This analysis shows how the Egyptian non-royal epithets from the Middle Kingdom (c. 2040-1640 BCE) provide new insight into the ways in which biographical self-presentation reflects religious and social attitudes and the changing relationship between elite officials and the king.

The coffin published in this book represents a type that had some popularity in southern Upper Egypt in the early Middle Kingdom, but which, despite its extraordinary decoration had not attracted attention so far. The most striking feature of the decoration is that the object friezes - the pictorial rendering of ritual implements usually found on coffin interiors of the period - also include complete ritual scenes, some of which are attested only here. Apart from this, the decoration includes an extensive selection of the religious texts know as the Coffin Texts. The author first studies the archaeological context and dating of the coffin and attempts a reconstruction of the construction procedures from his technical description of the monument. The detailed account of the decoration in the rest of the book interprets the ritual iconography and offers fresh translations and interpretations of the Coffin Texts. A methodological innovation is that he regards the scenes and texts not as individual decoration elements, but as components of an integral composition. The background of this composition is argued to be a view of life in the hereafter in which the deceased is involved in an unending cycle of ritual action which reflects the funerary rituals that were actually performed on earth. On the one hand, these netherworldly rituals aim at bringing the deceased to new life by mummification, on the other the newly regenerated deceased partakes in embalming rituals for gods representing his dead father (Osiris or Atum). These gods, in their turn, effectuate the deceased's regeneration. The entire process results in a cycle of resuscitation in which the afterlife of the deceased and of the 'father gods' are interdependent. The sociological bias of this interpretation, with its emphasis on kinship relations, differs significantly from earlier attempts to explain Egyptian funerary religion.

This volume offers the first comprehensive overview of the evolution over time of a foundational concept of the Egyptian afterlife beliefs, the Duat, or netherworld. The Duat is a complicated, multifaceted notion, which was never canonized into a single version of the beyond, but offered instead a variety of alternatives attempting to describe the metaphysical realms beyond the visible world, and beyond life. Theological speculations gave rise to a rich textual and visual repertoire, which underwent a process of evolution over thousands of years, during which newer ideas and images were constantly introduced. Through the analysis of royal and non-royal funerary texts from the late Old Kingdom to the end of the New Kingdom, this book traces the development of the conceptualization of the notion of Duat, outlining what it encompassed and where it was imagined to be located. In addition to the translation and discussion of the most significant passages of the texts analyzed, each chapter also provides an overview of the individual compositions and of the relevant theological, cosmological, and astronomical notions complementing the conceptual framework, of which the Duat formed but a part. Additionally, discussions of concurrent changes in Egyptian culture, society, and ideology are included in order to clarify the context in which afterlife beliefs and related texts evolved. An analysis of the correlation between funerary compositions and their material supports complements the study, emphasizing the Egyptians' belief in a magical synergy between texts, images, and their contexts in the activation of a suitable, effective afterlife for the recipients of the texts.

"In The Representations of Women in the Middle Kingdom Tombs of Officials Lubica Hudáková offers an in-depth analysis of female iconography in the decorative programme of Middle Kingdom non-royal tombs, highlighting changes and innovations in comparison to the Old Kingdom. Previously considered too uniform, the study represents the first systematic investigation of two-dimensional images of women and reveals their variability in space and time. Hudáková examines the roles appointed to women by analyzing how they are depicted in a variety of contexts. Taking into account their postures, gestures, garments, hairstyles, size of the body, age as well as attributes and tools used by them, along with the scene orientation, she traces diachronic and diatopic developments and regional traditions in the Middle Kingdom tomb decoration"--

In November 1922 a momentous discovery - unlike any other before or since - was to change our understanding of the ancient world. Until now, however, the marvellous story of Carter's quest for Tutankhamun and its culmination in his unearthing of the intact, treasure-filled tomb has been told without a reliable account of the man behind the discovery and the myths that have surrounded it. Howard Carter's career was a remarkable one: he had arrived in Egypt 30 years earlier as a 17-year old 'tracer' with rudimentary education, and progressed to become the first Chief Inspector of Antiquities in Upper Egypt. An improbable but auspicious partnership with the 5th Earl of Carnarvon developed in which the young Carter acted as assistant and 'learned man' to the aristocrat's excavations in the Theban necropolis. But it was the legendary discovery in the Valley of the Kings and Carter's painstaking clearance of the intact royal burial that was to secure his place in history. He became an international celebrity, simultaneously honoured and vilified wherever he went, but he was also a sad, disillusioned man whose success never brought any reward of happiness. T. G. H. James' definitive biography is both the story of perhaps the most renowned archaeologist of all time and of an essentially tragic human being.

Includes its Report, 1896-19 .