Of all the perplexing mysteries in this world, none have endured longer or have captured the imaginations of men more than the mysterious fate of the Garden of Eden. What ever happened to man’s first home? What ever became of the Tree of Life and its awful counterpart, the Tree of the Knowledge of Good and Evil? Is the Bible silent on this subject, or have we simply missed something? Eden’s Fate shines new light upon this mystery by closely examining the Biblical record and promoting a literal interpretation of the events, people, and places recorded in Genesis chapters 1-3. Herein you will learn what Eden really was, what really happened in the misty dawn of mankind’s history, and most of all you will discover the truth about Eden’s fate.

This revised edition of Carolyn Merchant’s classic Reinventing Eden has been updated with a new foreword and afterword. Visionary quests to return to the Garden of Eden have shaped Western Culture. This book traces the idea of rebuilding the primeval garden from its origins to its latest incarnations and offers a bold new way to think about the earth.

Fate is the life we’re given. Destiny is what we do with it. Captured as a child and forced into slavery by the Rebellion’s leader, Brenna Haven was raised in near isolation with the utmost cruelty. She knew nothing of kindness or compassion until Fate orchestrated her rescue. Finally free, she wants nothing more than to return to her home. To reconnect with her human family and live a simple, quiet life. But her newfound powers demand an entirely different future. One fraught with danger and a terrifying role in an ancient Myren prophecy. A battle-hardened warrior and sworn bodyguard to the king, Ludan Forte wields a powerful, memory stealing gift. But his skill comes with a price. A torturous burden he’s hidden since his awakening over a hundred years ago. He never dreamed he’d find relief, let alone be tempted to forgo his vows to the king. Yet in Brenna’s sweet beguiling presence, the weight he bears is lifted. And when her role in the prophecy threatens her life, he’ll stop at nothing to keep her safe.

Twelve-year-old Eden, on a visit to her late mother's birthplace of Safina Island, Georgia, discovers a creepy sketchbook that leads her to Everdark--a spirit world ruled by an evil witch who Eden must defeat in order to make it back home.

Rumors of an untouched predark ville in the mountains of West Virginia lure traders in search of unimaginable wealth. They're coming from all directions—the good, the bad, the worst. Ryan and his warrior group join in, although it means an uneasy truce with an old enemy, going back to days of spilled blood and the legacy of the Trader. But as their journey to a place called Cascade reveals more of Deathlands' darkest secrets, it remains to be seen if this place will become their salvation…or their final resting place.

In Eden's Garden: Rethinking Sin and Evil in an Era of Scientific Promise, Richard Coleman examines the notion of sin in a contemporary world that values scientific and nonreligious modes of thought regarding human behavior. This work is not an anti-science polemic, but rather an argument to show how sin and evil can make sense to the nonreligious mind, and how it is valuable to make sense of such phenomena. Examining themes in religion, philosophy, and theology, it is ideal for use in the numerous courses which move across these disciplines.

The phrase “early modern” challenges readers and scholars to explore ways in which that period expands and refines contemporary views of the modern. The original essays in Milton’s Modernities undertake such exploration in the context of the work of John Milton, a poet whose prodigious energies simultaneously point to the past and future. Bristling with insights on Milton’s major works, Milton’s Modernities offers fresh perspectives on the thinkers central to our theorizations of modernity: from Lucretius and Spinoza, Hegel and Kant, to Benjamin and Deleuze. At the volume's core is an embrace of the possibilities unleashed by current trends in philosophy, variously styled as the return to ethics, or metaphysics, or religion. These make all the more visible Milton’s dialogues with later modernity, dialogues that promise to generate much critical discussion in early modern studies and beyond. Such approaches necessarily challenge many prevailing assumptions that have guided recent Milton criticism—assumptions about context and periodization, for instance. In this way, Milton’s Modernities powerfully broadens the historical archive beyond the materiality of events and things, incorporating as well intellectual currents, hybrids, and insights.

The Bible teems with nonhuman life, from its opening pages with God's creation of animals on the same day and out of the same earth as humans to its closing apocalyptic scenes of horses riding out of the sky. Animals are Adam's companions, Noah's shipmates, and Elijah's saviors. They are at the center of ancient Israel's religious life as sacrifices and yet, as Job discovers, beyond human dominion. It is an animal that saves Balaam from certain death by an angel's hand, and an animal that carries Jesus into Jerusalem. The Creator declares all of them good at the beginning, and since the Apostle Paul writes of God's eternal purposes for all things on earth, they are somehow part of a hoped-for eschatological restoration. So why are animals so often ignored in Christian moral discourse? In its theological thinking and faith-motivated praxis, human-centeredness typically results in the complete erasure of the nonhuman. This book argues that this exclusion of animals is problematic for those who see the Bible as authoritative for the religious life. Instead, biblical literature bears witness to a more inclusive understanding of moral duty and faith-motivated largesse that extends also to Eden's other residents.

In the late 1920's a fur trapper, Jimmie Allen, leaves 'down north' Canada for the first time in his life in order to find a wife. Working at a restaurant in Edmonton, Grasille Jansen dreams of the richer and more exciting lives she has read about in popular magazines as she goes about her work as a waitress. While serving Jimmie, Grasille realizes that Jimmie is a very unusual customer but definitely not a silent man. Words come readily to his tongue and his enthusiastic outpouring of exciting stories of his North (some true, some not) lead to an Othello-like wooing and a speedy marriage when Grasille is convinced that she will find her dream with Jimmie. Together, in a cabin they built together on the Quatre-Fourches River, the real drama of the story - loneliness - is fought out. Knit into this main strand you have the moving story of Susie, Jimmie's part-Indian friend and trapping partner, who was accepted as equal by whites and who refused to take treaty money - except once. He is memorable, even in defeat. Also we have the Cowdrays who run the inevitable, all-purpose store in Fort Chipewyan on the usual liberal, if not generous, credit terms. Grasille has no idyllic time as a trapper's wife and faces many difficulties. She is game and she wins through, with the aid of a remarkable not to say, dramatic, phenomenon of nature.