Edwin Lutyens was one of Britain's greatest architects, known for the imaginative adaptations of traditional design in his numerous country houses, as well as the instrumental role he played in designing and building much of New Delhi. Presenting a stunning collection of his architectural designs spanning the many phases of his acclaimed career, this beautifully produced study includes examples of the celebrated architect's early Arts-and-Crafts houses, Surrey-vernacular style, and carefully composed classical houses. Leading architectural authority Gavin Stamp presents his selection of Lutyens' houses in chronological order â??with the exception of the Viceroy's House â?? by the date of their design. Featuring jaw-dropping photography from the unique archives of Country Life magazine, this beautiful book covers of all phases of Lutyens' career and boasts a number of rare images. The vast majority of photographs within the book are contemporaneous to the buildings' design â?? showing the houses as their architect intended they should look: mellow and yet monumental, fitting into the soft English landscape and enhanced by their luxuriant gardens. Covering everything from Crooksbury and Sullingstead to Gledstone Hall and Middleton park, Edwin Lutyens' Country Houses is the leading text on this architect of rare genius and humanity.

"Sir Edwin Lutyens is widely regarded as one of Britain's greatest architects. In a career of more than 50 years, spanning both the Victorian and Modern eras, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous First World War memorials across Europe and Britain, and his magnum opus designs for New Delhi, built during the 1920s and 1930s. Lutyens' most celebrated works remain his magnificent country houses that so frequently adorned the pages of Country Life magazine, and in particular his houses of the period from the 1890s and 1900s. Sir Edwin Lutyens: The Arts & Crafts Houses brings together for the first time in new, wide-format all-colour photography, the definitive collection of over 40 of Lutyens' great houses, in which Lutyens ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features over 500 stunning current photographs, together with floor plans of the houses, and a fresh reinterpretation of Lutyens' enduring architectural genius."--

A reissue in hardback under the National Trust imprint of a classic, superbly illustrated book tracing Sir Edwin Lutyens's formidable achievements of both grand public buildings and his many beautiful country houses. Through his architecture of New Delhi, Lutyens had the unofficial status of Britain's 'architect laureate', but it is in his wonderful country houses that his creative genius can most fully be appreciated. Elizabeth Wilhide traces the development of the Lutyens style and illustrates his remarkable blend of function and artistry, from the imposing granite of Castle Drogo and Lindisfarne to the restful appeal of Munstead Wood, which he designed for his long-term collaborator and friend, Gertrude Jekyll. Wilhide also devotes a large section of the book to Lutyens's wonderful interiors. With a foreword by Sir Edwin's granddaughter Candia Lutyens and specially commissioned photographs showing interiors and gardens, as well as original designs for furniture, this elegant monograph provides a fresh insight into a rich and enduring heritage of design.

Celebrates the work of one of the greatest garden designers of the late 19th and early 20th centuries.

"This is a full biography of a witty, complex personality, a man who had little formal education, who loved jokes and hated growing up. It is also a portrait of an extraordinary marriage. His wife, Emily, fell in love with Krishnamurti, 21 years her junior and believed to be the reincarnation of a god, and she thereafter spent her time and her husband's money promoting Theosophy, a Hindu-inspired cult. Lutyens's failure to find a common language with Emily possibly drove him to achieve the remarkable communication through the language of architecture which characterises his best work."--BOOK JACKET.

The work of Edwin Lutyens (1869-1944) includes the Cenotaph in Whitehall, much of Imperial New Delhi and especially his masterpiece, Viceroy's House (now Rashtrapati Bhavan), Queen Mary's dolls' house and Hampstead Garden Suburb. But his greatest heritage is the traditional Edwardian country house, an architectural style he made his own, using local materials and often working with Gertrude Jekyll who planted the gardens for his family homes. This is a full biography of a witty, complex personality, a man who had little formal education, who loved jokes and hated growing up. It is also a portrait of an extraordinary marriage. His wife, Emily, fell in love with Krishnamurti, 21 years her junior and believed to be the reincarnation of a god, and she thereafter spent her time and her husband's money promoting Theosophy, a Hindu-inspired cult. Lutyens's failure to find a common language with Emily possibly drove him to achieve the remarkable communication through the language of architecture which characterises his best work.

In the exclusionary world of high modern architecture, it is curious to discover that two icons of the movement both admired the work of Sir Edwin Lutyens - an architect who had little or no interest in modernism. Le Corbusier and Frank Lloyd Wright created buildings that are very different, and the two men did not even like each other, but they shared a fascination for Lutyens' distinctively non-international style architecture. This polemical text is an account of why this occured. By exposing common aesthetic and structural themes in the architecture of these three giants, including the cities of New Delhi and Chandigahr, in India, the author explains why Wright and Le Corbusier may have had more in common with Lutyens than with many of their modern peers. The primary text in the book was written in 1967 and was published in a student journal in the U.S. with a small circulation. It has remained an underground classic since then - perhaps because its contents are so disruptive of our current views of 20th century modernism.

Edwin Lutyens was born in 1869, one of a talented family of fourteen. Ill health forced him to be educated privately. He spent only six months studying architecture at the Royal College of Art before joining the practice of George and Peto. At the age of twenty he started his own practice. Lutyens' career lasted fifty years in a time when Britain was at the height of its prosperity. He died in 1944. These three memorial volumes, compiled from the thousands of drawings found in Lutyens' office, embody the quintessence of the man and his work. Contained within are Lutyens' own plans, elevations and copious details of the finest examples of his architecture - Editorial review.