"David Edgar, like Balzac, seems to be the secretary for our times." - The Guardian This selection of David Edgar's dramatic work features three plays: Ecclesiastes, a late 1970s radio play; his acclaimed stage version of Nicholas Nickleby; and Entertaining Strangers, an English left-wing social drama. Ecclesiastes is a radio play that looks at the rise and fall of a "fundamentalist" Christian clergyman in the US. Nicholas Nickleby: "With uncommon audacity Nicholas Nickleby not only takes on Dickens' sprawling novel, it fractures all the petty limitations we have imposed upon the stage as well ... A landmark." - New Statesman In Entertaining Strangers, a community constructs a nativity play: "English left-wing social drama at its sturdiest and finest: human, argumentative, utterly unafraid of human realities, and seething with indignation and compassion." - The Sunday Times

A new play about biblical translation from a top UK playwright, marking the King James Bible's 400th Anniversary.

This volume contains the best of David Edgar's work from the 1970s. The Jail Diary of Albie Sachs is an adaptation of the famous South African writer's diaries and deals with solitary confinement and loneliness - "a remarkable, persuasive picture." (Observer) Mary Barnes is based in a commune in the sixties and focuses on schizophrenia "promulgating the theory that schizophrenia can be effectively treated through behaviourist methods alone" Saigon Rose tackles venereal disease and is "intriguing and entertaining...Edgar handles his themes - loss of innocence and a sense of betrayal - in a bitty, playful style laced with black comedy" (Independent) O Fair Jerusalem deals with the black death. Destiny deals with the loss of Empire and the rise of fascism in contemporary Britain - "A play which astonished me with its intelligence, density, sympathy and finely controlled anger." Dennis Potter, The Sunday Times

An Oprah's Book Club Pick A #1 New York Times Bestseller A National Bestseller Beautifully written and elegantly paced, The Story of Edgar Sawtelle is a coming-of-age novel about the power of the land and the past to shape our lives. It is a riveting tale of retribution, inhabited by empathic animals, prophetic dreams, second sight, and vengeful ghosts. Born mute, Edgar Sawtelle feels separate from the people around him but is able to establish profound bonds with the animals who share his home and his name: his family raises a fictional breed of exceptionally perceptive and affable dogs. Soon after his father's sudden death, Edgar is stunned to learn that his mother has already moved on as his uncle Claude quickly becomes part of their lives. Reeling from the sudden changes to his quiet existence, Edgar flees into the forests surrounding his Wisconsin home accompanied by three dogs. Soon he is caught in a struggle for survival—the only thing that will prepare him for his return home.

In celebration of the 45th anniversary of The Dark Side of the Moon, Bill Kopp explores the ingenuity with which Pink Floyd rebranded itself following the 1968 departure of Syd Barrett. Not only did the band survive Barrett’s departure, but it went on to release landmark albums that continue to influence generations of musicians and fans. Reinventing Pink Floyd follows the path taken by the remaining band members to establish a musical identity, develop a songwriting style, and create a new template for the manner in which albums are made and even enjoyed by listeners. As veteran music journalist Bill Kopp illustrates, that path was filled with failed experiments, creative blind alleys, one-off musical excursions, abortive collaborations, general restlessness, and—most importantly—a dedicated search for a distinctive musical personality. This exciting guide to the works of 1968 through 1973 highlights key innovations and musical breakthroughs of lasting influence. Kopp places Pink Floyd in its historical, cultural, and musical contexts while celebrating the test of fire that took the band from the brink of demise to enduring superstardom.

Anyone with an academic, professional, amateur, or recreational interest in the theatre is likely to want to look up details of particular plays sometimes - perhaps to check on the author, or on when they were first performed, or perhaps to see how many characters they have, and whether or not they would be suitable for their theatre company or drama group to perform. The Oxford Dictionary of Plays provides essential information on the 1000 best-known, best-loved, and most important plays in world theatre. Each entry includes details of title, author, date of composition, date of first performance, genre, setting, and the composition of the cast, and more. A synopsis of the plot and a brief commentary, perhaps on the context of the play, or the reasons for its enduring popularity, follow. Around 80 of the most significant plays - from The Oresteia to Waiting for Godot - are dealt with in more detail. Genres covered include: burlesque, comedy, farce, historical drama, kabuki, masque, melodrama, morality play, mystery play, No, romantic comedy, tragicomedy, satire, and tragedy. An index of characters enables the reader to locate favourite characters, and trace the trajectory of major historical and legendary characters - such as Iphigenia - through world drama, including in plays that do not have entries in the Dictionary. An index of playwrights, with dates, allows the reader to find all the plays included by a particular author.

When Ernie Banks passed away in 2015, he was regarded as one of the most beloved men in baseball history. Making his start as a shortstop with the Kansas City Monarchs in the Negro Leagues as a teenager, Banks went on to become the first African American to play for the Chicago Cubs. Known affectionately as “Mr. Cub,” he brought exceptional talent and boundless optimism to the game of baseball, earning him a Presidential Medal of Freedom and a place in the Hall of Fame. In Let’s Play Two: The Life and Times of Ernie Banks, Doug Wilson explores the life of one of baseball’s most immortal figures, from his humble beginnings as a young boy living in the segregated South to his last few years and the public battles over his remains and will. Drawing on interviews of those close to Banks from all stages of his life, Wilson presents a portrait of the baseball player not just as an athlete, but also as a complex man with ambitious goals and hidden pains. Ernie Banks’s enthusiasm and skill transcended issues of race and helped him to become one of the most highly-regarded men in baseball. Offering details that have never before been printed, this book discusses Banks’s athletic prowess as well as the legacy he left behind. Let’s Play Two is the essential Ernie Banks biography for sports fans and historians alike.

Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

Distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning. Written for playwrights and playgoers alike, Edgar’s analysis starts with the building blocks of whole plays – plot, character creation, genre and structure – and moves on to scenes and devices. He shows how plays share a common architecture without which the uniqueness of their authors’ vision would be invisible. What does King Lear have in common with Cinderella? What does Jaws owe to Ibsen? From Aeschylus to Alan Ayckbourn, from Chekhov to Caryl Churchill, are there common principles by which all plays work? How Plays Work is a masterclass for playwrights and playmakers and a fascinating guide to the anatomy of drama. 'lucid, deeply intelligent... combines theoretical acumen with the assured know-how of a working dramatist' Terry Eagleton, TLS 'Fascinating... Read it. You will learn a lot' The Stage

"David Edgar, like Balzac, seems to be the secretary for our times." - The Guardian This third collection of plays by David Edgar includes Our Own People, Teendreams, Maydays and That Summer, encompassing some of his best work from the late 1970s and early 80s, and demonstrating the range of one of Britain's major political playwrights. Our Own People: "A courageous and intelligent discussion of race and industrial relations." - City Limits Teendreams (written with Susan Todd of Monstrous Regiment theatre company) is about the failed revolutionary dreams of a set of teenagers. Maydays compares the phenomenon of post-war social rebellion from Western and Eastern perspectives. That Summer is an "elegantly tangential treatment of the 1984 miners' strike" (Plays and Players). "Edgar never lets his drama simplify into ideological diagram ... This elegant, humane play keeps its emphasis on the ... results that can ensue when diverse lives briefly brush against each other." (Independent)