Catch Me If You Can meets Patricia Highsmith in this “stylish” (New York Times Book Review) page-turner of greed and obsession, survival and self-invention that is a piercing character study of one unforgettable female con artist. At the end of the 1990s, with the art market finally recovered from its disastrous collapse, Miss Rebecca Farwell has made a killing at Christie’s in New York City, selling a portion of her extraordinary art collection for a rumored 900 percent profit. Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make. But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller. No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable. But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life?

In Blue Stars, Emily Gray Tedrowe has written an extraordinary novel about ordinary people, a graceful and gritty portrayal of what it's like for the women whose husbands and sons are deployed in Iraq. Blue Stars brings to life the realities of the modern day home front: how to get through the daily challenges of motherhood and holding down a job while bearing the stress and uncertainty of war, when everything can change in an instant. It tells the story of Ellen, a Midwestern literature professor, who is drawn into the war when her legal ward Michael enlists as a Marine; and of Lacey, a proud Army wife who struggles to pay the bills and keep things going for her son while her husband is deployed. Ellen and Lacey cope with the fear and stress of a loved one at war while trying to get by in a society that often ignores or misunderstands what war means to women today. When Michael and Eddie are injured in Iraq, Ellen and Lacey's lives become intertwined in Walter Reed Army Hospital, where each woman must live while caring for her wounded soldier. They form an alliance, and an unlikely friendship, while helping each other survive the dislocated world of the army hospital. Whether that means fighting for proper care for their men, sharing a six-pack, or coping with irrevocable loss, Ellen and Lacey pool their strengths to make it through. In the end, both women are changed, not only by the war and its fallout, but by each other.

When Claire Galloway accepts a post as nanny for two-month old Daniel Kensington, she is unprepared for the macabre situation that exists behind the walls of Marchfield Manor. Upon her arrival, she learns the tragic history of a woman named Emily Marchfield Grey, who hanged herself from the parapet a half century ago. The disturbing event still shrouds the Gothic manor in a pervasive gloom and sends Daniel's mother, Lily, down a path as nightmarish as the one that drove Emily to the brink of madness. Beginning with the death of Daniel's twin brother, Lily hears Emily's music box every night just before her ghostly apparition appears. Dressed in a Victorian wedding gown, she cradles a bouquet of dead roses as if it were a baby. Claire assumes the visions are Lily's grief-filled imagination and nothing more. But when she begins to experience the same phenomenon herself, she turns to Lily's husband, Mark . A physician and skeptic, he condemns her for stoking his wife's delusions. As the mysterious occurrences become ever more twisted and bizarre, Claire begins to question her own sanity as well as Lily's. Determined to protect Daniel and his mother from the evil that threatens them, Claire risks everything, including her own life, to end Emily's tragic legacy.

A biographical history of influential African American pioneers and freedom fighters in the Midwest, including Sara Jane Woodson, Peter Clark, and Dred Scott.

2022 NATIONAL BOOK CRITICS CIRCLE AWARD WINNER FOR TRANSLATED FICTION With a warm yet political humor, Ukraine’s most famous novelist presents a balanced and illuminating portrait of modern conflict. Little Starhorodivka, a village of three streets, lies in Ukraine's Grey Zone, the no-man's-land between loyalist and separatist forces. Thanks to the lukewarm war of sporadic violence and constant propaganda that has been dragging on for years, only two residents remain: retired safety inspector turned beekeeper Sergey Sergeyich and Pashka, a rival from his schooldays. With little food and no electricity, under constant threat of bombardment, Sergeyich's one remaining pleasure is his bees. As spring approaches, he knows he must take them far from the Grey Zone so they can collect their pollen in peace. This simple mission on their behalf introduces him to combatants and civilians on both sides of the battle lines: loyalists, separatists, Russian occupiers and Crimean Tatars. Wherever he goes, Sergeyich's childlike simplicity and strong moral compass disarm everyone he meets. But could these qualities be manipulated to serve an unworthy cause, spelling disaster for him, his bees and his country?

This volume offers a multidisciplinary engagement with the work of Tim Ingold. Involved in a critical long-term exploration of the relationships between human beings, organisms, and their environment, Ingold has become one of the most influential, innovative, and prolific writers in anthropology in recent decades. His work transcends established academic and disciplinary boundaries and his thinking continues to have a significant impact on numerous areas of research and other intellectual and artistic spheres. The contributions to this book are drawn from several fields, including social anthropology, archaeology, rock art studies, philosophy, and science and technology studies. The chapters critically engage with Ingold’s approaches and ideas in relation to a variety of case studies that include the exploration of Australian rock art, electricity in Pakistan, Spanish farmhouses and sensory dimensions of educational practices. Emphasising the importance of dialogue and debate, there is also a response to the contributions by Tim Ingold himself. The volume will appeal to a wide range of audiences and provide new avenues of theoretically informed anthropological exploration into the many realities and expressions of human life.

The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects. In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge. Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike.

Unearths previously untold stories of African Americans in early Minnesota.