Enter a world of Egyptian pharaohs and ancient curses from the Queen of Historical Fiction.London, 1922. A discovery from ancient Egypt . . .A cursed package . . .The untold story of a young pharaoh . . .When Lilian Kaye finds a parcel on her grandad's doorstep, she is shocked to see who sent it: a famous Egyptologist, found dead that very morning, according to every newspaper in England!The mysterious package holds the key to a story . . . about a king whose tomb archaeologists are desperately hunting for.Lil and her friends must embark on an incredible journey - to return the package to its resting place, to protect those they love, and to break the deadly pharaoh's curse . . .'This crisp, beautifully paced story will hold every young reader in thrall.' Telegraph'Hooked yet? You'd have to be dead and wrapped in bandages not to be.' The Times

The compelling story of the pharaoh who kept Egypt at peace for forty years - decade by decade, year by year, drawing directly on letters and other fascinating evidence.

A vivid story of an astonishing period in ancient Egypt’s history—1550 BC to 1295 BC—that tears away the gold and glamour to reveal how these great pharaohs ruthlessly ruled Egypt for two hundred and fifty years. For more than two centuries, Egypt was ruled by the most powerful, successful, and richest dynasty of kings in its long end epic history. They included the female king Hatshepsut, the warrior kings Thutmose III and Amenhotep II, the religious radical Akhenaten and his queen, Nefertiti, and most famously of all—for the wealth found in his tomb—the short-lived boy king, Tutankhamun. The power and riches of the Pharaohs of the 18th Dynasty came at enormous cost to Egypt's enemies—and to most of its people. This was an age of ruthless absolutism, exploitation, extravagance, brutality, and oppression in a culture where not only did Egypt plunder its neighbors, but Egyptian kings (and their people) robbed one another. 3,500 years ago, ancient Egypt began two centuries of growth where it became richer and more powerful than any other nation in the world, ruled by the kings of the 18th Dynasty. They presided over a system built on war, oppression, and ruthlessness, pouring Egypt's wealth into grandiose monuments, temples, and extravagant tombs. Tutankhamun was one of the last of the line—and one of the most obscure. Among his predecessors were some of the most notorious and enigmatic figures of all of Egypt's history. Pharaohs of the Sun is the story of these famed rulers, showing how their glamour and gold became tainted by selfishness, ostentation, and the systematic exploitation of Egypt's people and enemies.

For over a decade Nefertiti, wife of the heretic king Akhenaten, was the most influential woman in the Bronze Age world; a beautiful queen blessed by the sun-god, adored by her family and worshipped by her people. Her image and her name were celebrated throughout Egypt and her future seemed golden. Suddenly Nefertiti disappeared from the royal family, vanishing so completely that it was as if she had never been. No record survives to detail her death, no monument serves to mourn her passing and to this day her end remains an enigma - her body has never been found. Joyce Tyldesley here provides a detailed discussion of the life and times of Nefertiti, Egypt's sun queen, set against the background of the ephemeral Amarna court.

According to Egyptian mythology, when the ancient Egyptian sun god Re cried, his tears turned into honey bees upon touching the ground. For this reason, the honey bee was sacrosanct in ancient Egyptian culture. From the art depicting bees on temple walls to the usage of beeswax as a healing ointment, the honey bee was a pervasive cultural motif in ancient Egypt because of its connection to the sun god Re. Gene Kritsky delivers a concise introduction of the relationship between the honey bee and ancient Egyptian culture, through the lenses of linguistics, archeology, religion, health, and economics. Kritsky delves into ancient Egypt's multifaceted society, and traces the importance of the honey bee in everything from death rituals to trade. In doing so, Kritsky brings new evidence to light of how advanced and fascinating the ancient Egyptians were. This richly illustrated work appeals to a broad range of interests. For archeology lovers, Kritsky delves into the archeological evidence of Egyptian beekeeping and discusses newly discovered tombs, as well as evidence of manmade hives. Linguists will be fascinated by Kritsky's discussion of the first documented written evidence of the honeybee hieroglyph. And anyone interested in ancient Egypt or ancient cultures in general will be intrigued by Kritsky's treatment of the first documented beekeepers. This book provides a unique social commentary of a community so far removed from modern humans chronologically speaking, and yet so fascinating because of the stunning advances their society made. Beekeeping is the latest evidence of how ahead of their times the Egyptians were, and the ensuing narrative is as captivating as every other aspect of ancient Egyptian culture.

