The move to a new capital, Akhenaten/Amarna, brought essential changes in the depictions of royal women. It was in their female imagery, above all, that the artists of Amarna departed from the traditional iconic representations to emphasize the individual, the natural, in a way unprecedented in Egyptian art.

This study of ancient Egyptian art reveals the evolution of aesthetic approaches to proportion and style through the ages. The painted and relief-cut walls of ancient Egyptian tombs and temples record an amazing continuity of customs and beliefs over nearly 3,000 years. Even the artistic style of the scenes seems unchanging, but this appearance is deceptive. In this work, Gay Robins offers convincing evidence, based on a study of Egyptian usage of grid systems and proportions, that innovation and stylistic variation played a significant role in ancient Egyptian art. Robins thoroughly explores the squared grid systems used by the ancient artists to proportion standing, sitting, and kneeling human figures. This investigation yields the first chronological account of proportional variations in male and female figures from the Early Dynastic to the Ptolemaic periods. Robins discusses the proportional changes underlying the revolutionary style instituted during the Amarna Period. She also considers how the grid system influenced the overall composition of scenes. Numerous line drawings with superimposed grids illustrate the text.

Catalog of an exhibition celebrating the 150th anniversary of the Brooklyn Institute of Arts and Sciences.

"[A] comprehensive resource, which contains texts, posters, slides, and other materials about outstanding works of Egyptian art from the Museum's collection"--Welcome (preliminary page).

A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’

The enduring popularity and fascination with the art of Egypt is at the heart of this volume. This completely new survey sets out to shatter any conventional beliefs that Egyptian art is obsessed with funerary themes and full of static renderings of the human form. The authors present this art, which has a 7,000 year history, as a product of a civilization wholly different from our own. One hundred of the most significant pieces from the Brooklyn Museum of Art are chronologically organized, revealing how Egyptian 'art' developed and progressed.

This study provides an analysis of more than 60 statues and fragments depicting the god Amun and his consorts which Tutankhamun, Ay, and/or Horemhab commissioned to replace those destroyed by the “heretic pharaoh” Akhenaten.

Egyptian art from its prehistoric origins through 3, 000 years of achievement.