Edward Bunker chronicles the experiences he has had that help inspire him when writing his popular crime novels.

In Education of a Felon, the reigning champion of prison novelists finally tells his own story. The son of an alcoholic stagehand father and a Busby Berkeley chorus girl, Bunker was--at seventeen--the youngest inmate ever in San Quentin. His hard-won experiences on L.A.'s meanest streets and in and out of prison gave him the material to write some of the grittiest and most affecting novels of our time. From smoking a joint in the gas chamber to leaving fingerprints on a knife connected to a serial kiler, from Hollywood's steamy undersde to swimming in the Neptune pool at San Simeon, Bunker delivers a memoir as colorful as any of his novels and as compelling as the life he's lead.

Winner of the NAACP Image Award and finalist for the 2019 Los Angeles Times Book Prize “A powerful work of lyric art.” —New York Times Book Review, Editors’ Choice In fierce, agile poems, Felon tells the story of the effects of incarceration—canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace—and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of post-incarceration existence in traditional and newfound forms, from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion.

This groundbreaking, transgenre work—part detective story, part literary memoir, part imagined past—is intensely autobiographical and confessional. Proceeding sentence by sentence, city by city, and backwards in time, poet and essayist Kazim Ali details the struggle of coming of age between cultures, overcoming personal and family strictures to talk about private affairs and secrets long held. The text is comprised of sentences that alternate in time, ranging from discursive essay to memoir to prose poetry. Art, history, politics, geography, love, sexuality, writing, and religion, and the role silence plays in each, are its interwoven themes. Bright Felon is literally "autobiography" because the text itself becomes a form of writing the life, revealing secrets, and then, amid the shards and fragments of experience, dealing with the aftermath of such revelations. Bright Felon offers a new and active form of autobiography alongside such texts as Theresa Hak Kyung Cha's Dictee, Lyn Hejinian's My Life, and Etel Adnan's In the Heart of the Heart of Another Country. A reader's companion is available at http://brightfelonreader.site.wesleyan.edu/

An ex-con struggles to adjust to life outside prison walls in “one of the great crime novels of the past 30 years” (James Ellroy). After eight years spent locked up, Max has gotten very good at being a prisoner. He knows the guards, the inmates, and how to survive. But the parole board has decided that he has sufficiently reformed, and it’s time for him to say goodbye. When Max reaches the outside world, he finds that freedom doesn’t make anything easier. Based on his own experiences in prison, Edward Bunker first drafted No Beast So Fierce in the 1950s, while incarcerated in San Quentin State Prison. He spent the next two decades in and out of jail, writing essays for various magazines and working on the novel, which was finally published in 1973. Eighteen months later, the book was used as evidence that he was fit to leave jail. He received parole, and spent the rest of his life a free man. Rooted in real-life experiences and hailed by Quentin Tarantino—who cast Bunker in his film Reservoir Dogs—as “the best first person crime novel I have ever read,” No Beast So Fierce is a gritty and compelling read like no other.

"The average professional in this country wakes up in the morning, goes to work, comes home, eats dinner and then goes to sleep, unaware that he or she has likely committted several federal crimes that day ... Why?" This book explores the answer to the question, reveals how the federal criminal justice system has become dangerously disconnected from common law traditions of due process and the law's expectations and surprises the reader with its insight.

This eye-opening book highlights many of the injustices that occur in the criminal justice system. I know first-hand what it is like to be maliciously prosecuted and convicted of crimes that I didn't commit. I am currently seeking exoneration of the life sentence that I'm serving for aggravated murder and felonious assault. The case against me wasn't based off the state having a murder weapon, or any forensic evidence linking me to the crime. Still my three co-defendants and I were convicted solely behind the testimony of an individual whose motives for testifying weren't to ensure justice was served. Through this book you will learn that there are countless incarcerated prisoners that have been convicted under similar unjust circumstances.

Raised within the confines of a system that has done nothing but provide him with pain, Alex Hamilton's frustration and anger are completely natural--and inherently dangerous. Since his parents split up, Alex has been constantly running from foster homes and institutions, yearning to be with his father, a broken man who cannot give his son the home he desperately needs. The only constant in Alex's life is no-good, criminally-minded peers, who are all too ready to plant illegal ideas in an intelligent mind. Bunker writes, "His unique potential would develop into unique destructiveness."

Destined to be a bestseller in the tradition of 'Mr Nice' and 'The Guvnor,' this is the paperback edition of Edward Bunker's long-awaited autobiography. It tells the true story of a life that ranges far beyond the imagination of most fiction writers: 25 years in prison, author of four hugely successful crime novels, a spell on the FBI's 10 most wanted list, a role as Mr Blue in Tarantino's 'Reservoir Dogs,' and that's just for starters. With sales already over 5,000 in hardback, this riveting story of a life that mixes crime and culture should sell and sell.

"A powerful, revealing story of hope, love, justice, and the power of reading by a man who spent thirty years on death row for a crime he didn't commit"--