'Vivid and entertaining ... this is history as it plays upon the emotions. Empires crumble, hearts are broken' THE TIMES From the bestselling author of Red Azalea comes the much-anticipated sequel to Empress Orchid At the end of the nineteenth century China is rocked by foreign attacks and local rebellions. The only constant is the power wielded by one woman, Tzu Hsi, also known as Empress Orchid, who must face the perilous condition of her empire and devastating personal losses. In this sequel to the bestselling Empress Orchid, Anchee Min brings to life one of the most important figures in Chinese history, a very human leader who sacrifices all she has to protect both those she loves and her doomed empire.

In all the history of China, only two women ever conquered and held the heights of power. Both enjoyed long reigns characterized by ruthless intrigue; they maintained an iron grip at the center while the vast country was torn by rebellions and caught up i.

"The last empress of China--Dowager Empress Tzu Hsi (1835-1908)--is remembered as one of history's monsters, an iron-willed concubine who, after usurping power in 1861, ruled from the Dragon Throne for half a century. Her reign, in the aftermath of the Opium Wars and through the Boxer Rebellion until the collapse of the 2,000-year-old empire, has traditionally been seen as one of murder, poison, and intrigue. But the wicked image is false." "In 1974, to the dismay of scholars, Sir Edmund Backhouse--the biographer most responsible for the widespread vision of Tzu Hsi as monster--was revealed to be a con man. And now the author of the celebrated best-seller The Soong Dynasty has undertaken the first complete reappraisal of the empress--exposing Backhouse's writings about her as a major hoax and forgery, and establishing that the most important Western correspondent in Peking during her reign--Dr. George Morrison of the London Times--kept a secret diary contradicting his own dispatches about Tzu Hsi." "Drawing on many unpublished or long-overlooked contemporary sources, Sterling Seagrave shows us Tzu Hsi as a complex woman whose desperate--though often misguided--efforts to hold her country together take on a different coloration in the context of unrelenting foreign attempts to colonize and tear it apart. Far from being all-powerful, she was actually a hostage of vengeful Manchu princes who were using her in a power struggle against both Chinese reformers and foreign interference." "Here at last is an authentic portrait of this fascinating historical figure, as well as insight into the Western craving to believe in a sinister, dragon-haunted Orient. Dragon Lady is at once a compelling biography and the equally compelling story of how a myth was contrived, how it endured, and how, ultimately, the truth has emerged."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The story of three generations in twentieth-century China that blends the intimacy of memoir and the panoramic sweep of eyewitness history—a bestselling classic in thirty languages with more than ten million copies sold around the world, now with a new introduction from the author. An engrossing record of Mao’s impact on China, an unusual window on the female experience in the modern world, and an inspiring tale of courage and love, Jung Chang describes the extraordinary lives and experiences of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist; and her parents’ experience as members of the Communist elite and their ordeal during the Cultural Revolution. Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.

This is the story of two women from worlds that could not seem farther apart--imperial China and the American Midwest--who found common ground before and after one of the greatest clashes between East and West, the fifty-five day siege of the Beijing foreign legations known as the Boxer Uprising. Using diaries, letters and other sources,The Empress and Mrs. Congertraces the parallel lives of Empress Dowager Cixi and American ambassador's wife Sarah Pike Conger, which converged to alter their perspectives of each other and each other's worlds. Grant Hayter-Menziesis the author ofImperial Masquerade: The Legend of Princess Der Lingand the biographer of stage and screen stars Charlotte Greenwood and Billie Burke. "Sarah Conger's story is worth telling for many reasons. She occupied a point in time that makes her interesting, but the author demonstrates that she is interesting in her own right-a flawed and fascinating individual whose story we want to read not for what we learn about Chinese history, but for what we learn about a woman profoundly typical of her era and class leading a life of determination in the belief that the right combination of positive attitudes and common sense must win out over adversity." - Timothy Brook, University of British Columbia

"Imperial Masquerade: The Legend of Princess Der Ling, the first biography of one of the twentieth century's most intriguing cross-cultural personalities, traces not only the life of Princess Der Ling, in all its various transformations, but offers a fresh look at the woman she lionized and, ultimately, betrayed - the Empress Dowager Cixi, to whom, like Der Ling, many legends have been affixed over the past century. The book also depicts the changing worlds of Paris, Tokyo and the other international stages of Der Ling's development as woman and as mystery, and deals with the many teachers who made her who she was." --Book Jacket.

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"Empresses of China's Forbidden City: 1644-1912 accompanies the exhibition of the same title organized by the Peabody Essex Museum in Salem, Massachusetts, the Freer]Sackler, Smithsonian Institution, in Washington, DC, and the Palace Museum, Beijing, China."

Fictionized biography of Tzu-hsi, the last empress of China, who was known as "Old Buddha."

China�s 1911�12 Revolution, which overthrew a 2000-year succession of dynasties, is thought of primarily as a change in governmental style, from imperial to republican, traditional to modern. But given that the dynasty that was overthrown�the Qing�was that of a minority ethnic group that had ruled China�s Han majority for nearly three centuries, and that the revolutionaries were overwhelmingly Han, to what extent was the revolution not only anti-monarchical, but also anti-Manchu? Edward Rhoads explores this provocative and complicated question in Manchus and Han, analyzing the evolution of the Manchus from a hereditary military caste (the �banner people�) to a distinct ethnic group and then detailing the interplay and dialogue between the Manchu court and Han reformers that culminated in the dramatic changes of the early 20th century. Until now, many scholars have assumed that the Manchus had been assimilated into Han culture long before the 1911 Revolution and were no longer separate and distinguishable. But Rhoads demonstrates that in many ways Manchus remained an alien, privileged, and distinct group. Manchus and Han is a pathbreaking study that will forever change the way historians of China view the events leading to the fall of the Qing dynasty. Likewise, it will clarify for ethnologists the unique origin of the Manchus as an occupational caste and their shifting relationship with the Han, from border people to rulers to ruled. Winner of the Joseph Levenson Book Prize for Modern China, sponsored by The China and Inner Asia Council of the Association for Asian Studies