Written by Mariko Tamaki Art and cover by Steve Rolston "Auspicious . . . an unusually strong graphic novel - rich in visuals and observations." - Publishers Weekly on Tamaki's Skim A borrowed diary, a double life and identity issues fuel a teenager's quest to find herself before she cracks and commits social suicide. Watch Emi go from dull, suburban babysitter to eclectic urban art star compliments of one crazy summer! Retailers: See this month's order form for a special ordering incentive on this title. Advance-solicited; on sale October 1 - 5.25" x 8" - 176 pg, FC, B&W, $9.99 US

In America, comics and comic books have often been associated with adolescent male fantasy--muscle-bound superheroes and scantily clad women. Nonetheless, comics have also been read and enjoyed by girls. While there have been many strong representations of women throughout their history, the comics of today have evolved and matured, becoming a potent medium in which to explore the female experience, particularly that of girlhood and adolescence. In Girls and Their Comics: Finding a Female Voice in Comic Book Narrative, Jacqueline Danziger-Russell contends that comics have a unique place in the representation of female characters. She discusses the overall history of the comic book, paying special attention to girls' comics, showing how such works relate to a female point of view. While examining the concept of visual literacy, Danziger-Russell asserts that comics are an excellent space in which the marginalized voices of girls may be expressed. This volume also includes a chapter on manga (Japanese comics), which explains the genesis of girls' comics in Japan and their popularity with girls in the United States. Including interviews with librarians, comic creators, and girls who read comics and manga, Girls and Their Comics is an important examination of the growing interest in comic books among young females and will appeal to a wide audience, including literary theorists, teachers, librarians, popular culture and women's studies scholars, and comic book historians.

Inspired by the Pulitzer Prize-winning novel The Amazing Adventures of Kavalier & Clay, this story of three aspiring comics creators with big dreams, small cash, and publishing rights to one forgotten Golden Age hero--The Escapist--is Brian K. Vaughan's love letter to his chosen medium. The lives of these creators Max, Denny, and Case--latter day versions of Joe Kavalier and Sam Clay--are brilliantly woven together with the world of their creations. Discovering his late father's decades-spanning vault of Escapist memorabilia at the age of six, Max became a fan of the Master of Elusion almost overnight. After exhausting the extensive stash of Golden and Silver Age comics, he needed more--and started writing his own Escapist stories. Now nineteen, he's determined to make the character a sensation once again. Together with his friend Denny Jones, and their newfound artist Case Weaver, Max relaunches The Escapist comics. Through a couple risky publicity stunts--including one that makes national news--the creators risk criminal charges to get the word out about their publication. Will it be enough to make the book a success? Or just enough to get them in jail? Interwoven with Max's struggles are the comic-within-a-comic stories of The Escapist himself, his ally Luna Moth, good old-fashioned death traps, betrayal, and a touch of romance. Mulitiple award-winning author Brian K. Vaughan (Saga, Y--The Last Man, Ex Machina) successfully crafts the perfect partner to Michael Chabon's masterpiece.

At 32, Luisa encounters her 15-year-old self in this sentimental and bold story about self-acceptance and sexuality.

21 Journeys is one of Cloudscape's most ambitious books, a full-colour, Shuster nominated, 250-page anthology centered around the theme of travel. The book features artists such as Steve Rolston, famed artist of Ghost Projekt, independent comics veteran Colin Upton, alternative poet Ray Hsu and Israeli-American cartoonist Miriam Libicki. These stories take the reader to all points of the globe, from wartime Germany to modern Uganda, from the tip of the Matterhorn to deep beneath the Gulf Stream, from the other side of the world to just down the street. You meet students, soldiers, and scientists; businessmen, teachers, and priests; people from every imaginable profession, each following their own path.

A six-eyed teenage alien refugee becomes a Hollywood star in this hilarious series opener by the bestselling authors of the Hank Zipzer series, Henry Winkler and Lin Oliver. When thirteen-year-old Buddy Burger has to flee from his alien planet, he crash lands in an even wilder place: Hollywood, California. But no one is shocked to see a six-eyed alien strolling around the Universal back lot. The tourists just think he’s an actor in a supercool alien costume. And the fancy Hollywood directors take notice too. They cast Buddy in a popular TV show playing (of course) an alien. After a video of his first episode goes viral, he becomes an overnight sensation, and suddenly, his world is filled with adoring fans, rides in glamorous limos, and appearances at all-the-shrimp-you-can-eat red carpet parties! Will Buddy be able to keep his secret when all eyes are on him? Or will the glitz and glam of Hollywood prove too much for this alien superstar? “Alien Superstar has it all . . . action, suspense, and big laughs!” —Jeff Kinney, author of the Diary of a Wimpy Kid series “Henry Winkler and Lin Oliver keep us laughing while slipping in a lesson for kids—accept everyone as they are, even if they have suction cups for feet. Alien Superstar is a super fun read for middle grades on up.” —Jennifer Garner “A funny interstellar adventure that will have readers watching the cosmos for the second book to arrive.” —SLJ Review "Winkler and Oliver bring their sharply honed sense of comedy and extensive experience in the television industry to Buddy’s antics on the set. . . . This results in an endearingly strange protagonist that will resonate with any kid who has felt like an outsider. A sense of humor and empathy are required for this zany adventure.” —Booklist

