The first survey of the classic twentieth-century houses that defined American Midwestern modernism. Famed as the birthplace of that icon of twentieth-century architecture, the skyscraper, Chicago also cultivated a more humble but no less consequential form of modernism--the private residence. Modern in the Middle: Chicago Houses 1929-75 explores the substantial yet overlooked role that Chicago and its suburbs played in the development of the modern single-family house in the twentieth century. In a city often associated with the outsize reputations of Frank Lloyd Wright and Ludwig Mies van der Rohe, the examples discussed in this generously illustrated book expand and enrich the story of the region's built environment. Authors Susan Benjamin and Michelangelo Sabatino survey dozens of influential houses by architects whose contributions are ripe for reappraisal, such as Paul Schweikher, Harry Weese, Keck & Keck, and William Pereira. From the bold, early example of the "Battledeck House" by Henry Dubin (1930) to John Vinci and Lawrence Kenny's gem the Freeark House (1975), the generation-spanning residences discussed here reveal how these architects contended with climate and natural setting while negotiating the dominant influences of Wright and Mies. They also reveal how residential clients--typically middle-class professionals, progressive in their thinking--helped to trailblaze modern architecture in America. Though reflecting different approaches to site, space, structure, and materials, the examples in Modern in the Middle reveal an abundance of astonishing houses that have never been collected into one study--until now.

After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. In this richly illustrated history of midcentury modern churches in the Midwest, Gretchen Buggeln shows how architects and suburban congregations joined forces to work out a vision of how modernist churches might help reinvigorate Protestant worship and community. The result is a fascinating new perspective on postwar architecture, religion, and society. Drawing on the architectural record, church archives, and oral histories, The Suburban Church focuses on collaborations between architects Edward D. Dart, Edward A. Sövik, Charles E. Stade, and seventy-five congregations. By telling the stories behind their modernist churches, the book describes how the buildings both reflected and shaped developments in postwar religion—its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change. While many scholars have characterized these congregations as “country club” churches, The Suburban Church argues that most were earnest, well-intentioned religious communities caught between the desire to serve God and the demands of a suburban milieu in which serving middle-class families required most of their material and spiritual resources.

"Sir Edwin Lutyens is widely regarded as one of Britain's greatest architects. In a career of more than 50 years, spanning both the Victorian and Modern eras, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous First World War memorials across Europe and Britain, and his magnum opus designs for New Delhi, built during the 1920s and 1930s. Lutyens' most celebrated works remain his magnificent country houses that so frequently adorned the pages of Country Life magazine, and in particular his houses of the period from the 1890s and 1900s. Sir Edwin Lutyens: The Arts & Crafts Houses brings together for the first time in new, wide-format all-colour photography, the definitive collection of over 40 of Lutyens' great houses, in which Lutyens ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features over 500 stunning current photographs, together with floor plans of the houses, and a fresh reinterpretation of Lutyens' enduring architectural genius."--

A 100-year visual history of the magazine, showcasing the work of top interior designers and architects, and the personal spaces of numerous celebrities. Architectural Digest at 100 celebrates the best from the pages of the international design authority. The editors have delved into the archives and culled years of rich material covering a range of subjects. Ranging freely between present and past, the book features the personal spaces of dozens of private celebrities like Barack and Michelle Obama, David Bowie, Truman Capote, David Hockney, Michael Kors, and Diana Vreeland, and includes the work of top designers and architects like Frank Gehry, David Hicks, India Mahdavi, Peter Marino, John Fowler, Renzo Mongiardino, Oscar Niemeyer, Axel Vervoordt, Frank Lloyd Wright, and Elsie de Wolfe. Also included are stunning images from the magazine’s history by photographers such as Bill Cunningham, Horst P. Horst, Simon Upton, Francois Dischinger, Francois Halard, Julius Shulman, and Oberto Gili. “The book is really a survey of how Americans have lived—and how American life has changed—over the past 100 years.” ?Los Angeles Times “A Must-Have Book!” ?Interior Design Magazines “Written in the elevated quality that only the editors of Architectural Digest can master so well, AD at 100: A Century of Style is the world’s newest guide to the best and brightest designs to inspire your next big home project.” ?The Editorialist

