That owner was the younger of the ladies seated by the window. You would scarcely have guessed, from her appearance, that she was more than seven or eight and twenty, though she exceeded by four or five years that critical boundary in the life of beauty. Her form was slight and delicate in its proportions, nor was her countenance the less lovely because, from its gentleness and repose (not unmixed with a certain sadness) the coarse and the gay might have thought it wanting in expression. For there is a stillness in the aspect of those who have felt deeply, which deceives the common eye,—as rivers are often alike tranquil and profound, in proportion as they are remote from the springs which agitated and swelled the commencement of their course, and by which their waters are still, though invisibly, supplied.

Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton PC (25 May 1803 - 18 January 1873), was an English novelist, poet, playwright, and politician. He was immensely popular with the reading public and wrote a stream of bestselling novels which earned him a considerable fortune. He coined the phrases "the great unwashed", "pursuit of the almighty dollar", "the pen is mightier than the sword", "dweller on the threshold", as well as the well-known opening line "It was a dark and stormy night

IT was towards the evening of a day in early April that two ladies were seated by the open windows of a cottage in Devonshire. The lawn before them was gay with evergreens, relieved by the first few flowers and fresh turf of the reviving spring; and at a distance, through an opening amongst the trees, the sea, blue and tranquil, bounded the view, and contrasted the more confined and home-like features of the scene. It was a spot remote, sequestered, shut out from the business and pleasures of the world; as such it suited the tastes and character of the owner. That owner was the younger of the ladies seated by the window. You would scarcely have guessed, from her appearance, that she was more than seven or eight and twenty, though she exceeded by four or five years that critical boundary in the life of beauty. Her form was slight and delicate in its proportions, nor was her countenance the less lovely because, from its gentleness and repose (not unmixed with a certain sadness) the coarse and the gay might have thought it wanting in expression. For there is a stillness in the aspect of those who have felt deeply, which deceives the common eye,—as rivers are often alike tranquil and profound, in proportion as they are remote from the springs which agitated and swelled the commencement of their course, and by which their waters are still, though invisibly, supplied. The elder lady, the guest of her companion, was past seventy; her gray hair was drawn back from the forehead, and gathered under a stiff cap of quaker-like simplicity; while her dress, rich but plain, and of no very modern fashion, served to increase the venerable appearance of one who seemed not ashamed of years. "My dear Mrs. Leslie," said the lady of the house, after a thoughtful pause in the conversation that had been carried on for the last hour, "it is very true; perhaps I was to blame in coming to this place; I ought not to have been so selfish." "No, my dear friend," returned Mrs. Leslie, gently; "selfish is a word that can never be applied to you; you acted as became you,—agreeably to your own instinctive sense of what is best when at your age,—independent in fortune and rank, and still so lovely,—you resigned all that would have attracted others, and devoted yourself, in retirement, to a life of quiet and unknown benevolence. You are in your sphere in this village,—humble though it be,—consoling, relieving, healing the wretched, the destitute, the infirm; and teaching your Evelyn insensibly to imitate your modest and Christian virtues." The good old lady spoke warmly, and with tears in her eyes; her companion placed her hand in Mrs. Leslie's. "You cannot make me vain," said she, with a sweet and melancholy smile. "I remember what I was when you first gave shelter to the poor, desolate wanderer and her fatherless child; and I, who was then so poor and destitute, what should I be, if I was deaf to the poverty and sorrows of others,—others, too, who are better than I am. But now Evelyn, as you say, is growing up; the time approaches when she must decide on accepting or rejecting Lord Vargrave. And yet in this village how can she compare him with others; how can she form a choice? What you say is very true; and yet I did not think of it sufficiently. What shall I do? I am only anxious, dear girl, to act so as may be best for her own happiness." "Of that I am sure," returned Mrs. Leslie; "and yet I know not how to advise. On one hand, so much is due to the wishes of your late husband, in every point of view, that if Lord Vargrave be worthy of Evelyn's esteem and affection, it would be most desirable that she should prefer him to all others. But if he be what I hear he is considered in the world,—an artful, scheming, almost heartless man, of ambitious and hard pursuits,—I tremble to think how completely the happiness of Evelyn's whole life may be thrown away.

Edward George Earle Bulwer-Lytton was born on May 25th, 1803 the youngest of three sons. When Edward was four his father died and his mother moved the family to London. As a child he was delicate and neurotic and failed to fit in at any number of boarding schools. However, he was academically and creatively precocious and, as a teenager, he published his first work; Ishmael and Other Poems in 1820. In 1822 he entered university at Cambridge and in 1825 he won the Chancellor's Gold Medal for English verse for Sculpture. The following year he received his B.A. degree and printed, for private circulation, the small volume of poems, Weeds and Wild Flowers. During his career he was to be extremely prolific and write across a number of genres; historical fiction, mystery, romance, the occult, and science fiction as well as poetry. In 1828 his novel, Pelham, brought him an income, as well as a commercial and critical reputation. The books intricate plot and humorous, intimate portrayals kept many a gossip busy trying to pair up public figures with characters in the book. Bulwer-Lytton reached, perhaps, the height of his popularity with the publication of Godolphin (1833), followed by The Pilgrims of the Rhine (1834), The Last Days of Pompeii (1834), Rienzi, Last of the Roman Tribunes (1835), and Harold, the Last of the Saxons (1848). In 1841, he started the Monthly Chronicle, a semi-scientific magazine. The Victorian era was filled with many magazines and periodicals all of whom had a great fascination to chronicle and publish the many things that the Empire and Industrial Revolution were discovering, inventing and changing. In 1858 he entered Lord Derby's government as Secretary of State for the Colonies. He took an active interest in the development of the Crown Colony of British Columbia and wrote with great passion to the Royal Engineers upon assigning them their duties there. In 1866 Bulwer-Lytton was raised to the peerage as Baron Lytton of Knebworth in the County of Hertford but his passion for politics now somewhat dimmed. Bulwer-Lytton had long suffered with a disease of the ear and for the last two or three years of his life he lived in Torquay nursing his health. An operation to cure his deafness resulted in an abscess forming in his ear which later burst. Edward George Earle Bulwer-Lytton endured intense pain for a week and died at 2am on January 18th, 1873, in Torquay, just short of his 70th birthday.