150 photographs from the shimmering 1950s on the Côte d'Azur. Stars and celebrities on the street, at gala evenings, and in private moments. The finest vintage images from a total portfolio of over 100,000 negatives.

Alphabetically arranged articles discuss the major events, figures and movements of the twentieth century and how they have been depicted in literature.

"The most everyday object is a vessel; a vehicle of my thoughts." In Picasso's hands, cardboard, paper, and rope metamorphose into a guitar, a goat, a woman. His friend, the great photographer Edward Quinn, a privileged witness to Picasso's creative moments, recreates them here in 80 pages of everyday objects created in an imaginary world.

Edward Said’s Orientalism is a masterclass in the art of interpretation wedded to close analysis. Interpretation is characterized by close attention to the meanings of terms, by clarifying, questioning definitions, and positing clear definitions. Combined with one of the main sub-skills of analysis, drawing inferences and finding implicit reasons and assumptions in arguments, interpretation becomes a powerful tool for critical thought. In Orientalism, the theorist, critic and cultural historian Edward Said uses interpretation and analysis to closely examine Western representations of the “Orient” and ask what they are really doing, and why. One of his central arguments is that Western representations of the East and Middle East persistently define it as “other”, setting it up in opposition to the West. Through careful analysis of a range of texts and other materials, Said shows that implicit assumptions about the “Orient’s” otherness underlie much Western thought and writing about it. Clarifying consistently the differences between the real-world East and the constructed ideas of the “Orient”, Said’s interpretative skills power his analysis, and provide the basis for an argument that has proven hugely influential in literary criticism, philosophy, and even politics.

For Alice Keppel, it was all about appearances. Her precepts were those of the English upper classes: discretion, manners and charm. Nothing else mattered - especially when it came to her infamous affair with King Edward VII. As the King's favourite mistress up until his death in 1910, Alice held significant influence at court and over Edward himself. But it wasn't just Edward she courted: throughout her life, Alice enthusiastically embarked on affairs with bankers, MPs, peers - anybody who could elevate her standing and pay the right price. She was a shrewd courtesan, and her charisma and voracity ensured her both power and money, combined as they were with an aptitude for manipulation. Drawing on a range of sources, including salacious first-hand eyewitness accounts, bestselling author Tom Quinn paints an extraordinary picture of the Edwardian aristocracy, and traces the lives of royal mistresses down to Alice's great-granddaughter, the current Duchess of Cornwall. Both intriguing and astonishing, this is an unadulterated glimpse into a hidden world of scandal, decadence and debauchery.

A man named Ralph begins to question his sexuality after touching his wife's negligée. The sordid story deals with the continuing change that occurs in the patterns of behavior of a society in search of itself.

Photographs portray the public and private life of Picasso, capturing the artist at work and with family and friends.