A fresh look at the British Museum's celebrated and extensive ancient Egyptian collection from across three thousand years Pharaoh: King of Ancient Egypt introduces readers to three thousand years of Egypt's ancient history by unveiling its famous rulers--the pharaohs--using some of the finest objects from the vast holdings of the British Museum, along with masterworks from the collection fo the Cleveland Museum of Art.. In an introductory essay, Margaret Maitland looks at Egyptian kingship in terms of both ideology and practicality. Then Aude Semat considers the Egyptian image of kingship, its roles and its uses. In ten additional sections, Marie Vandenbeusch delves into themes related to the land of ancient Egypt, conceptions of kingship, the exercise of power, royal daily life, war and diplomacy, and death and afterlife. Detailed entries by Vandenbeusch and Semat cover key works relating to the pharaohs. These objects, beautifully illustrated in 180 photographs, include monumental sculpture, architectural pieces, funerary objects, exquisite jewelry, and papyri. The rulers of ancient Egypt were not always male, or even always Egyptian. At times, Egypt was divided by civil war, conquered by foreign powers, or ruled by competing kings. Many of the objects surviving from ancient Egypt represent the image a pharaoh wanted to project, but this publication also looks past the myth to explore the realities and immense challenges of ruling one of the greatest civilizations the world has seen.

Collections of scenes and texts designated variously as the "Book of the Earth," "Creation of the Solar Disc," and "Book of Aker" were inscribed on the walls of royal sarcophagus chambers throughout Egypt's Ramessid period (Dynasties 19-20). This material illustrated discrete episodes from the nocturnal voyage of the sun god, which functioned as a model for the resurrection of the deceased king. These earliest "Books of the Earth" employed mostly ad hoc arrangements of scenes, united by shared elements of iconography, an overarching, bipartite symmetry of composition, and their frequent pairing with representations of the double sky overhead. From the Twenty-First Dynasty and later, selections of programmatic tableaux were adapted for use in private mortuary contexts, often in conjunction with innovative or previously unattested annotations. The present study collects and analyzes all currently known Book of the Earth material, including discussions of iconography, grammar, orthography, and architectural setting.

First published in the 1940s and widely condemned as obscene, The Egyptian outsold every other American novel published that same year, and remains a classic; readers worldwide have testified to its life-changing power. It is a full-bodied re-creation of a largely forgotten era in the world’s history: an Egypt when pharaohs contended with the near-collapse of history’s greatest empire. This epic tale encompasses the whole of the then-known world, from Babylon to Crete, from Thebes to Jerusalem, while centering around one unforgettable figure: Sinuhe, a man of mysterious origins who rises from the depths of degradation to get close to the Pharoah...

Taking an eye-opening new approach to Egyptian history, Chronicle of a Pharaoh presents a unique and intimate portrait of Amenhotep III, the man and self-proclaimed god who presided over the zenith of Egypt's greatness. Through an unprecedented wealth of details--from the day-to-day running of a huge empire to his clothes, cats, and bedroom habits--the private and public faces of a pharaoh are vividly brought to life as never before. Joann Fletcher explores Amenhotep's private and public life in a compelling year-by-year account, drawing on firsthand and previously unpublished material. Among the many subjects covered are his daily schedule, such as bedchamber ceremonies and meetings with ministers; his relations with rulers of other ancient superpowers, recorded in a lively correspondence covering topics from new wives to the price of silver; his family life, including the remarkable role of his wife, Queen Tiy; the superlative art of the reign; and his monumental construction projects--among them the great temple of Luxor. Amenhotep III also established the cult of Aten, the sun disk, and after Amenhotep's death his son, the rebel pharaoh Akhenaten, became fanatically obsessed with the god. Illustrated with spectacular full-color photographs, maps, and artifacts, many of which are published here for the first time, Chronicle of a Pharaoh provides the full context for understanding the monarch who presided over the magnificent flowering of Egyptian civilization.

This book follows the life story of Amenhotep III, one of the most important rulers of ancient Egypt, from his birth and into the afterlife. Amenhotep III ruled for thirty-eight years, from c.1391–1353 BC, during the apex of Egypt's international and artistic power. Arielle P. Kozloff situates Amenhotep in his time, chronicling not only his life but also the key political and military events that occurred during his lifetime and reign, as well as the evolution of religious rituals and the cult of the pharaoh. She further examines the art and culture of the court, including its palaces, villas, furnishings and fashions. Through the exploration of abundant evidence from the period, in the form of both textual and material culture, Kozloff richly re-creates all aspects of Egyptian civilization at the height of the Mediterranean Bronze Age.