A beautiful and offbeat novel from Mariko Tamaki, co-creator of the bestselling Printz Honor and Caldecott Honor Book This One Summer. Montgomery Sole is a square peg in a small town, forced to go to a school full of jocks and girls who don't even know what irony is. It would all be impossible if it weren't for her best friends, Thomas and Naoki. The three are also the only members of Jefferson High's Mystery Club, dedicated to exploring the weird and unexplained, from ESP and astrology to super powers and mysterious objects. Then there's the Eye of Know, the possibly powerful crystal amulet Monty bought online. Will it help her predict the future or fight back against the ignorant jerks who make fun of Thomas for being gay or Monty for having lesbian moms? Maybe the Eye is here just in time, because the newest resident of their small town is scarier than mothmen, poltergeists, or, you know, gym. Thoughtful, funny, and painfully honest, Montgomery Sole is someone you'll want to laugh and cry with over a big cup of frozen yogurt with extra toppings.

NOW A NEW YORK TIMES BESTSELLER! Publisher's Weekly "Best Summer Books of 2013" The Daily Beast's "Brainy Summer Beach Reads" The classic literary canon meets the comics artists, illustrators, and other artists who have remade reading in Russ Kick's magisterial, three-volume, full-color The Graphic Canon, volumes 1, 2, and 3. Volume 3 brings to life the literature of the end of the 20th century and the start of the 21st, including a Sherlock Holmes mystery, an H.G. Wells story, an illustrated guide to the Beat writers, a one-act play from Zora Neale Hurston, a disturbing meditation on Naked Lunch, Rilke's soul-stirring Letters to a Young Poet, Anaïs Nin's diaries, the visions of Black Elk, the heroin classic The Man With the Golden Arm (published four years before William Burroughs' Junky), and the postmodernism of Thomas Pynchon, David Foster Wallace, Kathy Acker, Raymond Carver, and Donald Barthelme. The towering works of modernism are here--T.S. Eliot's "The Love Song of J. Alfred Prufrock" and "The Waste Land," Yeats's "The Second Coming" done as a magazine spread, Heart of Darkness, stories from Kafka, The Voyage Out by Virginia Woolf, James Joyce's masterpiece, Ulysses, and his short story "Araby" from Dubliners, rare early work from Faulkner and Hemingway (by artists who have drawn for Marvel), and poems by Gertrude Stein and Edna St. Vincent Millay. You'll also find original comic versions of short stories by W. Somerset Maugham, Flannery O'Connor, and Saki (manga style), plus adaptations of Lolita (and everyone said it couldn't be done!), The Age of Innocence, Siddhartha and Steppenwolf by Hermann Hesse, "The Negro Speaks of Rivers" by Langston Hughes, One Flew Over the Cuckoo's Nest, Last Exit to Brooklyn, J.G. Ballard's Crash, and photo-dioramas for Animal Farm and The Wonderful Wizard of Oz. Feast your eyes on new full-page illustrations for 1984, Brave New World, Waiting for Godot, One Hundred Years of Solitude,The Bell Jar, On the Road, Lord of the Flies, The Wind-Up Bird Chronicle, and three Borges stories. Robert Crumb's rarely seen adaptation of Nausea captures Sartre's existential dread. Dame Darcy illustrates Cormac McCarthy's masterpiece, Blood Meridian, universally considered one of the most brutal novels ever written and long regarded as unfilmable by Hollywood. Tara Seibel, the only female artist involved with the Harvey Pekar Project, turns in an exquisite series of illustrations for The Great Gatsby. And then there's the moment we've been waiting for: the first graphic adaptation from Kurt Vonnegut's masterwork, Slaughterhouse-Five. Among many other gems.

Little Mouse and Big Bear live on opposite ends of the same road, and they both would like a friend. But every morning, Little Mouse and Big Bear pass by each other, unnoticed. Until one day, their eyes meet! It's a little awkward at firs—as most new friendships can be—but soon enough they're sipping warm tea together in Big Bear's cozy home, and making plans to meet again the following Sunday. When a nasty storm blows into town will it wreck everything they've built? This tale of friendship and bravery will warm your heart like a cookie and a warm drink shared with a friend.

The field of American women's writing is one characterized by innovation: scholars are discovering new authors and works, as well as new ways of historicizing this literature, rethinking contexts, categories and juxtapositions. Now, after three decades of scholarly investigation and innovation, the rich complexity and diversity of American literature written by women can be seen with a new coherence and subtlety. Dedicated to this expanding heterogeneity, The Cambridge History of American Women's Literature develops and challenges historical, cultural, theoretical, even polemical methods, all of which will advance the future study of American women writers – from Native Americans to postmodern communities, from individual careers to communities of writers and readers. This volume immerses readers in a new dialogue about the range and depth of women's literature in the United States and allows them to trace the ever-evolving shape of the field.