Europe.After a wide-ranging business career in Africa, Colin Carlin now lives in Bath where he is associated with a leading contemporary art gallery.

THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.

NATIONAL BESTSELLER, New York Times Book Review Editors’ Choice, and a Best Book of the Year from NPR, Boston Globe, BuzzFeed, and others. The mesmerizing story of one woman's rise from circus rider to courtesan to world-renowned diva—"a brilliant performance" (Washington Post). The Queen of the Night tells the captivating story of Lilliet Berne, an orphan who left the American frontier for Europe and was swept into the glamour and terror of Second Empire France. She became a sensation of the Paris Opera, with every accolade but an original role—her chance at immortality. When one is offered to her, she finds the libretto is based on her deepest secret, something only four people have ever known. But who betrayed her? With epic sweep, gorgeous language, and haunting details, Alexander Chee shares Lilliet’s cunning transformation from circus rider to courtesan to legendary soprano, retracing the path that led to the role that could secure her reputation—or destroy her with the secrets it reveals. “It just sounds terrific. It sounds like opera.”—The New Yorker “Sprawling, soaring, bawdy, and plotted like a fine embroidery.”—NPR

Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 5-Aug. 15, 2010, and at the Brooklyn Museum, May 7-Aug. 1, 2010.