Introduction by Jeffrey Fraenkel. Essay by Robert Adams.

As a boy, Edward Hopper knew exactly what he wanted to be when he grew up: on the cover of his pencil box, he wrote the words EDWARD HOPPER, WOULD-BE ARTIST. He traveled to New York and to Paris to hone his craft. And even though no one wanted to buy his paintings for a long time, he never stopped believing in his dream to be an artist. He was fascinated with painting light and shadow and his works explore this challenge. Edward Hopper's story is one of courage, resilience, and determination. In this striking picture book biography, Robert Burleigh and Wendell Minor invite young readers into the world of a truly special American painter (most celebrated for his paintings "Nighthawks" and "Gas").

Each poem in 'Edward Hopper' is based on a painting by the American artist. Together they form a narrative sketching the life of the subject from small-town origins to big-city life, from youth to age.

A catalog of an exhibition held at the Whitney Museum in 1995 includes a literary collection

The complete oils of arguably America's best and probably America's most "American" artist.

Catalog of an exhibition held at the Whitney Museum of American Art, New York, May 23-Oct. 6, 2013; Dallas Museum of Art, Nov. 17, 2013-Feb. 16, 2014; Walker Art Center, Minneapolis, Mar. 15-June 22, 2014.

Illustrated by over 50 of Edward Hopper's most powerful evocations of New York, Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is - and is not. Ever the contrarian, he offers an alternative to what other American artists seized on - the new, the gigantic, the technologically exciting. Hopper stayed away from tourist attractions or landmarks of the city's glamorous skyline. His preference for nondescript vernacular buildings is emblematic of the larger Hopper paradox: he makes emptiness full, silence articulate, banality intense, plainness mysterious, and tawdriness noble.

From "Art Deco to "Edward Hopper, Mary Cassatt to "Crandma Moses, this beautifully illustrated series explores the lives and work of famous American artists and schools of style. A visual celebration, the combination of color plates, photographs, and informative text will delight art lovers everywhere. Noted author Sherry Marker explores the realism and poetry of Hopper's work, while sketching in details of the artist's life and providing incisive introductions to nearly 70 full color reproductions.

A fascinating study of Edward Hopper's iconic Nighthawks painting and its deep significance for understanding American culture. Staying up Much Too Late discusses the painting Nighthawks and the painter Edward Hopper and their central importance to twentieth-century American culture. Topics include individualism, New York City, Arthur "Weegee" Fellig, diners, pornography, capitalism, advertising, cigarettes, American philosophy, World War II, Gravity's Rainbow, Blade Runner, Pulp Fiction, Russ Meyer, R. Crumb, David Lynch, and film noir What links these together is the painting's pessimistic take on American culture, which it also seems to epitomize. Despite its desolate feel, Nighthawks has become a familiar icon, reproduced on posters and postcards, in movies and on television shows. But Nighthawks is more than just a masterful painting. It is a portal into that rarely acknowledged but pervasive dark side of the American psyche.

Calls attention to the diverse influences on Hopper's work in the print medium and reproduces all seventy-six of his prints, including five monotypes from 1902, three linoleum block-print greeting cards from the mid-1920s, and many previously unpublishede