SPAN style="FONT-SIZE: 11pt; mso-bidi-font-weight: bold; mso-bidi-font-style: italic"> “ Felicio Martin’s Eli’s House of Poetry is a work that deserves attention. Martin’s poetry has a sensual innocence, an ardent tenderness which surprises again and again. One feels both flesh and emotion fused into tight lines that sing of youth with aged wisdom. It is upon us to read, ask, and try to meet the author’s hopes.” —Brent Buell, Novelist, Actor, Teacher “A true poet inhabits his or her world. And so it is with Felicio Martin, a young poet with a clear vision of what he wants to say and who is keenly aware of the power of language and the poet’s duty to challenge us with his words and images. There is poignancy in these poems of love, betrayal, loneliness and yearning as well as strength and vulnerability in his passionate need to express himself, in his need to create an interlocutor –us—his public. He invites us to inhabit his world and his home, “Eli’s House of Poetry,” in his moving tribute to the father he never knew.”—Dr. Gloria F. Waldman, Professor, Author

Poetry. Jennifer Moxley's first book of poems, IMAGINATION VERSES, won praise from an astonishing array of contemporary poets, from John Ashbery to Bob Perelman, and signaled her emergence as one of the most intense, original and attentive writers of her generation. Moxley's second full-length collection, THE SENSE RECORD AND OTHER POEMS, takes that earlier style even deeper into the thickets of thought. Uncovering radical similarities between a modular, Oppen-like concentration and 19th century late-Rococo abstraction, THE SENSE RECORD is everywhere obsessed with the problem of dividing and reconciling aesthetic form(s). Some will find ravishing confessions in this book, but others will find a philosophy of art.

Honorable Mention, Mirra Komarovsky Book Award, given by the Eastern Sociological Society 2021 Outstanding Academic Title, Choice Magazine How workers navigate race, gender, and class in the food service industry Two unequal worlds of work exist within the upscale restaurant scene of Los Angeles. White, college-educated servers operate in the front of the house—also known as the public areas of the restaurant—while Latino immigrants toil in the back of the house and out of customer view. In Front of the House, Back of the House, Eli Revelle Yano Wilson shows us what keeps these workers apart, exploring race, class, and gender inequalities in the food service industry. Drawing on research at three different high-end restaurants in Los Angeles, Wilson highlights why these inequalities persist in the twenty-first century, pointing to discriminatory hiring and supervisory practices that ultimately grant educated whites access to the most desirable positions. Additionally, he shows us how workers navigate these inequalities under the same roof, making sense of their jobs, their identities, and each other in a world that reinforces their separateness. Front of the House, Back of the House takes us behind the scenes of the food service industry, providing a window into the unequal lives of white and Latino restaurant workers.

Leaving Tulsa, a book of road elegies and laments, travels from Oklahoma to the edges of the American continent through landscapes at once stark and lush, ancient and apocalyptic. Each poem gives the collection a rich lyrical-dramatic texture. Ultimately, these brave and luminous poems engage and shatter the boundaries of time, self, and continent.

In his timely YA debut, a best-selling novelist revisits a summer of tumult and truth for a young narrator and his war-torn family. Bicentennial fireworks burn the sky. Bob Seger growls from a transistor radio. And down by the river, girls line up on lawn chairs in pursuit of the perfect tan. Yet for ten-year-old Eli Book, the summer of 1976 is the one that threatened to tear his family apart. There is his distant mother; his traumatized Vietnam vet dad; his wild sister; his former warprotester aunt; and his tough yet troubled best friend, Edie, the only person with whom he can be himself. As tempers flare and his father’s nightmares rage, Eli watches from the sidelines, but soon even he cannot escape the current of conflict. From Silas House comes a tender look at the complexities of childhood and the realities of war -- a quintessentially Southern novel filled with music, nostalgic detail, a deep respect for nature, and a powerful sense of place.

'A searing and stunningly poignant study in what makes us and what breaks us' S. A. Cosby, New York Times bestselling author of Razorblade Tears and Blacktop Wasteland 'A gripping novel about rage and trauma, redemption and damnation, football and family' Steph Cha Friday Night Lights with a Southern Gothic twist - a powerful debut noir for fans of S. A. Cosby and Megan Abbott. In Denton, Arkansas, the fate of the high school football team rests on the shoulders of Billy Lowe, a volatile but talented running back. Billy comes from an extremely troubled home: a trailer park where he is terrorized by his unstable mother's abusive boyfriend. Billy takes out his anger on the field, but when his savagery crosses a line, he faces suspension. Without Billy Lowe, the Denton Pirates can kiss their playoff bid goodbye. But the head coach, Trent Powers, who just moved from California with his wife and two children for this job, has more than just his paycheck riding on Billy's bad behavior. As a born-again Christian, Trent feels a divine calling to save Billy-save him from his circumstances, and save his soul. Then Billy's abuser is found murdered in the Lowe family trailer, and all evidence points toward Billy. Now nothing can stop an explosive chain of violence that could tear the whole town apart on the eve of the playoffs. WINNER OF THE PETER LOVESEY FIRST CRIME NOVEL CONTEST A USA Today Best Book of the Year (So Far) An Amazon Editor's Pick CrimeReads Most Anticipated Books of 2022 New York Post Top Reads for the Week 'Southern noir at its finest, a cauldron of terrible choices and even more terrible outcomes' The New York Times Book Review

Poetry. Women's Studies. LGBT Studies. Edited and with an introduction and supplementary material by Tony Trigilio. Designed for both general readers and scholars, this book brings together for the first time all of the poems and fragments in Elise Cowen's surviving notebook, recovering the work of a postwar female poet whose reputation had been submerged for more than a half-century. Remembered dismissively as the woman who dated Allen Ginsberg for a brief time in the early 1950s, she wrote hundreds of poems, many in a lyric mode that recalls Sappho and many in a visionary mode that resembles Emily Dickinson. After her suicide in 1962, nearly all of her work was destroyed. One notebook survived, rescued by a close friend, and this notebook is the basis for ELISE COWEN: POEMS AND FRAGMENTS. "Elise Cowen, an artist long obscured by legend, myth, archival uncertainty and copyright dispute, relegated to rumor and sensation, has been recuperated by Tony Trigilio's groundbreaking collection of her poetry. Trigilio collects the primary material from the poet's recovered notebook and provides, in his indispensable Notes to the Poems, an impressive critical literary historical analysis. A modern Eumenide and proto-second-wave feminist of uncompromising voice, Cowen's searing verse poignantly claims female subjectivity. Thanks to Trigilio's inspired, erudite and meticulous recovery work, this collection will make a profound difference in the way Beat movement writing is reckoned and experienced." Ronna C. Johnson"

Poetry. Literary Nonfiction. Middle Eastern Studies. LGBTQIA Studies. Disability Studies. Bringing together poetry, essay, and letters to "lovers, friends and in-betweens," Eli Tareq Bechelany-Lynch confronts the ways capitalism, fatphobia, ableism, transness, and racializations affect people with chronic pain, illness, and disability. KNOT BODY explores what it means to discover the limits of your body, and contends with what those limitations bring up in the world we live in.