In this book, a follow-up to the same author's well-received study of British web equipment, Martin Brayley gives a detailed illustrated overview of the webbing straps, holsters, carriers and haversacks used by American combat troops from before World War One to the Vietnam War. Hundreds of different items are photographed, and the often small differences between suppliers and periods are pointed in the learned and informative text. This book offers collectors and students of militaria a detailed and authoritative review of the development of the US Army's web equipment. It tells the story from the first M1910 set taken to France by the 'Doughboys' of World War One to the M1956 and its M1967 replacement worn by the 'grunts' in Vietnam. Superbly illustrated with more than 100 full-colour photographs. Martin Brayley is a prolific collector of military equipment and is a photographer by profession.

Autocannon is a comprehensive history of the development of automatic cannon and their ammunition from the end of the nineteenth century up to the present day. A brief history of their development is followed by sections examining the basic principles of gun and ammunition design, including various unconventional systems. Next comes a survey of cartridges in calibre order, from 20mm to 57mm, including not only ammunition that has seen service, but also a wide range of experimental types. Finally there is a survey of the cannon, grouped by nationality, which again includes many experimental models. The book includes data on about 200 different cartridges and 400 cannon, and has nearly 500 illustrations. It is the culmination of decades of research, and is unmatched in its coverage of this subject.

In this book, a follow-up to the same author's well-received study of British web equipment, Martin Brayley gives a detailed illustrated overview of the webbing straps, holsters, carriers and haversacks used by American combat troops from before World War One to the Vietnam War. Hundreds of different items are photographed, and the often small differences between suppliers and periods are pointed in the learned and informative text. This book will be required reading for all students of American uniform and equipment, modelers, re-enactors and collectors.

In treatment, the psychotherapist is in a position of power. Often, this power is unintentionally abused. While trying to embody a compassionate concern for patients, therapists use accepted techniques that can inadvertently lead to control, indoctrination, and therapeutic failure. Contrary to the stated tradition and values of psychotherapy, they subtly coerce patients rather than respect and genuinely help them. The more gross kinds of patient abuse, deliberate ones such as sexual and financial exploitation, are expressly forbidden by professional organizations. However, there are no regulations discouraging the more covert forms of manipulation, which are not even considered exploitative by many clinicians. In this book, noted psychiatrist Theo. L. Dorpat strongly disagrees. Using a contemporary interactional perspective Dorpat demonstrates the destructive potential of manipulation and indoctrination in treatment. This book is divided into three parts. Part I explores the various ways power can be abused. Part II examines eleven treatment cases in which covert manipulation and control either caused analytic failure or severely impaired the treatment process. Cases discussed include the analyses of Dora and the Wolf Man by Freud, the two analyses of Mr. Z by Kohut, as well as other published and unpublished treatments. An interactional perspective is used to examine the harmful short- and long-term effects of using indoctrination methods as well as to unravel conscious and unconscious communications between therapists and patients that can contribute to manipulations. Part III shows readers how to work using a non-directive, egalitarian approach in both psychoanalytic psychotherapy and psychoanalysis.

Traces the movement from mutualism to individualism in the context of American family life. Families survived or even flourished during colonization, Revolution, slavery, immigration and economic upheaval. In the past century, prosperity created a culture devoted to pleasure and individual fulfilment.

This book explores a series of powerful artifacts associated with King Solomon via legendary or extracanonical textual sources. Tracing their cultural resonance throughout history, art historian Allegra Iafrate delivers exciting insights into these objects and interrogates the ways in which magic manifests itself at a material level. Each chapter focuses on a different Solomonic object: a ring used to control demons; a mysterious set of bottles that constrain evil forces; an endless knot or seal with similar properties; the shamir, known for its supernatural ability to cut through stone; and a flying carpet that can bring the sitter anywhere he desires. Taken together, these chapters constitute a study on the reception of the figure of Solomon, but they are also cultural biographies of these magical objects and their inherent aesthetic, morphological, and technical qualities. Thought-provoking and engaging, Iafrate’s study shows how ancient magic artifacts live on in our imagination, in items such as Sauron’s ring of power, Aladdin’s lamp, and the magic carpet. It will appeal to historians of art, religion, folklore, and literature.