Does a bride-to-be ever know for certain that she's chosen the right man? 'You won't put it down' CLOSER 'Ellie Andrews Has Second Thoughts is breathlessly wonderful from start to finish, with characters you'll adore and a story you won't want to end' Miranda Dickinson 'I absolutely loved Ellie. Seriously loved her, and that's what Ruth Saberton does best, she gives us a heroine to root for' CHICKLIT REVIEWS Ellie Andrews is finally getting married. Or she will be if she drinks enough champagne to pluck up the courage for her trip down the aisle. The problem is that after months spent bickering over menus and table placements, Ellie's never felt more distant from the man she's supposed to be spending the rest of her life with. As last minute nerves take hold, a night of soul-searching sees Ellie reflecting back on old flames in a bid to reassure herself she's making the right decision. There's Rupert - adoring but dull; Jay - the teenage crush; Marcus - sexy but toxic; and Xander - a true friend. But as the sun rises and the ceremony looms ever closer, Ellie is still unsure if she's doing the right thing. Then an unexpected encounter turns her world upside down. Should she take a chance? Or should she stick with the choices she's made? As Ellie makes her way to the church, only one question remains: who will be waiting for her at the altar?

A city girl through and through - how will she cope with country life? 'Amber is a gorgeous character to spend time with, and it's a real treat to find a genuinely funny, uplifting book' Fiona Walker Amber Scott loves her city life - a terrific job working on a glossy magazine, and a fiancé, Ed, she's known since Uni. Even if Ed doesn't take her job seriously (as a solicitor, he doesn't have much time for women's magazines!), it is Amber's dream job. So Ed's news that he has taken a job in the West Country turns Amber's world upside down. The new life in Cornwall does not get off to the best start. The huge house Ed was so keen on is, well, huge - what is Amber going to do with four acres? And do M&S make Aga-ready meals? And when a handsome, if surly, man leads the local hunt over her land, it's more than Amber can stand. So how is it that, before long Amber is friends with the local eccentric Lady of the Manor, making love potions at her mother's recommendation - and answering the door naked to strangers...?

This work is a wide-ranging survey of American children's film that provides detailed analysis of the political implications of these films, as well as a discussion of how movies intended for children have come to be so persistently charged with meaning. Disney, Pixar, and the Hidden Messages of Children's Films provides wide-ranging scrutiny of one of the most lucrative American entertainment genres. Beyond entertaining children—and parents—and ringing up merchandise sales, are these films attempting to shape the political views of young viewers? M. Keith Booker examines this question with a close reading of dozens of films from Disney, Pixar, Dreamworks, and other studios, debunking some out-there claims—The Ant Bully communist propaganda?—while seriously considering the political content of each film. Disney, Pixar, and the Hidden Messages of Children's Films recaps the entire history of movies for young viewers—from Snow White and the Seven Dwarfs to this year's Up—then focuses on the extraordinary output of children's films in the last two decades. What Booker finds is that by and large, their lessons are decidedly, comfortably mainstream and any political subtext more often than not is inadvertent. Booker also offers some advice to parents for helping children read films in a more sophisticated way.

Contains excerpt of Whitefern, sequel to My sweet Audrina.

Katy Carter is a sucker for romance... A fun, feel-good, modern rom-com about one woman's search for her hero. Katy Carter knows she's no domestic goddess: she's scatterbrained, she needs a fire extinguisher at the ready when she's cooking, and she daily falls off the diet wagon. But that doesn't stop her fantasising about a hero to call her own. And Katy thinks she's found him in fiancé James, a charming, high-flying city banker. So why, then, does Katy find herself scribbling steamy historical romances every spare moment she gets, and daydreaming about becoming a published author when she ought to be paying attention in staff meetings? As her wedding day looms, Katy determines to become a wife James can be proud of, and employs the help of her best friend Oliver to impress his colleagues and his family. But despite best laid plans, the pair set off a hilarious train of events that leads Katy on a crazy journey through celebrity, chaos, makeovers and, finally, into the arms of her hero...

There's no place like home...and no end to the nightmare... Samantha is in her last year of high school at a very exclusive all-girls school in upstate New York. It has been four years since she gave birth to her daughter and since the death of her sister, Cassie. One day, Samantha’s roommate, Ellie, convinces her to attend a fraternity party. There Samantha meets a handsome young man named Ethan. The two develop a romantic relationship, but Samantha’s memories of her rape prevent her from consummating their union, and she confesses to Ethan that she has a daughter. He is surprised, but promises to attend her graduation and meet her father and uncle. But when Ethan brings her back, Samantha discovers a wild party going on in her room, and her girlfriends, including her roommate, Ellie, mock Samantha. Thinking she’s also lost Ethan, Samantha walks out, unaware that circumstances will soon culminate in a shocking series of events—including madness, betrayal, and murder.

From award-winning author, Ilona Andrews, an all-new novel set in the New York Times #1 bestselling Kate Daniels World and featuring Julie Lennart-Olsen, Kate and Curran's ward. Atlanta was always a dangerous city. Now, as waves of magic and technology compete for supremacy, it’s a place caught in a slow apocalypse, where monsters spawn among the crumbling skyscrapers and supernatural factions struggle for power and survival. Eight years ago, Julie Lennart left Atlanta to find out who she was. Now she’s back with a new face, a new magic, and a new name—Aurelia Ryder—drawn by the urgent need to protect the family she left behind. An ancient power is stalking her adopted mother, Kate Daniels, an enemy unlike any other, and a string of horrifying murders is its opening gambit. If Aurelia’s true identity is discovered, those closest to her will die. So her plan is simple: get in, solve the murders, prevent the prophecy from being fulfilled, and get out without being recognized. She expected danger, but she never anticipated that the only man she'd ever loved could threaten everything. One small misstep could lead to disaster. But for Aurelia, facing disaster is easy; it’s relationships that are hard.

In You Tarzan, the editors set out to broaden the enquiry into masculinity, taking popular cinema as their starting point. A number of male film scholars have been invited to turn the spotlight back on themselves; to name the un-named feelings raised by films, stars or genres as well as importing some of the insights of feminist writing on gender to an analysis of the construction and reading of masculinity in films.