Tomorrow... is just 121,000 years away! An astonishing and captivating original graphic novel inspired by a real psychological case, Atomic Empire is both a psychiatric enigma and a space opera immersed in the fluid and aerodynamic imagery of 1950s sci-fi. 1953: The world has entered the age of the Atom, but one man wonders what it means for civilization. His name is Paul--a government research specialist who, since childhood, has been in telepathic contact with a hero from the distant future. But when a mysterious consultant begins to take an interest in him, "the man who communicates with the future" will commit an unforgivable sin and break an oath to his friend Zarth Arn, hero of the Galactic Empire.

Ludwig Boltzmann, an Austrian physicist is considered the forgotten genius who set the atomic revolution in motion. However, he was unaware his vision would lead to the greatest chain of scientific discoveries ever made. His story is presented in this combination of expert storytelling with a deep understanding of physics.

The classic, award-winning novel, made famous by Steven Spielberg's film, tells of a young boy's struggle to survive World War II in China. Jim is separated from his parents in a world at war. To survive, he must find a strength greater than all the events that surround him. Shanghai, 1941 -- a city aflame from the fateful torch of Pearl Harbor. In streets full of chaos and corpses, a young British boy searches in vain for his parents. Imprisoned in a Japanese concentration camp, he is witness to the fierce white flash of Nagasaki, as the bomb bellows the end of the war...and the dawn of a blighted world. Ballard's enduring novel of war and deprivation, internment camps and death marches, and starvation and survival is an honest coming-of-age tale set in a world thrown utterly out of joint.

The second book in a big, breathtaking new trilogy that blends fantasy, romance, horror, and pulse-pounding action, from #1 New York Times bestselling author Kelley Armstrong. Sisters Moria and Ashyn are the Keeper and Seeker of Edgewood. Or at least, they were. Their village is gone. Their friends have betrayed them. And now, they are all but prisoners in court, forced to watch and wait while the Emperor decides whether to help the children of Edgewood, who remain hostages of the treacherous Alvar Kitsune. But when the emperor finally sends the girls on a mission to rescue the children--accompanied by Prince Tyrus and a small band of men--the journey proves more perilous than any of them could have imagined. With lies and unrest mounting in the empire, Moria and Ashyn will have to draw on every bit of influence and power they possess to unite their people and avert an all-out war.

After the collapse of civilization, Clane a brilliant mutant, manages to rediscover the lost science behind ancient machines that once ran everything and finds that alien invaders had reduced humankind to barbarism in preparation for seizing control of the solar system.

Traces the path of discovery that revealed the nature of the atom, of light, of gravity, of the electromagnetic force, and the nature and structure of the universe.

Decolonization revolutionized the international order during the twentieth century. Yet standard histories that present the end of colonialism as an inevitable transition from a world of empires to one of nations—a world in which self-determination was synonymous with nation-building—obscure just how radical this change was. Drawing on the political thought of anticolonial intellectuals and statesmen such as Nnamdi Azikiwe, W.E.B Du Bois, George Padmore, Kwame Nkrumah, Eric Williams, Michael Manley, and Julius Nyerere, this important new account of decolonization reveals the full extent of their unprecedented ambition to remake not only nations but the world. Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders. Responding to the experience of racialized sovereign inequality, dramatized by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchy and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to transcend legal, political, and economic hierarchies by securing a right to self-determination within the newly founded United Nations, constituting regional federations in Africa and the Caribbean, and creating the New International Economic Order. Using archival sources from Barbados, Trinidad, Ghana, Switzerland, and the United Kingdom, Worldmaking after Empire recasts the history of decolonization, reconsiders the failure of anticolonial nationalism, and offers a new perspective on debates about today’s international order.

Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.