Examining the complex social and material relationships between architecture and ecology which constitute modern cultures, this collection responds to the need to extend architectural thinking about ecology beyond current design literatures. This book shows how the ‘habitats’, ‘natural milieus’, ‘places’ or ‘shelters’ that construct architectural ecologies are composed of complex and dynamic material, spatial, social, political, economic and ecological concerns. With contributions from a range of leading international experts and academics in architecture, art, anthropology, philosophy, feminist theory, law, medicine and political science, this volume offers professionals and researchers engaged in the social and cultural biodiversity of built environments, new interdisciplinary perspectives on the relational and architectural ecologies which are required for dealing with the complex issues of sustainable human habitation and environmental action. The book provides: 16 essays, including two visual essays, by leading international experts and academics from the UK, US, Australia, New Zealand and Europe; including Rosi Braidotti, Lorraine Code, Verena Andermatt Conley and Elizabeth Grosz A clear structure: divided into 5 parts addressing bio-political ecologies and architectures; uncertain, anxious and damaged ecologies; economics, land and consumption; biological and medical architectural ecologies; relational ecological practices and architectures An exploration of the relations between human and political life An examination of issues such as climate change, social and environmental well-being, land and consumption, economically damaging global approaches to design, community ecologies and future architectural practice.

Architecture theory through the lens of Continental philosophy Drawing on a range of philosophical texts, Andrej Radman brings together a collection of his essays, published over the last decade, to show that when a society manipulates its matter it is not a reflection of culture, it is culture. To speak of ecologies of architecture is to break with judgement for experience. As Gilles Deleuze put it in his book on Nietzsche, it is not about justification, 'but a different way of feeling: another sensibility'. If to think differently we have to feel differently, then the design of the built environment has no other purpose but to transform us. While engineering is solution-oriented, architecture stays with the problem so as to tease out a creative potential. Andrej Radman is Assistant Professor of Architecture Theory at Delft University of Technology, the Netherlands.

Contemporary architects are under increasing pressure to offer a sustainable future. But with all the focus on green building there has been little investigation into the meaningful connections between architectural design, ecological systems, and environmentalism. A new generation of architects, landscape architects, designers, and engineers aims to recalibrate what humans do in the world according to how the world works as a biophysical system. Design in this sense is a larger concept having to do as much with politics and ethics as with aesthetics and technology. This recasting of the green movement for the twenty-first century transforms design into a positive agent balancing societal values with environmental needs. Design Ecologies is a ground-breaking collection of never-before-published essays and case studies by today's most innovative designers and critics. Their design strategies—social, material, and biological—run the gamut from the intuitive to the highly technological. One essay likens window-unit air conditioners in New York City to weeds in order to spearhead the development of potential design solutions. Latz + Partner's Landscape Park integrates vegetation and industry in an urban park built amongst the monumental ruins of a former steelworks in Duisburg Nord, Germany. The engineering firm Arup presents its thirty-three-square-mile masterplan for Dongtan Eco City, an energy-independent city that China hopes will house half a million people by 2050. An essay by designer Bruce Mau leads off a stellar list of emerging designers, including Jane Amidon, Blaine Brownell, David Gissen, Gross.Max, Robert Sumrell and Kazys Varnelis, Stephen Kieran and James Timberlake, R&Sie(n), Studio 804, and WORKac.

The notion of ecology has become central to contemporary design discourse. This reflects contemporary concerns for our planet and a new understanding of the primary entanglement of the human species with the rest of the world. The use of the term ‘ecology’ with design tends to refer to how to integrate ecologies into design and cities and be understood in a biologically-scientific and technical sense. In practice, this scientific-technical knowledge tends to be only loosely employed. The notion of ecology is also often used metaphorically in relation to the social use of space and cities. This book argues that what it calls the ‘biological’ and ‘social’ senses of ecology are both important and require distinctly different types of knowledge and practice. It proposes that science needs to be taken much more seriously in ‘biological ecologies’, and that ‘social ecologies’ can now be understood non-metaphorically as assemblages. Furthermore, this book argues that design practice itself can be understood much more rigorously, productively and relevantly if understood ecologically. The plural term ‘ecologies design’ refers to these three types of ecological design. This book is unique in bringing these three perspectives on ecological design together in one place. It is significant in proposing that a strong sense of ecologies design practice will only follow from the interconnection of these three types of practice. Ecologies Design brings together leading international experts and relevant case studies in the form of edited research essays, case studies and project work. It provides an overarching critique of current ecologically-oriented approaches and offers evidence and exploration of emerging and effective methods, techniques and concepts. It will be of great interest to academics, professionals and students in the built environment disciplines.

