The Egyptian Museum collection in Berlin is one of the world's great collections of antiquities from Ancient Egypt. Among its many masterpieces is the famous bust of Queen Nefertiti, the internationally celebrated object star of the collection. The collection's origins were in the 1698 purchase of the antiquities assembled by Giovanni Pietro Bellori, and it was greatly augmented by expeditions in the 19th and early 20th centuries. During the Cold War the works were divided between East and West, but they have since been reunited on Berlin's Museum Island, and will now be at the heart of the rebuilt Neues Museum that opens in October 2009 for the first time since World War Two. Featuring beautiful all-new photography, an authoritative text and stunning new design, this book works equally well as a guide to a great museum collection or as an illustrated general introduction to the world of Ancient Egypt. AUTHOR: Professor Dietrich Wildung is a world expert on Ancient Egypt and Sudan. Until 2009 he was the Director of the Egyptian Museum and Papyrus Collection, Berlin. 150 colour illustrations

An accompaniment to the Egyptian Museum of Berlin’s special exhibition celebrating the discovery of the Nefertiti bust in 1912, this catalog presents never-before-seen artifacts and objects from the Amarna period of Egyptian history. The book also explores religion, craftsmanship, daily life, and sculpture in Amarna and the world famous Nefertiti bust.

The famous German excavations between 1906 and 1908 of Elephantine Island in Egypt produced some of the most important Aramaic sources for understanding the history of Judeans and Arameans living in 5th century BCE Egypt under Persian occupation. Unknown to the world, many papyri fragments from those excavations remained uncatalogued in the Berlin Museum. In New Aramaic Papyri from Elephantine in Berlin James D. Moore edits the remaining legible Aramaic fragments, which belong to letters, contracts, and administrative texts. To view supplementary material from the volume go here.

The composition, which the editors entitle the "Book of Thoth", is preserved on over forty Graeco-Roman Period papyri from collections in Berlin, Copenhagen, Florence, New Haven, Paris, and Vienna. The central witness is a papyrus of fifteen columns in the Berlin Museum. Written almost entirely in the Demotic script, the Book of Thoth is probably the product of scribes of the "House of Life", the temple scriptorium. It comprises largely a dialogue between a deity, usually called "He-who-praises-knowledge" (presumably Thoth himself) and a mortal, "He-who-loves-knowledge". The work covers such topics as the scribal craft, sacred geography, the underworld, wisdom, prophecy, animal knowledge, and temple ritual. Particularly remarkable is one section (the "Vulture Text") in which each of the 42 nomes of Egypt is identified with a vulture. The language is poetic; the lines are often clearly organized into verses. The subject-matter, dialogue structure, and striking phraseology raise many issues of scholarly interest; especially intriguing are the possible connections between this Egyptian work, in which Thoth is called "thrice-great", and the classical Hermetic Corpus, in which Hermes Trismegistos plays the key role. The first volume comprises interpretative essays, discussion of specific points such as the manuscript tradition, script, and language. The core of the publication is the transliteration of the Demotic text, translation, and commentary. A consecutive translation, glossary, bibliography, and indices conclude the first volume. The second volume contains photographs of the papyri, almost all of which reproduce their original size.

Essays on the magical handbooks of Greco-Roman Egypt

In this third volume Dr Killen investigates how woodworking in ancient Egypt developed in the 19th and 20th dynasties. It establishes the range of wooden furniture manufactured during this period by surveying examples depicted in Ramesside Theban and Memphite tombs. Ancient records show how the procurement of furniture occurred at Deir el-Medina while the design and manufacturing of these furniture forms can be traced through a series of furniture sketches that are annotated with a range of marks and signs. These designs are seen in surviving examples of furniture from settlements such as Medinet el-Gurob. To facilitate the manufacture of furniture, procedures were developed that were managed by cooperatives of Egyptian artisans. These groups established a recognisable Egyptian furniture style that was employed throughout the Ramesside world. Depictions of furniture used by the ruling Ramesside elite are examined including a remarkable collection of furniture used by Rameses III, illustrations of which could once be found in a painted wall scene in his tomb (KV11) and still seen carved on the walls of his temple at Medinet Habu. These illustrations show how royal furniture was used as a symbolic tool to promote the Ramesside Empire at the edges of its sphere of influence. Temple furniture was also used to serve a religious purpose in the rituals performed by Ramesside priests, these forms are also analysed in this volume. This third volume contains a catalogue of known Egyptian furniture preserved in world museums that augments those catalogues found in the first two volumes of this series. The author also provides a distribution list with illustrations of a number of replica pieces of woodwork made by him that can now be found preserved in several museums and collections. The purpose of these replica pieces has been to analyse the design and construction techniques used by Egyptian carpenters using a range of replica woodworking tools.

According to Egyptian mythology, when the ancient Egyptian sun god Re cried, his tears turned into honey bees upon touching the ground. For this reason, the honey bee was sacrosanct in ancient Egyptian culture. From the art depicting bees on temple walls to the usage of beeswax as a healing ointment, the honey bee was a pervasive cultural motif in ancient Egypt because of its connection to the sun god Re. Gene Kritsky delivers a concise introduction of the relationship between the honey bee and ancient Egyptian culture, through the lenses of linguistics, archeology, religion, health, and economics. Kritsky delves into ancient Egypt's multifaceted society, and traces the importance of the honey bee in everything from death rituals to trade. In doing so, Kritsky brings new evidence to light of how advanced and fascinating the ancient Egyptians were. This richly illustrated work appeals to a broad range of interests. For archeology lovers, Kritsky delves into the archeological evidence of Egyptian beekeeping and discusses newly discovered tombs, as well as evidence of manmade hives. Linguists will be fascinated by Kritsky's discussion of the first documented written evidence of the honeybee hieroglyph. And anyone interested in ancient Egypt or ancient cultures in general will be intrigued by Kritsky's treatment of the first documented beekeepers. This book provides a unique social commentary of a community so far removed from modern humans chronologically speaking, and yet so fascinating because of the stunning advances their society made. Beekeeping is the latest evidence of how ahead of their times the Egyptians were, and the ensuing narrative is as captivating as every other aspect of ancient Egyptian culture.