Millions of tourists visit the ancient Egyptian sites annually and are inspired by the ruins. Yet it is impossible for them to photograph the ruins adequately: the sites are overrun with tourists, photography is forbidden in various locations and amateur cameras cannot correct the perspectives of the monuments. Meanwhile no book currently exists of professional-quality photographs specifically portraying the monuments.

With more than 600 entries and 350 plans, diagrams and photographs and maps, this guide provides a comprehensive introduction to ancient Egyptian monuments that is an essential companion for every visitor to the ancient sites along the Nile.

A “richly illustrated . . . engaging, lucid account” of Ancient Egyptian Pyramids, what we know about them now, what we don’t, and what is still debated today (Kirkus Reviews). Hailed by Science News as “the new seminal text,” The Pyramids is a comprehensive record of Egypt’s most awe-inspiring monuments and what Egyptologists now know about them today—from their construction and purpose to the culture that surrounded them. Distinguished Egyptologist Miroslav Verner draws from the research of the earliest Egyptologists as well as the startling discoveries made with late twentieth century technology. Here you will find a clear, authoritative guide to the ancient culture that created the pyramids five thousand years ago without iron or bronze, and with only the most elementary systems of calculation. As Verner explains the magnitude of this accomplishment, he also traces the stories and ideas of the intrepid scientists who uncovered the mysteries of the pyramids. “Editor’s Choice . . . this comprehensive volume details everything you ever wanted to know about pyramids.” —Rosemary Herbert, Boston Herald “Displays both a deep respect for the research of Egyptologists and a comprehensive knowledge of it . . . An important, comprehensive resource for the study of those most mysteriously, enduringly impressive structures.” —Kirkus Reviews “An accessible introduction to the culture of the ancient Egyptians.” —Die Welt

"Sphinxes are legion in Egypt--what is so special about this one?... We shall take a stroll around the monument itself, scrutinizing its special features and analyzing the changes it experienced throughout its history. The evidence linked to the statue will enable us to trace its evolution... down to the worship it received in the first centuries of our own era, when Egyptians, Greeks, and Romans mingled together in devotion to this colossus, illustrious witness to a past that was already more than two millennia old."--from the IntroductionThe Great Sphinx of Giza is one of the few monuments from ancient Egypt familiar to nearly everyone. In a land where the colossal is part of the landscape, it still stands out, the largest known statue in Egypt. Originally constructed as the image of King Chephren, builder of the second of the Great Pyramids, the Sphinx later acquired new fame in the guise of the sun god Harmakhis. Major construction efforts in the New Kingdom and Roman Period transformed the monument and its environs into an impressive place of pilgrimage, visited until the end of pagan antiquity.Christiane Zivie-Coche, a distinguished Egyptologist, surveys the long history of the Great Sphinx and discusses its original appearance, its functions and religious significance, its relation to the many other Egyptian sphinxes, and the various discoveries connected with it. From votive objects deposited by the faithful and inscriptions that testify to details of worship, she reconstructs the cult of Harmakhis (in Egyptian, Har-em-akhet, or "Horus-in-the-horizon"), which arose around the monument in the second millennium. "We are faced," she writes, "with a religious phenomenon that is entirely original, though not unique: a theological reinterpretation turned an existing statue into the image of the god who had been invented on its basis."The coming of Christianity ended the Great Sphinx's religious role. The ever-present sand buried it, thus sparing it the fate that overtook the nearby pyramids, which were stripped of their stone by medieval builders. The monument remained untouched, covered by its desert blanket, until the first excavations. Zivie-Coche details the archaeological activity aimed at clearing the Sphinx and, later, at preserving it from the corrosive effects of a rising water table.

Peter James, founder and managing director of Cintec International, provides a unique perspective on the construction of Egypt’s ancient pyramids. The book addresses existing theories and contributes new, innovative ideas in order to decode the historic construction of the pyramids. Provides in-depth examination of construction and restoration, supported by an author with fourteen years of knowledge and experience.