The importance of Lutfi al-Khuli and the intellectual circle associated with the Nasserist regime is examined here. Rami Ginat looks at al-Khuli's contribution to the short-lived yet formidable success of Arab socialism.

A Kirkus Best Book of 2017 From award-winning journalist Jack Shenker, an "intimate and comprehensive portrait" (Pankaj Mishra) of the battle for contemporary Egypt that marks a stunning debut from a rising star In The Egyptians, journalist Jack Shenker uncovers the roots of the uprising that succeeded in toppling Hosni Mubarak, one of the Middle East's most entrenched dictators, and explores a country now divided between two irreconcilable political orders. Challenging conventional analyses that depict contemporary Egypt as a battle between Islamists and secular forces, The Egyptians illuminates other, equally important fault lines: far-flung communities waging war against transnational corporations, men and women fighting to subvert long-established gender norms, and workers dramatically seizing control of their own factories. Putting the Egyptian revolution in its proper context as an ongoing popular struggle against state authority and economic exclusion, The Egyptians explains why the events of the past five years have proved so threatening to elites both inside Egypt and abroad. As Egypt's rulers seek to eliminate all forms of dissent, seeded within the rebellious politics of Egypt's young generation are big ideas about democracy, sovereignty, social justice, and resistance that could yet change the world.

Egypt's democratic experiment has been derailed, but will her people remain committed to progressive change, and at what cost? Hellyer's first-hand knowledge of the country suggests the price will be high

Rami Ginat offers an entirely new reading of the evolution of communism in Egypt, including the central role of Egyptian Jews in both its development and its impact on Egypt and the wider Middle East.

In 2011 the world watched as Egyptians rose up against a dictator. Observers marveled at this sudden rupture, and honed in on the heroes of Tahrir Square. Revolutionary Egypt analyzes this tumultuous period from multiple perspectives, bringing together experts on the Middle East from disciplines as diverse as political economy, comparative politics and social anthropology. Drawing on primary research conducted in Egypt and across the world, this book analyzes the foundations and future of Egypt’s revolution. Considering the revolution as a process, it looks back over decades of popular resistance to state practices and predicts the waves still to come. It also confidently places Egypt’s revolutionary process in its regional and international contexts, considering popular contestation of foreign policy trends as well as the reactions of external actors. It draws connections between Egyptians’ struggles against domestic despotism and their reactions to regional and international processes such as economic liberalization, Euro-American interventionism and similar struggles further afield. Revolutionary Egypt is an essential resource for scholars and students of social movements and revolution, comparative politics, and Middle East politics, in particular Middle East foreign policy and international relations.

The ten Egyptian plays in this collection offer grassroots perspectives on the jubilation, terror, hope and heartbreak of mass uprising. Collectively, they sketch events unfolding in Egypt from the twilight of Hosni Mubarak's regime to Abdel Fattah el-Sisi's ascendance to the presidency. A comprehensive introduction situates the plays within their social, political, and economic context, an in-depth translator's note delves into the challenges of translating Arabic for English-speaking audiences. Yasmeen Emam Shghaf's The Mirror and Hany Abdel Naser and Mohamed Mu'iz's They Say Dancing is a Sin explore how stigma and poverty silence women's voices. Sondos Shabayek and the BuSSy Company's documentary storytelling piece Tahrir Monologues and Said Solaiman's drama with movement The Window consider how collective mobilization empowers individuals to overcome personal fears. Ibrahim El-Husseini's symbolic ensemble drama Comedy of Sorrows and Ahmed Hassan Albana's melodrama In Search of Said Abu-Naga warn of the powerful forces waiting to hijack the revolution. Magdy El Hamzawy's satirical tragedy Report on Revolutionary Circumstances and Muhammed Marros's naturalistic three-hander The Visit reflect on how and why the revolutionary forces failed to dislodge the entrenched power structures. Ashraf Abdu's Coptic Church drama Sorrowful City foretells of a post-revolutionary deterioration into sectarian violence, and a stage adaptation of Khaled Al Khamissi's novel Taxi asks what has changed, if anything, for poor and working Egyptians in the years since Mubarak's overthrow.

Through Gramsci and Fanon, Salem centers anticolonial politics by exploring the connections between Egypt's moment of decolonization and the 2011 revolution.

Beginning in Tunisia, and spreading to as many as seventeen Arab countries, the street protests of the 'Arab Spring' in 2011 empowered citizens and banished their fear of speaking out against governments. The Arab Spring belied Arab exceptionalism, widely assumed to be the natural state of stagnation in the Arab world amid global change and progress. The collapse in February 2011 of the regime in the region's most populous country, Egypt, led to key questions of why, how, and with what consequences did this occur? Inspired by the "contentious politics" school and Social Movement Theory, Arab Spring in Egypt addresses these issues, examining the reasons behind the collapse of Egypt's authoritarian regime; analyzing the group dynamics in Tahrir Square of various factions: labor, youth, Islamists, and women; describing economic and external issues and comparing Egypt's transition with that of Indonesia; and reflecting on the challenges of transition.

The former Google executive and political activist tells the story of the Egyptian revolution he helped ignite through the power of social media. In the summer of 2010, thirty-year-old Google executive Wael Ghonim anonymously launched a Facebook page to protest the death of an Egyptian man at the hands of security forces. The page’s following expanded quickly and moved from online protests to a nonconfrontational movement. On January 25, 2011, Tahrir Square resounded with calls for change. Yet just as the revolution began in earnest, Ghonim was captured and held for twelve days of brutal interrogation. After he was released, he gave a tearful speech on national television, and the protests grew more intense. Four days later, the president of Egypt was gone. In this riveting story, Ghonim takes us inside the movement and shares the keys to unleashing the power of crowds in the age of social networking. “A gripping chronicle of how a fear-frozen society finally topples its oppressors with the help of social media.” —San Francisco Chronicle “Revolution 2.0 excels in chronicling the roiling tension in the months before the uprising, the careful organization required and the momentum it unleashed.” —NPR.org

Over the past few months I have delivered lectures, presentations and interviews on the Egyptian Revolution. I have had overflowing houses everywhere, been stopped by old ladies in the street and had my hand shaken by numerous taxi drivers and shopkeepers. And all because I’m Egyptian and the glitter of Tahrir is upon me. They wanted me to talk to them, to tell them stories about it, to tell them how, on the 28th of January when we took the Square and The People torched the headquarters of the hated ruling National Democratic Party, The (same) People formed a human chain to protect the Antiquities Museum and demanded an official handover to the military; to tell them how, on Wednesday, February 2nd, as The People defended themselves against the invading thug militias and fought pitched battles at the entrance to the Square in the shadow of the Antiquities Museum, The (same) People at the centre of the square debated political structures and laughed at stand-up comics and distributed sandwiches and water; to tell them of the chants and the poetry and the songs, of how we danced and waved at the F16s that our President flew over us. People everywhere want to make this Revolution their own, and we in Egypt want to share it. Ahdaf Soueif - novelist, commentator, activist - navigates her history of Cairo and her journey through the Revolution that’s redrawing its future. Through a map of stories drawn from private history and public record Soueif charts a story of the Revolution that is both intimately hers and publicly Egyptian. Ahdaf Soueif was born and brought up in Cairo. When the Egyptian Revolution of 2011 erupted on January 25th, she, along with thousands of others, called Tahrir Square home for eighteen days. She reported for the world’s media and did - like everyone else - whatever she could.