Beautiful and talented, versatile and charismatic, Elizabeth Robins was one of the foremost actresses of her day. Yet, this enduring character was also an active and lifelong feminist. This biography examines Elizabeth's historical identity and provides a study of the social culture surrounding a woman who lived a life in the spotlight.

A woman of extraordinary energy, talent and versatility. Elizabeth Robins was an actress who popularised Ibsen on the British stage, a prolific and popular writer of novels and non-fiction, and an Edwardian suffragette. Her extensive circle of friends included Florence Bell, Henry James, John Masefield and William Archer. She worked with the Pankhursts and knew the Woolfs. Through examining the life and work of this vivid and transatlantic figure born during the American Civil War yet surviving into the England of the 1950s, Angela John raises questions about the shaping of historical identities. Situating Elizabeth Robins's achievement in the context of the British and American cultural history of the period, this is a book which will attract historians, teachers and students of theatre studies and all those fascinated by biography.

Votes for Women by Elizabeth Robins is a powerful play that delves into the suffragette movement. Set against the backdrop of societal upheaval, the play captures the passion, challenges, and determination of women fighting for their right to vote. Robins' compelling characters and poignant dialogues make this a must-watch for theater enthusiasts.

The Convert is about the British Suffrage movement, which the author knew well. Part witty and scathing commentary on the upper classes, part political rhetoric quoted directly from open-air meetings, and part muck-raking realism, it moves back and forth between the personal and the political until the two can no longer be distinguished. The Convert uses as its frame the political "conversion" of Vida Levering, a beautiful, upper middle-class woman. We follow Vida's growing discontent with "country weekend" society and her increasing awareness of the common lot of women. Forthright and direct, Elizabeth Robins discusses issues that must have been shocking in 1907: unwed motherhood, the effects of the inequality of women, and the essential disrespect that underlies chivalry. Reminiscent of Jane Austen and foreshadowing the work of Virginia Woolf, The Convert is a fascinating novel. It provides us with a sense of history and a feeling of pride in what women could and did accomplish. It is also disturbing because far too many of the issues are still relevant.

The Edwardian actress, glamorous and privileged, was the sex symbol of her time. Yet her life was a paradox: off stage she could marry, divorce and take lovers with impugnity; on stage she had to play dutiful wives or daughters or 'scarlet women'. Thousands of these spirited women set out to change the conventional roles they played - and to change the world. Some of them were famous - Athene Seyler, Kitty Marion, Elizabeth Robins, Edy Craig, many others unknown. Managing their own companies, they put on hundreds of plays all over the country - many on taboo subjects such as divorce, sex, venereal disease, prostitution - by little known playwrights as well as established dramatists like Shaw, Ibsen, Barrie. They took the establishment theatre by storm; and they made their mark on the political stage too, forming the Actresses' Franchise League and joining the battle for the vote. Innocent Flowers tells the story of these astonishing women (and includes some of their plays). By tracing their lives and loves, Julie Holledge has rediscovered an inspiring period in the history of women and the theatre.