Library of America presents a definitive collection of classic Westerns by America's master modern crime writer One of the great storytellers of our time, Elmore Leonard perfected his craft writing Westerns, a genre he loved. These tales--some adapted into such outstanding films as Hombre, Valdez Is Coming, and 3:10 to Yuma--are unexcelled for their wiry tautness, sharp characterizations, and jolts of unexpected humor. For sheer stripped-down narrative tension Leonard never did anything better, and the fresh twists he finds in resolving the genre's classic confrontations reveal a master at work. Whether describing a Civil War veteran coming back to find his homestead stolen (Last Stand at Saber River), a man raised by Apaches treated with contempt by the white settlers who will ultimately depend on him for their survival (Hombre), a local constable, tricked into killing an innocent man, fighting back against the powerful man who duped him (Valdez Is Coming), or two convicts in a desert prison--one African American and the other half-Apache--plotting a near-impossible escape (Forty Lashes Less One), Leonard's westerns are tough, suspenseful, convincing, and beautifully spare in style. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned. Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first story he ever published, “The Trail of the Apache”—Elmore Leonard once again demonstrates the superb talent for language and gripping narrative that have made him one of the most acclaimed and influential writers of our time.

A classic tale of the American west from the NEW YORK TIMES bestselling author. John Russell has been raised as an Apache. Now he's on his way to live as a white man. But when the stagecoach passengers learn who he is, they want nothing to do with him. That is, until outlaws ride down on them and they must rely on Russell's guns and his ability to lead them out of the desert. He can't ride with them, but they must walk with him or die...

When the treacherous O'Neill king allows Vikings to raid his home in Thomond, Brian Boru of the little known Dal Cais Clan, embarks on a life long journey to capture Ireland's high crown. But in a world where murder, sex and betrayal are commonly employed to gain political power, Brian realizes that those pretending to be his allies are working against him. With the help of Patric, the son of his closest friend, Brian wages bloody wars against the Vikings and the O'Neill Clan, inching closer to his crown. Only when he kidnaps the famed Kormlada, wife to two high kings including his nemesis, Malsakin O'Neill, does Brian realize that other worldly forces may be playing a role in his ascension. Both beautiful and mystical, Kormlada has a penchant for mischief as well as getting what she wants-and what she wants is power. With Kormlada's assistance, Brian captures his throne but his wife's over reaching ambition turns her attention toward another man-Patric's foster son, Njord the Black. The result is one of the bloodiest battles in Irish history.

The hell called Yuma Prison can destroy the soul of any man. And it's worse for those whose damning crime is the color of their skin. The law says Chiricahua Apache Raymond San Carlos and black-as-night former soldier Harold Jackson are murderers, and they'll stay behind bars until they're dead and rotting. But even in the worst place on Earth, there's hope. And for two hard and hated inmates -- first enemies, then allies by necessity -- it waits at the end of a mad and violent contest ... on a bloody trail that winds toward Arizona's five most dangerous men.

"Valdez Is Coming: The shotgun went off aimed at the wrong man, held in the wrong man's hands. A crowd had gathered to drink and laugh and shoot down at the old shack where a supposed killer was hiding out. Then Bob Valdez, humble town constable and stage-line shotgun rider, walked down to the shack. Moments later Valdez had killed an innocent man, and the crowd, sapped of its bloodlust, wandered off. But for Bob Valdez it was far from over. He wanted the wealthy landowner who had enginnered the scene to give the dead man's woman money for a wrongful death. They laughed at Bob Valdez. They taunted him and beat him until Valdez had no choice but to come back to them again. Only this time Valdez was coming with three guns--three guns and the will to teach a rich man's army how costly atonement can get. "Hombre: Set in Arizona mining country, "Hombre is the story of a stagecoach held up by outlaws. One of the passengers, John Russell, is a white man who was raised partly by Apache Indians, and knows first hand the indignities suffered by them at the hands of the whites who control the reservations. He has also learned to live and fight like an Apache. Combatting the outlaws, Russell finds himself faced with the decision of whether to save only himself or to save his fellow white passengers. John Russell becomes the key player in a drama examining man's responsibilities to his fellow man, acted out on a dusty stage in America's Wild West.

Touching on the themes of the popular FX series Justified featuring U.S. Marshall Raylan Givens, Valdez Is Coming is New York Times bestselling author Elmore Leonard's classic western tale of corruption, justice, and vengeance. Forced to gun down an innocent man, part-time sheriff Roberto Valdez is nearly killed and run out of town when he seeks justice for the dead man’s family. But the same townsfolk who laughed at Valdez’s dark skin, mocked his decency, and tied him to a cross will find themselves on the wrong side of a gun when the lawman comes back to deliver his own brand of justice.

A 10th anniversary edition of this cult classic with a new introduction. From cult heroes the Saints and the Go - Betweens to national icons Powderfinger and international stars Savage Garden, Brisbane has produced more than its share of great bands. But behind the music lay a ghost city of malice and corruption. Pressed under the thumb of the Bjelke - Petersen government and its toughest enforcers - the police - Brisbane's musicians, radio announcers and political activists braved ignorance, harassment and often violence to be heard. Pig City's reputation has grown in the decade since its first publication. In 2007, Queensland Music Festival staged the book as an all - day music event, headlined by the first performance in nearly 30 years by the original line - up of the Saints. This updated 10th anniversary edition features a scathing new introduction by the author, assessing the changing shape of Brisbane, its music, and troubling developments since the return of the state of Queensland to conservative governance.

Rediscover the golden age of the Western with this collection of four unforgettable novels of honor, adventure, and violence set against the magnificent landscapes of the American frontier The heroic exploits and violent struggles of the Old West come alive once more through this one-of-a-kind collection of four thrilling novels. Edited by Ron Hansen, this deluxe hardcover edition shows that the 1940s and 1950s was a golden age for the Western novel. In the Pulitzer Prize-winning The Ox-Bow Incident, Walter van Tilburg Clark explores the thin line between civilization and barbarism through the story of a lynch mob that targets three innocent men, exposing a dark authoritarian impulse at work the American frontier. Set in Wyoming in 1889, a time when ranchers and cattle companies waged war with each other, Jack Schaefer's iconic Shane deploys many of the genre's most essential elements, brilliantly filtered through a boy's perceptions. Alan Le May's The Searchers, the basis for John Ford's cinematic masterpiece starring John Wayne, follows the dogged quest of two men to rescue a young girl taken prisoner by Comanche warriors. And Oakley Hall's Warlock, a novel that anticipates the later books of Cormac McCarthy and Larry McMurtry, casts the battle for control of a southwestern outpost as a bloody saga pitting a marauding gang of cowboys and rustlers against the town's defenders, led by the legendary gunslinger Clay Blaisedell. All four novels were memorably adapted for the screen, and their gripping stories--told with brisk narrative energy, psychological depth, and laconic humor--have contributed unforgettably to the Western's enduring legacy in American culture.