A collection of over 100 limericks with the author's original illustrations.

Edward Lear loved birds. Of all the animals that sprang from his quirky imagination, birds held a special place, serving as the animal of choice for his zoomorphosis in self-portraiture. Not only did he draw more birds than any other animal, but he endowed them with particularly human characteristics. This book brings together a collection of Lear's nonsense birds, such as 'The Obsequious Ornamental Ostrich, who wore Boots to keep his feet quite dry', as well as the twenty birds he hand-coloured such as 'The Runcible Bird' and 'The Stripy Bird'. Each of these is endowed with unique character while collectively they form a gloriously humorous flock. Beautifully presented, this is a perfect gift for children of all ages as well as for lovers of birds.

Edward Lear began his career as an ornithological illustrator, becoming one of the first major artists to draw birds from living models. During this period he was employed to paint the birds from the private menagerie owned by Edward Stanley, the 13th Earl of Derby and one of Lear’s closest friends. In 1837, Lear’s health started to decline. His deteriorating eyesight and failing lungs forced him to abandon the detailed painting required for depicting birds, and, with the help of the earl, he moved to Rome where he established himself as a poet of literary nonsense. While Lear was visiting the Earl of Derby, he wrote poems and drew silly sketches to entertain the earl’s children. In 1846, he collected together his pile of limericks and illustrations and published his first poetical book, titled A Book of Nonsense and dedicated to the Earl of Derby and his children. He decided to publish under the pseudonym Derry down Derry, but after he started making plans for more books, he republished under his real name. His next book, Nonsense Songs, Stories, Botany, and Alphabets wasn’t published until 24 years later, in 1870. Lear then released More Nonsense, which contains more limericks, in 1872, and Laughable Lyrics in 1877. This final book in the series contains many of Lear’s most famous fantastical creatures, such as the Quangle Wangle. The influence of Lear’s poetry in the twentieth-century can be seen in styles like the surrealism movement and the theater of the absurd.

Edward Lear's much celebrated book of nonsense is here reproduced with all the original pictures and verse and two autobiographical letters by the author. Children and adults alike will delight in the Limerick's that here abound. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Renowned author Daniel Pinkwater and best-selling poet and artist Calef Brown team up to champion the ridiculous! These endlessly fascinating and imaginative poems are as fresh and delightful today as they were when Edward Lear wrote them more than a hundred years ago—from "The Owl and the Pussycat" to "The Pobble Who Has No Toes." This charming book proves that, sometimes, there's nothing children need more than a healthy dose of nonsense!

Edward Lear's beloved poem has charmed readers since it was first published in 1871. 4+ yrs.

A sparkling biography of the poet and artist Edward Lear by the award-winning biographer Jenny Uglow Edward Lear, the renowned English artist, musician, author, and poet, lived a vivid, fascinating life, but confessed, “I hardly enjoy any one thing on earth while it is present.” He was a man in a hurry, “running about on railroads” from London to country estates and boarding steamships to Italy, Corfu, India, and Palestine. He is still loved for his “nonsenses,” from startling, joyous limericks to great love poems like “The Owl and the Pussy Cat” and “The Dong with a Luminous Nose,” and he is famous, too, for his brilliant natural history paintings, landscapes, and travel writing. But although Lear belongs solidly to the age of Darwin and Dickens—he gave Queen Victoria drawing lessons, and his many friends included Tennyson and the Pre-Raphaelite painters—his genius for the absurd and his dazzling wordplay make him a very modern spirit. He speaks to us today. Lear was a man of great simplicity and charm—children adored him—yet his humor masked epilepsy, depression, and loneliness. Jenny Uglow’s beautifully illustrated biography, full of the color of the age, brings us his swooping moods, passionate friendships, and restless travels. Above all, Mr. Lear shows how this uniquely gifted man lived all his life on the boundaries of rules and structures, disciplines and desires—an exile of the heart.

"One of Lear's most famous five-line poems receives full illustrative treatment to whet young readers' appetites for adventures in rhyme"--

A homeless old lady helps a young boy to understand that he can always find his sense of humor ... whenever he smiles.