The Work Studies Basic Principles Of Ancient Indian Art And Architecture. It Deals With Hindu Thinking And Practice Of Art Including The Hindu View Of Godhead, Iconography And Iconometry And Symbols And Symbolism In Hindu Art. It Surveys Indian Art And Temple Architecture From The Ancient Times And Makes Comparative Studies Of Religious Art In India.

This treatise is an early attempt for a diligent search into the origin, descriptions, symbols, mythological background, meaning and moral aims of Hindu images. The book is in two volumes, each volume again in two parts. Vol. I, Part I contains a long Introduction discussing among other things the origin of Hindu image worship in India, explanatory description of the terms employed in the work, Ganapati, Visnu and his major and minor avataras and manifestations, Garuda and Ayudha-Purushas or personified images of the weapons and emblems held by gods. Vol. I, Part II deals with Aditya and Nava Grahas (nine planets) and their symbolic features and images worshipped, Devi (Goddesses), Parivara-devatas, and measurement of proportions in images. Vol. II, Part I begins with an Introduction discussing the cult of Siva which is followed by such important topics as Siva, Lingas, Lingodbhavamurti, Chandrasekharamurti, Pasupatamurti and Raudrapasupatamurti, other Ugra forms of Siva, Dakshinamurti, Kankalamurti and Bhikshatanamurti, and other important aspects of Siva. Vol. II, Part II contains descriptions of Subrahmanya, Nandikesvara and Adhikaranandi, Chandesvara, Bhaktas, Arya or Hariharaputra, Kshetrapalas, Brahma, the Dikpalakas, and demi-gods. In addition the book contains 5 Appendices including Sanskrit texts of Parivaradevatah, Uttamadasatalavidhih and Pratimalaksanani. The treatment has been made interesting by profuse illustrations, the two volumes containing as many as 282 photographs of sacred images.

Accompanies the exhibition presented at the Santa Barbara Museum of Art, Santa Barbara, California, April 17-July 31, 2016.