Dystopia in Arabic Speculative Fiction: A Poetics of Distress unpacks the nuanced Arabic contribution to speculative fiction. Part of a larger project by Elmeligi to formulate a poetics of literary theory to read Arabic literature, this book examines Arabic dystopian fiction from the lens of social causes of psychological distress. The selected novels combine works by authors already established in studies by Western scholars and many that have not been translated before or have not received enough scholarly attention, yet. The novels represent an array of Arab countries, including Algerian, Egyptian, Jordanian, Kuwaiti, Mauritanian, Syrian, and Tunisian authors. It also highlights the contribution of women authors to Arabic speculative fiction. This book enriches the conversation about what is quite possibly a significant speculative fiction turn in the Arabic novel, as well as provides a new theoretical approach to read such complex and innovative literature.

This anthology marks the 29th edition of the award-winning annual compilationof the year's best science fiction stories.

A CENTURY OF SPY FICTION: REFLECTIONS ON THE GENRE brings together Nader Elhefnawy's writings on that subject. From the birth of the spy story in the marriage of detective fiction with the invasion story to the genre's post-Cold War travails, from the forgotten but hugely important adventures of the original "international man of mystery" Duckworth Drew to the age of Jack Ryan, this revised and updated second edition of the book trace the broader history of the field while peering at many a keyhole to see just what has been going on all the while in this often mysterious genre about mystery.

The latest volume of the prestigious anthology series, published annually across six decades! The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories in the Nebula Awards, voted on by the members of the Science Fiction & Fantasy Writers of America® . The editor selected by SFWA's anthology committee (chaired by Mike Resnick) is American fantasy writer Kij Johnson, author of three novels and associate director of the Center for the Study of Science Fiction at the University of Kansas. This year's Nebula winners, and expected contributors, are Kim Stanley Robinson, Nancy Kress, Andy Duncan, and Aliette de Bodard, with E.C. Myers winning the Andre Norton Award for Young Adult Science Fiction and Fantasy Book.

Short novels are movie length narratives that may well be the perfect length for science fiction stories. This collection presents the best-of-the-best short science fiction novels published in 2012 by current and emerging masters of this vibrant form. In "In the House of Aryaman, a Lonely Signal Burns," by Elizabeth Bear, Police Sub-Inspector Ferron investigates the murder of genetics engineer, Dexter Coffin, who has been turned inside out, in a cutting edge biomedical lab set in a not too distant future India. In Jay Lake's"The Stars Do Not Lie," Morgan Abutti is soon in fear for his life when he tries to announce his discovery of something in the stars that contradicts the creation myth of a major religion on his planet. In "The Weight of History, the Lightness of the Future," also by Jay Lake, set in the author's "Sunspin" series, the Howard Immortal, Before Michaela Cannon, and an untrustworthy shipmind investigate the cause of the Mistake, an alien attack on human civilization with an EMP weapon that occurred more than a thousand years ago and wiped out most of its technology. In "Sudden, Broken and Unexpected," by Steven Popkes, a burnt-out, talented musician is hired to help a world-class rock star divaloid, an electronic construct, prepare for her new world tour. There's only one problem, the musician passionately despises divaloids. In Robert Reed's"Eater-of-Bone," marooned human colonists, from the "Great Ship," fight for dominance on a planet inhabited by smaller, weaker, and less intelligent aliens. Finally, in "The Boolean Gate," by Walter Jon Williams, set in the 19th century, an elderly Samuel Clemens escapes his Mark Twain persona through his friendship with Nicola Tesla. As Tesla's inventions come to fruition, Twain suspects that Tesla has opened up a gateway to an alien intelligence.

​Think you want to live forever? Think again. You may wake up as a zombie tourist, doomed to shamble the sights of Los Angeles. Or you could be a clone, body and memories intact but lacking something you can’t quite name. Your frozen head might linger for centuries in a museum while other souls gallivant about the universe. You might be reincarnated as a plastic lawn flamingo or seated Buddha or garden gnome. Or into an unbreakable cycle of servitude. Or you may just outlive the people and things that gave life its flavor. Emily C. Skaftun’s debut collection brings you flippant wish-granting fish, flying tigers, foul-mouthed fairies, rogue robots, vengeful trees, medical dreams, interstellar squirrels, murderous teddy bears, magic-helmet-wearing rollergirls, rampaging aliens, a dash of eldritch horror, and a sprinkle of ghosts. These 18 stories, spanning a decade, balance on the knife-edge between whimsical and poignant, exploring fates far weirder than death.

Speculative Imperialisms: Monstrosity and Masquerade in Postracial Times explores the(settler) colonial ideologies underpinning the monstrous imaginings of contemporary popular culture in the Britain and the US. Through a close examination of District 9, Avatar, Doctor Who, Planet of the Apes, and steampunk culture, Susana Loza illuminates the durability of (settler) colonialism and how it operates through two linked yet distinct forms of racial mimicry: monsterization and minstrelsy. Speculative Imperialisms contemplates the fundamental, albeit changing, role that such racial simulations play in a putatively postracial and post-colonial era. It brings together the work on gender masquerade, racial minstrelsy, and postcolonial mimicry and puts it in dialogue with film, media, and cultural studies. This project draws upon the theoretical insights of Stuart Hall, Homi K. Bhabha, Edward Said, Philip Deloria, Michael Rogin, Eric Lott, Charles Mills, Falguni Sheth, Lorenzo Veracini, Adilifu Nama, Isiah Lavender III, Gwendolyn Foster, Marianna Torgovnick, Ann Laura Stoler, Anne McClintock, Eric Greene, Richard Dyer, and Ed Guerrero.

Situating the intellectual inheritance of Canadian Vorticists in a multidisciplinary assemblage of authors and artists.

Classic stories of science fiction featuring powered armor: Tales from the Golden Age through the current era featuring military, police, and civilians utilizing powered armor. Stories by Joe Haldeman, Christopher Ruocchio, Jason Cordova, and more! MEN, MACHINES, AND TOMORROW’S BATTLEFIELDS War is planned violence . . . or, at least, it starts out that way. And even if plans go awry, the violence is indispensable. Today’s soldiers have far more firepower on a per-man basis than the doughboys of a century ago, and there is no reason to believe that this trend will not extend into the future. Imagine a revival of suits of armor, but with structural strength undreamed of by medieval knights, and powered by built-in motors, giving each soldier the invulnerability of a tank, but even more mobility, and mechanical muscle strong enough to carry light artillery, rocket launchers, laser cannon, and weapons not even on the drawing boards yet. Add on the ability to fly, or at least jump for a kilometer at a time, using rocket boosters, or even powerful leg motors, or a combination of both. The stuff that superheroes are made of, hanging in every fighting man or woman’s closet, ready to wear. If it’s possible, history teaches us, it will be done. But don’t expect a nation or planet possessing such battalions of super-powered soldiers to not worry about attack by an enemy . . . there’s no reason why the enemy won’t have its own armored infantry. Keep the midnight oil burning and the R&D rolling. In the meantime, here’s a sneak peek by expert dreamers putting the battle-hardened reader at the sharp end of tomorrow. At the publisher’s request, this title is sold without DRM (Digital Rights Management). Praise for anthologies edited by Hank Davis and David Afsharirad: “This intriguing anthology explores the human race’s violent potential [but] also bends toward exploration and the triumph of the human spirit, with brave tales [that] take the reader on a fascinating, thoughtprovoking, enjoyable journey . . . ” —Publishers Weekly on The Year’s Best Military SF and Space Opera, starred review