Includes various departmental reports and reports of commissions. Cf. Gregory. Serial publications of foreign governments, 1815-1931.

The story of Australian art does not begin and end with landscape. This book puts flowers front and centre, because they have often been ignored in preference for more masculine themes. Departing from where studies of single flower artists leave off, Useless Beauty embraces the general topic of flowers in Australian art and shines new light on a slice of Australian art history that extends from 1880 to 1950. It is the first book of broad chronology to discuss Australian art through blossoms, which it does by addressing stories of major figures including Hans Heysen, Margaret Preston and Sidney Nolan, as well as specific objects such as surreal flowers, Aboriginal flowers and war flowers. Whether modern or conservative, the artists in this study shared an intellectual and emotional passion for flora. This was true for men as well as women, despite blossoms being a more traditionally feminine subject. Through spectacular reproductions of historical and contemporary artworks drawn from collections in Australia, the United States, Britain and New Zealand, Useless Beauty explores how flowers influenced the psyche, governed rituals, defined identity and brought a psychological dimension to the everyday. The peak years for flower-centricity in Australian art were between 1920 and 1940 when flowers were known as the apotheosis of useless beauty.

First published in 1996, Australia's China explores the multifaceted and dynamic Australian encounter with China from the beginning of the Sino-Japanese War in 1937 through the Cold War to the Australian recognition of the PRC in 1972. Going beyond conventional policy studies, it traces the patterns in Australian reactions to China from the grass-roots to official circles, highlighting the centrality of images concerning the exotic, disease, sexuality, the frontier, and China as a paradise/anti-paradise. In responding to China, Australians revealed something of themselves, and this book maps the formation of Australian conceptions of identity in the context of a cross-cultural encounter which was variously cooperative, enriching, baffling, and antagonistic. But there was no single Australian conception of China. Rather, competing perceptions jostled in a shifting dialogue.

Australian Fashion Unstitched provides a compelling survey of Australian fashion over the last sixty years.

Lazy Bottersnikes in outback rubbish tips, Sir Pronoun's dilemma about standing in Miss Noun's place and the story of how Jack built a house, a hut or a shack are all to be found in this treasury of Australian children's books. This book illuminates the icons of Australian children's literature from Gibbs and Outhwaite to Shaun Tan.

This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.

Illustrated with a wealth of photographs and designs for decor and costumes, most never before published, AUSTRALIA DANCES: CREATING AUSTRALIAN DANCE 1945-1965 surveys the major companies, the many smaller groups which flourished, modern dance, the beginnings of Aboriginal theatrical dance and the various teaching codes which became established. Selected works from company repertoires are discussed, making the book a rich and valuable resource for students and scholars as well as an essential addition to every dance lovers library.