Drawing on themes from John MacKenzie’s Empires of Nature and the Nature of Empires (1997), this book explores, from Indigenous or Indigenous-influenced perspectives, the power of nature and the attempts by empires (United States, Canada, and Britain) to control it. It also examines contemporary threats to First Nations communities from ongoing political, environmental, and social issues, and the efforts to confront and eliminate these threats to peoples and the environment. It becomes apparent that empire, despite its manifestations of power, cannot control or discipline humans and nature. Essays suggest new ways of looking at the Great Lakes watershed and the peoples and empires contained within it.

Completed in 1747, Mark Catesby's Natural History of Carolina, Florida, and the Bahama Islands was the first major illustrated publication on the flora and fauna of Britain's American colonies. Together with his Hortus Britanno-Americanus (1763), which detailed plant species that might be transplanted successfully to British soil, Catesby's Natural History exerted an important, though often overlooked, influence on the development of art, natural history, and scientific observation in the eighteenth century. Inspired by a major traveling exhibition of Catesby's watercolor drawings from the Royal Library, Windsor Castle, this collection of interdisciplinary essays considers Catesby's endeavors as a naturalist-artist, scientific explorer, experimental horticulturist, ornamental gardener, and early environmental thinker in terms of the interests held by the various, overlapping communities in which he functioned--particularly as those interests related to the British colonial enterprise. The contributors are David R. Brigham, Joyce E. Chaplin, Mark Laird, Amy R. W. Meyers, Therese O'Malley, and Margaret Beck Pritchard.

Empire's Nature: Mark Catesby's New World Vision

This collection of essays explores two traditions of interpreting and manipulating nature in the early-modern and nineteenth-century Iberian world: one instrumental and imperial, the other patriotic and national. Imperial representations laid the ground for the epistemological transformations of the so-called Scientific Revolutions. The patriotic narratives lie at the core of the first modern representations of the racialized body, Humboldtian theories of biodistribution, and views of the landscape as a historical text representing different layers of historical memory.

Explores the power of Nature and the attempts by Empires (United States, Canada, and Britain) to control it from Indigenous or Indigenous influenced perspectives. This title hopes to inspire ways of looking at the Great Lakes watershed and the people and empires contained within it.

In the nineteenth century, the Qing empire experienced a period of profound turmoil caused by an unprecedented conjunction of natural disasters, domestic rebellions, and foreign incursions. The imperial government responded to these calamities by introducing an array of new policies and institutions to bolster its power across its massive territories. In the process, Qing officials launched campaigns for natural resource development, seeking to take advantage of the unexploited lands, waters, and minerals of the empire’s vast hinterlands and borderlands. In this book, Peter B. Lavelle uses the life and career of Chinese statesman Zuo Zongtang (1812–1885) as a lens to explore the environmental history of this era. Although known for his pacification campaigns against rebel movements, Zuo was at the forefront of the nineteenth-century quest for natural resources. Influenced by his knowledge of nature, geography, and technology, he created government bureaus and oversaw state-funded projects to improve agriculture, sericulture, and other industries in territories across the empire. His work forged new patterns of colonial development in the Qing empire’s northwest borderlands, including Xinjiang, at a time when other empires were scrambling to secure access to resources around the globe. Weaving a narrative across the span of Zuo’s lifetime, The Profits of Nature offers a unique approach to understanding the dynamic relationship among social crises, colonialism, and the natural world during a critical juncture in Chinese history, between the high tide of imperial power in the eighteenth century and the challenges of modern state-building in the twentieth century.

For over two centuries, liberal apologists for empire in Britain and America have been plagued by the contradictions between political liberalism and the exclusive, anti-democratic, and violent practices of imperialism - contradictions that become particularly obvious during periods of perceived imperial crisis. This book interrogates the complicated rhetoric of several pro-imperial, public intellectuals from both the late British Empire and contemporary America, two eras marked by intense anxiety about decline.

Fresh, modern translation of a major French Revolutionary text, which argues for popular sovereignty in the form of a dream-tale.

Britain's overseas Empire pre-eminently involved the sea. In a two-way process, ships carried travellers and explorers, trade goods, migrants to new lands, soldiers to fight wars and garrison colonies, and also ideas and plants that would find fertile minds and soils in other lands. These essays, deriving from a National Maritime Museum (London) conference, provide a wide-ranging and comprehensive picture of the activities of maritime empire. They discuss a variety of issues: maritime trades, among them the trans-Atlantic slave trade, Honduran mahogany for shipping to Britain, the movement of horses across the vast reaches of Asia and the Indian Ocean; the impact of new technologies as Empire expanded in the nineteenth century; the sailors who manned the ships, the settlers who moved overseas, and the major ports of the Imperial world; plus the role of the navy in hydrographic survey. Published in association with the National Maritime Museum. DAVID KILLINGRAY is Emeritus Professor of Modern History, Goldsmiths College London; MARGARETTE LINCOLN and NIGEL RIGBY are in the research department of the National Maritime Museum.