Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis&—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, C&ézanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday.

This work is not only a general inquiry into ecstatic states of consciousness and an historical outline of the ecstatic poetic tradition but also an intensive study of five representative poets--Rumi, Wordsworth, Whitman, Dickinson, and Tagore. In a refreshingly original, wide-ranging engagement with concepts in psychology, religion, philosophy, aesthetics, sociology and history, this book demonstrates that the poetics and aesthetics of ecstasy represent an ancient, ubiquitous theory of poetry that continues to influence writers in the current century.

An unexpectedly entertaining collection of writing by poets discussing the creative inspiration and artistic form of their work.

The first book of essays dedicated to the work of noted writer, Anne Carson

This work is not only a general inquiry into ecstatic states of consciousness and an historical outline of the ecstatic poetic tradition but also an intensive study of five representative poets--Rumi, Wordsworth, Whitman, Dickinson, and Tagore. In a refreshingly original, wide-ranging engagement with concepts in psychology, religion, philosophy, aesthetics, sociology and history, this book demonstrates that the poetics and aesthetics of ecstasy represent an ancient, ubiquitous theory of poetry that continues to influence writers in the current century.

A stunning collection of poems by Mirabai, the fifteenth-century female Indian ecstatic poet. Like Coleman Barks's translations of Rumi, this collection of poems by Mirabai will appeal to anyone interested in spiritual poetry.

Our Ecstatic Days begins as the memoir of a young mother desperate to forget a single act, committed out of love and fear, that has changed forever the world around her. In the waning days of summer, a lake appears, almost overnight, in the middle of Los Angeles. In an instant of either madness or revelation, convinced that the lake means to take her small son from her, Kristin becomes determined to stop it. Three thousand miles away, on the eve of a momentous event, another young woman -- with a bond to Kristin that she can't even know -- meets a mysterious figure who announces in the dark, "The Age of Chaos is here." Against a forbidden landscape that shimmers with destiny and yearning, Our Ecstatic Days finally takes place on the terrain of a defiant heart. Human connections multiply into astonishing twists of fate -- by which the wrongs of an obsolete century may be set right -- and parallel lives spin faster toward the possibility that they will once again unite, electrifying a vision of the century to come.

"Reality does not comply with our narrations of it. And that is most certainly the case with the narrations produced in academia. An anthropologist in Bahia, Brazil, fears to become possessed by the spirits he had come to study; falls madly in love withan 'informant'; finds himself baffled by the sayings of a clairvoyant; and has to come to grips with the murder of one of his best friends. Unsettling events that do not belong to the orderly world of scientific research, yet leave their imprint on the way the anthropologist comes to understand the world. REflecting on his long research experience with the spirit possession cult Candomblâe, the author shows, in a probing manner, how definitions of reality always require the exclusion of certain perceptions, experiences and insights. And yet, this 'rest-of-what-is' turns out to be an inexhaustible source of amazement, seduction and renewal." --P [4] of cover.

Journey down a shamanic path that embraces the ecstatic, the wild, the gnostic, the transformative, and the visionary. Expanding on principles touched on in his book By Land, Sky & Sea: Three Realms of Shamanic Witchcraft, Gede Parma walks you through an apprenticeship designed to ground and orient you on the path of the Shamanic Craft. Discover the meaning of ecstasy. Encounter the three realms. Learn shamanic techniques and rituals that will give you a more primal, authentic experience of Witchcraft, including: Drawing Down the Gods Working with Spirit Allies Trance and Moving Between the Worlds Ecstatic Spellcraft Healing and Soul Retrieval Seership and Divination Praise: "Smart, thought-provoking and useful...A worthy contribution to the continuing growth and evolution of shamanic Wicca by a passionate and poetic member of the next generation."—Phyllis W. Curott, author of Witch Crafting: A Spiritual Guide to Making Magic

When Henry David Thoreau died in 1862, friends and admirers remembered him as an eccentric man whose outer life was continuously fed by deeper spiritual currents. But scholars have since focused almost exclusively on Thoreau’s literary, political, and scientific contributions. This book offers the first in-depth study of Thoreau’s religious thought and experience. In it Alan D. Hodder recovers the lost spiritual dimension of the writer’s life, revealing a deeply religious man who, despite his rejection of organized religion, possessed a rich inner life, characterized by a sort of personal, experiential, nature-centered, and eclectic spirituality that finds wider expression in America today. At the heart of Thoreau’s life were episodes of exhilaration in nature that he commonly referred to as his ecstasies. Hodder explores these representations of ecstasy throughout Thoreau’s writings—from the riverside reflections of his first book through Walden and the later journals, when he conceived his journal writing as a spiritual discipline in itself and a kind of forum in which to cultivate experiences of contemplative non-attachment. In doing so, Hodder restores to our understanding the deeper spiritual dimension of Thoreau’s life to which his writings everywhere bear witness.