Gromort (d.1961) wrote two works on Classical architecture, both presented here in English translation for the first time. The texts are introduced by short essays on Gromort (with full bibliography of his writings), the influence of his work on architectural studies, his Art of composition, and American neo-classical architecture. The bulk of the book is made up of Gromort's beautiful line drawings that illustrate his text. Some bandw photos are included. Annotation copyrighted by Book News Inc., Portland, OR

In Classical Architecture Robert Adam traces the history of classical design to the present day and provides examples of virtually every one of its applications.

Purpose and setting of the Greek temple -- Formative developments -- Questions of construction and the Doric genus -- Questions of influence and the Aeolic capital -- Questions of appearance and the Ionic genus -- Questions of meaning and the Corinthian capital -- Gifts to the gods -- Triglyphs and tripods -- Crucible -- Questions answered and unanswered.

Even as oversized McMansions continue to elbow their way into tiny lots nationwide, a much different trend has taken shape. This return to traditional architectural principles venerates qualities that once were taken for granted in home design: structural common sense, aesthetics of form, appropriateness to a neighborhood, and even sustainability. Marianne Cusato, creator of the award-winning Katrina Cottages, has authored and illustrated this definitive guide to what makes houses look and feel right--to the eye and to the soul. She teaches us the language and grammar of classical architecture, revealing how balance, harmony, and detail all contribute to creating a home that will be loved rather than tolerated. And she takes us through the do’s and don’ts of every element of home design, from dormers to doorways to columns. Integral to the book are its hundreds of elegant line drawings--clearly rendering the varieties of lintels and cornices, arches and eaves, and displaying "avoid” and "use” versions of the same elements side by side.

[A] richly illustrated, carefully explained introduction to classical architecture... Highly recommended. --Choice

The principles of classical architecture applied to the design of interiors, both residential and public. A practicing architect shows how the elements that constitute the classical interior-wall and ceiling treatments, doors and windows, fireplaces, and stairs-can be composed into rooms satisfying both aesthetic and practical criteria. Historic and contemporary examples illustrate both generic and specific solutions for designers working in the classical tradition today.

Well arranged, logical, and aptly illustrated, this classic survey covers every aspect of the design process. It addresses architectural principles as well as their practical application, examining general questions of scale, balance, proportion, and symmetry and presenting detailed treatments of doors, windows, walls, stairways, columns, and other features. Long acknowledged as a valuable resource for students and teachers alike, this volume is unsurpassed in terms of the richness of its material and the consistency of its insights. It was written by Nathaniel Cortlandt Curtis, an influential designer and artist who served as the head of the Tulane School of Architecture. Curtis illustrated his work with nearly 250 line drawings that depict architectural elements from a splendid variety of periods and settings, from ancient Rome's temples and palaces to modern-day hotels and museums of Paris and New York.

"This book aims to initiate all who are concerned with the design of buildings into first principles of arrangement, irrespective of style, period or fashion, and its scope is deliberately focussed on the most elementary of known forms. The culminating periods of Greek and Roman architecture have here been drawn upon as well as the whole range of matured Renaissance architecture in Europe, and the book has been compiled not only from actual buildings but also from the wider field of projected designs. In the illustrations, all the buildings and motifs are presented in their simplest aspect, free from confusing detail, so that the main lines of the various schemes can be understood at a glance and the different forms compared."--BOOK JACKET.