Emma is staying with her cranky Uncle Hubert and strict Aunt Mechthild during the holiday. At first it appears that this will be a long and dull visit, filled with lonely activities. However, Emma soon discovers that her aunt and uncle have countless rooms, each designated with their very own quirky collection. There is a room just for snail-shells and another for perfume samples. One evening Emma stumbles upon the Button Room, and suddenly a big gold button starts talking to her! When Emma touches it, she shrinks to button size and finds herself in the magical Buttonland. No sooner has she arrived than the Button Police are after her in hot pursuit—it is their job, after all, to persecute all Non-Buttons. Luckily for Emma, she meets Louise, a silver button, and Gustav, a mother-of-pearl button. Together they try to help Emma back to the human world. That marks the beginning of a thrilling journey through the land of buttons. Emma in Buttonland is for any child with a love for magical worlds full of adventure, and for any parent who fondly remembers classic stories such as Alice's Adventures in Wonderland and Gulliver's Travels.

Lee Littlewood is a nationally syndicated columnist for Creators Syndicate. This is a collection of the very best of Kids’ Home Library from 2014.

Emma is staying with her cranky Uncle Hubert and strict Aunt Mechthild during the holiday. At first it appears that this will be a long and dull visit, filled with lonely activities. However, Emma soon discovers that her aunt and uncle have countless rooms, each designated with their very own quirky collection. There is a room just for snail-shells and another for perfume samples. One evening Emma stumbles upon the Button Room, and suddenly a big gold button starts talking to her! When Emma touches it, she shrinks to button size and finds herself in the magical Buttonland. No sooner has she arrived than the Button Police are after her in hot pursuit—it is their job, after all, to persecute all Non-Buttons. Luckily for Emma, she meets Louise, a silver button, and Gustav, a mother-of-pearl button. Together they try to help Emma back to the human world. That marks the beginning of a thrilling journey through the land of buttons. Emma in Buttonland is for any child with a love for magical worlds full of adventure, and for any parent who fondly remembers classic stories such as Alice's Adventures in Wonderland and Gulliver's Travels.

"Cases argued and determined in the Court of Appeals, Supreme and lower courts of record of New York State, with key number annotations." (varies)

A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries—not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality. Praise for the first edition “[T]he author... brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled.... [A] book that gets you to see the world anew, again.” —The New York Times “A sprightly and disconcerting piece of cultural history” —Terence Hawkes, London Review of Books “In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once.” —Todd Gitlin, Los Angeles Times Book Review