This revised, enlarged edition of Richard Giles' award-winning, best-selling handbook on the design and use of church buildings will be widely welcomed. Eminently knowledgeable and profoundly theological, Re-pitching the Tent offers at the same time a hands-on practical guide to the entire process of reordering and furnishing the places where we worship, from the nitial idea to the final completion. Lavishly illustrated with many new colour and black and white photographs, this essential guide will transform the way we regard the interior and exterior of our church buildings, enabling us to see them afresh as a vital part of mission strategy. Drawing on the experiences of congregations in widely differing local cultures in Britain, North America and Europe, it will inspire creative and imaginative design, and take every reader on an exciting journey of discovery of what is conveyed to the world by the very places in which we encounter and proclaim the mystery and beauty of God. Book jacket.

Michigan Modern: Design That Shaped America is an impressive collection of important essays touching on all aspects of Michigan’s architecture and design heritage. The Great Lakes State has always been known for its contributions to twentieth-century manufacturing, but it’s only beginning to receive wide attention for its contributions to Modern design and architecture. Brian D. Conway, Michigan’s State Historic Preservation Officer, and Amy L. Arnold, project manager for Michigan Modern, have curated nearly thirty essays and interviews from a number of prominent architects, academics, architectural historians, journalists, and designers, including historian Alan Hess, designers Mira Nakashima, Ruth Adler Schnee, and Todd Oldham, and architect Gunnar Birkerts, describing Michigan’s contributions to Modern design in architecture, automobiles, furniture and education.

For the first time, the interiors of some of the Chicago area's greatest buildings, designed by celebrated architects, are brought together and featured in truly stunning original photographs. These Chicago-area homes, religious spaces, and commercial and public structures give visual meaning to Frank Lloyd Wright's belief that "the space within becomes the reality of the building." Beginning with the Clarke House of 1836 and continuing to the present, every type and style of building is presented. Famous residences such as Wright's Robie House and Mies van der Rohe's Farnsworth House are here, but so are more modest (and not so modest) homes by Walter Burley Griffin, George Washington Maher, and Paul Schweikher. The ornate warmth of Adler & Sullivan's Auditorium Building provides striking contrast to the modern, towering underground stacks of Helmut Jahn's Mansueto Library. The soaring Bahá'í Temple, by Louis Bourgeois, is elegantly highlighted alongside a humble chapel in St. Procopius Abbey Church, by Edward Dart. And commercial buildings by Daniel Burnham, John Wellborn Root, John Holabird, Martin Roche, and many more reaffirm Chicago's position as a great business center. These architects and their contemporaries have made the Chicago area a mecca for both architects and lovers of architecture from around the world. Text by author Patrick F. Cannon, who has lived and worked in Chicago and its suburbs for more than sixty years, discusses each building's architecture, architect, and place in history. James Caulfield, a noted architectural photographer, leads a visual tour into both the intimate and grand interiors of the Chicago area's finest buildings. Now the duo's fifth book, The Space Within demonstrates that good design comes in many styles. While many of these architectural masterpieces are open to the public, others--particularly the private homes--can only be seen here.

These days it seems obvious that stupendous constructions like St Pancras Station should be preserved and restored. But as recently as the 1970s Glasgow’s superb St Enoch’s Hotel made way for a shopping centre, and in the 1960s St Pancras itself was also earmarked for demolition. “Victorian” was a term of abuse. Add in wartime bombing by the Luftwaffe, and town planners eager for ring roads and multi-storeys, and the destruction is shocking. This poignant, angry book, full of stunning images, chronicles the catastrophic swathe cut through Britain’s architectural heritage by the twentieth century’s sustained antipathy to the nineteenth, entirely through buildings that have disappeared. Of the 200 notable examples of Victorian architecture illustrated in this book, from the magnificent Imperial Institute in Kensington to the vast country house of Eaton Hall, not one still exists. A photograph is all we have left. As well as architectural causes célèbres like the Euston Arch and London’s Coal Exchange, Gavin Stamp turns up many lesser-known Victorian buildings, like the extraordinary Gothic battlements of Columbia Market in East London, or Chatsworth’s soaring glasshouse streamlined like a spaceship. Surprising, chastening, but also uplifting, Lost Victorian Britain is a memorable journey back into a world that should never have been lost.