Architect and philosopher Hélène Frichot examines how the discipline of architecture is theorized and practiced at the periphery. Eschewing a conventionally direct approach to architectural objects – to iconic buildings and big-name architects – she instead explores the background of architectural practice, to introduce the creative ecologies in which architecture exists only in relation to other objects and ideas. Consisting of a series of philosophical encounters with architectural practice that are neither neatly located in one domain nor the other, this book is concerned with 'other ways of doing architecture'. It examines architecture at the limits where it is muddied by alternative disciplinary influences – whether art practice, philosophy or literature. Frichot meets a range of creative characters who work at the peripheries, and who challenge the central assumptions of the discipline, showing that there is no 'core of architecture' – there is rather architecture as a multiplicity of diverse concerns in engagement with local environments and worlds. From an author well-known in the disciplines of architecture and philosophy for her scholarship on Deleuze, this is a radical, accessible, and highly-original approach to design research, deftly engaging with an array of current topics from the Anthropocene to affect theory, new materialism to contemporary feminism.

By including ecological concerns in the design process from the outset, architecture can enhance life. Author Brook Muller understands how a designer’s predispositions and poetic judgement in dealing with complex and dynamic ecological systems impact the "greenness" of built outcomes. Ecology and the Architectural Imagination offers a series of speculations on architectural possibility when ecology is embedded from conceptual phases onward, how notions of function and structure of ecosystems can inspire ideas of architectural space making and order, and how the architect’s role and contribution can shift through this engagement. As an ecological architect working in increasingly dense urban environments, you can create diverse spaces of inhabitation and connect project scale living systems with those at the neighborhood and region scales. Equipped with ecological literacy, critical thinking and collaboration skills, you are empowered to play important roles in the remaking of our cities.

Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring specific cases and positions in relation to the themes of the archive, control, work and milieu. This collective intellectual labour can be located amidst a worldwide depletion of material resources, a hollowing out of political power and the degradation of constructed and natural environments. Feminist positions suggest ways of ethically coping with a world that is becoming increasingly unstable and contested. The many voices gathered here are united by the task of putting critical concepts and feminist design tools to use in order to offer experimental approaches to the creation of a more habitable world. Drawing inspiration from the active archives of feminist precursors, existing and re-imagined, and by way of a re-engagement in the histories, theories and projected futures of critical feminist projects, the book presents a collection of twenty-three essays and eight projects, with the aim of taking stock of our current condition and re-engaging in our precarious environment-worlds.

This volume introduces a design approach developed by Michael Hensel and Achim Menges. Based on a synthesis of the processes underlying morphogenesis and ecological dynamics, this approach challenges the predominance of the programme as the starting point for architectural organisation and design.

Der Urban Design Ecologies Reader stellt Architekten und Stadtplanern wichtige Tools zum besseren Verständnis heutiger städtebaulicher Maßnahmen bereit. Essays führender Experten spannen den Bogen zwischen historischen Entwicklungen und innovativen Ansätzen zur Bewältigung der globalen Herausforderungen rasanter Urbanisierungsprozesse und des Klimawandels. Die neuesten Ansätze in den Bereichen Stadtentwicklung, darunter Kernkonzepte wie Stadtarchitektur, Architektur großer Metropolen (Stichwort "Großarchitektur"), Wucherung der Städte, Megastädte (oder die informelle Stadt) und Metastädte, die von digitalen Technologien und dem Ökologiegedanken getragen werden, werden im Detail erörtert.

The Ecologies of the Building Envelope theorizes the building envelope as a literal embodiment of the social, political, technological, and economic contingencies which have become embedded within it over the last century, analyzing the historical lineages, heroes and villains that helped define the complex material ecologies we see within the envelope today. While the façade is one of the most thoroughly theorized elements of architecture, it is also one of the most questioned since the end of the 19th century. Within the discipline of architecture, the traditional understanding of the façade focuses primarily on semiotic and compositional operations (such as proportional laws and linguistic codes), which are deployed on the building's surface. In contrast to this, our material and environmental theory of the envelope proposes that the exponential development of building technologies since the mid-19th century, coupled with new techniques of management and regulation, have diminished the compositional and ornamental capacities of the envelope in favor of material, quantitative, and technical performances. Rather than producing a stylistic analysis of the façade, we investigate the historical lineages of the performances, components, assembly types, and material entanglements that constitute the contemporary building envelope.