Hello and welcome to Ella May, the girl who likes to do things her way. In the first of this brilliant new series all about an imaginative, strong-willed girl character with her own ideas, Ella May tries walking backward, just to see how it feels. In her bedroom she tries reading her books backward, and after dinner she goes backward up to the bathroom and climbs backward into bed. When Ella goes backward up the slide and backward over the castle, Ella’s mum decides to turn around and walk backward next to Ella, to make it easier for them to talk. Pretty soon, half the town is walking backward in a giant, backward-walking procession. Where will it end?

Hello and welcome to Ella May, the girl who likes to do things her way. In the first of this brilliant new series all about an imaginative, strong-willed girl character with her own ideas, Ella May tries walking backward, just to see how it feels. In her bedroom she tries reading her books backward, and after dinner she goes backward up to the bathroom and climbs backward into bed. When Ella goes backward up the slide and backward over the castle, Ella’s mum decides to turn around and walk backward next to Ella, to make it easier for them to talk. Pretty soon, half the town is walking backward in a giant, backward-walking procession. Where will it end?

When Ella May finds a stone with a line going all the way around it, she decides a stone so special must grant wishes, but when her friends want to join in the fun she must use her imagination to make everyone's wishes come true.

Despite the advice of others in her family, Ella Sarah persists in wearing the striking and unusual outfit of her own choosing.

In the game of love you can't afford to drop the ball... Zoe’s always been shy. At college, to try to help her, her friend dares her to do the craziest thing she can think of… kiss a random guy. She follows Dylan into a room she thinks is a classroom and ends up seeing a little too much of him. She can hardly kiss him now… not when after their embarrassing encounter and certainly not after he tells her he has a girlfriend. But when he finds out about the dare, the two make a pact… if they ever cross paths again – and they’re both single – they’ll kiss. Two years later, fate intervenes, and they end up as accidental roommates. Now Zoe’s seeing a lot more of Dylan than she bargained for and it’s even harder to resist peeking the second time round.

Ella's toys are beyond compare, but playtime's more fun when she learns to share! Flaunting her toys but keeping them to herself is not much fun after the other kids lose interest. Left alone, Ella decides to make it up to her friends. Children will learn an important lesson in this endearing children's story about sharing, generosity and friendship. Ella's Toys is part of the national award-winning Pumpkinheads book series. Pumpkinheads children's books focus on social and emotional development, aiming to help little ones build awareness of their feelings, along with learning from and interacting with others. The Pumpkinheads mission is to educate, empower, inspire and entertain through beginner reader books and above all, to educate hearts and minds! Recipient of Dr. Toy's Ten Best Chilldren's Products of 2015, Parent Tested Parent Approved Seal of Approval, and Academics' Choice Smart Book Award.

Winner of the Southern Book Prize for Literary Fiction Named a Best Book of 2017 by the Chicago Public Library and the American Library Association “Wiley Cash reveals the dignity and humanity of people asking for a fair shot in an unfair world.” - Christina Baker Kline, author of A Piece of the World and Orphan Train The New York Times bestselling author of the celebrated A Land More Kind Than Home and This Dark Road to Mercy returns with this eagerly awaited new novel, set in the Appalachian foothills of North Carolina in 1929 and inspired by actual events. The chronicle of an ordinary woman’s struggle for dignity and her rights in a textile mill, The Last Ballad is a moving tale of courage in the face of oppression and injustice, with the emotional power of Ron Rash’s Serena, Dennis Lehane’s The Given Day, and the unforgettable films Norma Rae and Silkwood. Twelve times a week, twenty-eight-year-old Ella May Wiggins makes the two-mile trek to and from her job on the night shift at American Mill No. 2 in Bessemer City, North Carolina. The insular community considers the mill’s owners—the newly arrived Goldberg brothers—white but not American and expects them to pay Ella May and other workers less because they toil alongside African Americans like Violet, Ella May’s best friend. While the dirty, hazardous job at the mill earns Ella May a paltry nine dollars for seventy-two hours of work each week, it’s the only opportunity she has. Her no-good husband, John, has run off again, and she must keep her four young children alive with whatever work she can find. When the union leaflets begin circulating, Ella May has a taste of hope, a yearning for the better life the organizers promise. But the mill owners, backed by other nefarious forces, claim the union is nothing but a front for the Bolshevik menace sweeping across Europe. To maintain their control, the owners will use every means in their power, including bloodshed, to prevent workers from banding together. On the night of the county’s biggest rally, Ella May, weighing the costs of her choice, makes up her mind to join the movement—a decision that will have lasting consequences for her children, her friends, her town—indeed all that she loves. Seventy-five years later, Ella May’s daughter Lilly, now an elderly woman, tells her nephew about his grandmother and the events that transformed their family. Illuminating the most painful corners of their history, she reveals, for the first time, the tragedy that befell Ella May after that fateful union meeting in 1929. Intertwining myriad voices, Wiley Cash brings to life the heartbreak and bravery of the now forgotten struggle of the labor movement in early twentieth-century America—and pays tribute to the thousands of heroic women and men who risked their lives to win basic rights for all workers. Lyrical, heartbreaking, and haunting, this eloquent novel confirms Wiley Cash’s place among our nation’s finest writers.

Meet Aunt Molly Jackson (1880-1960), one of American folklore's most fascinating characters. A coal miner's daughter, she grew up in eastern Kentucky, married a miner, and became a midwife, labor activist, and songwriter. Fusing hard experience with rich Appalachian musical tradition, her songs became weapons of struggle. In 1931, at age fifty, she was "discovered" and brought north, sponsored and befriended by an illustrious circle of left-wing intellectuals and musicians, including Theodore Dreiser, Alan Lomax, and Charles Seeger and his son Pete. Along with Sarah Ogan Gunning, Jim Garland (two of Aunt Molly's half-siblings), Woody Guthrie, Leadbelly, and other folk musicians, she served as a cultural broker, linking the rural working poor to big-city left-wing activism. Shelly Romalis draws upon interviews and archival materials to construct this portrait of an Appalachian woman who remained radical, raucous, proud, poetic, offensive, self-involved, and in spirit the "real" pistol packin' mama of the song. "Mr. Coal operator call me anything you please, blue, green, or red, I aim to see to it that these Kentucky coalminers will not dig your coal while their little children are crying and dying for milk and bread." -- Aunt Molly Jackson

By the twentieth century, North Carolina’s progressive streak had strengthened, thanks in large part to a growing number of women who engaged in and influenced state and national policies and politics. These women included Gertrude Weil who fought tirelessly for the Nineteenth Amendment, which extended suffrage to women, and founded the state chapter of the League of Women Voters once the amendment was ratified in 1920. Gladys Avery Tillett, an ardent Democrat and supporter of Roosevelt's New Deal, became a major presence in her party at both the state and national levels. Guion Griffis Johnson turned to volunteer work in the postwar years, becoming one of the state's most prominent female civic leaders. Through her excellent education, keen legal mind, and family prominence, Susie Sharp in 1949 became the first woman judge in North Carolina and in 1974 the first woman in the nation to be elected and serve as chief justice of a state supreme court. Throughout her life, the Reverend Dr. Anna Pauline "Pauli" Murray charted a religious, literary, and political path to racial reconciliation on both a national stage and in North Carolina. This is the second of two volumes that together explore the diverse and changing patterns of North Carolina women's lives. The essays in this volume cover the period beginning with women born in the late nineteenth and early twentieth centuries but who made their greatest contributions to the social, political, cultural, legal, and economic life of the state during the late progressive era through the late twentieth century.