Ecological Exile explores how contemporary literature, film, and media culture confront ecological crises through perspectives of spatial justice – a facet of social justice that looks at unjust circumstances as a phenomenon of space. Growing instances of flooding, population displacement, and pollution suggest an urgent need to re-examine the ways social and geographical spaces are perceived and valued in the twentieth and twenty-first centuries. Maintaining that ecological crises are largely socially produced, Derek Gladwin considers how British and Irish literary and visual texts by Ian McEwan, Sarah Gavron, Eavan Boland, John McGrath, and China Miéville, among others, respond to and confront various spatial injustices resulting from fossil fuel production and the effects of climate change. This ambitious book offers a new spatial perspective in the environmental humanities by focusing on what the philosopher Glenn Albrecht has termed 'solastalgia' – a feeling of homesickness caused by environmental damage. The result of solastalgia is that people feel paradoxically ecologically exiled in the places they continue to live because of destructive environmental changes. Gladwin skilfully traces spatially produced instances of ecological injustice that literally and imaginatively abolish people’s sense of place (or place-home). By looking at two of the most pressing social and environmental concerns – oil and climate – Ecological Exile shows how literary and visual texts have documented spatially unjust effects of solastalgia. This interdisciplinary book will appeal to students, scholars, and professionals studying literary, film, and media texts that draw on environment and sustainability, cultural geography, energy cultures, climate change, and social justice.

Ecological Exile explores how contemporary literature, film, and media culture confront ecological crises through perspectives of spatial justice - a facet of social justice that looks at unjust circumstances as a phenomenon of space. Growing instances of flooding, population displacement, and pollution suggest an urgent need to re-examine the ways social and geographical spaces are perceived and valued in the twentieth and twenty-first centuries. Maintaining that ecological crises are largely socially produced, Derek Gladwin considers how British and Irish literary and visual texts by Ian McEwan, Sarah Gavron, Eavan Boland, John McGrath, and China Miéville, among others, respond to and confront various spatial injustices resulting from fossil fuel production and the effects of climate change. This ambitious book offers a new spatial perspective in the environmental humanities by focusing on what the philosopher Glenn Albrecht has termed 'solastalgia' - a feeling of homesickness caused by environmental damage. The result of solastalgia is that people feel paradoxically ecologically exiled in the places they continue to live because of destructive environmental changes. Gladwin skilfully traces spatially produced instances of ecological injustice that literally and imaginatively abolish people's sense of place (or place-home). By looking at two of the most pressing social and environmental concerns - oil and climate - Ecological Exile shows how literary and visual texts have documented spatially unjust effects of solastalgia. This interdisciplinary book will appeal to students, scholars, and professionals studying literary, film, and media texts that draw on environment and sustainability, cultural geography, energy cultures, climate change, and social justice.

2019 Amazon.com Best Books of the Year 2019 Kirkus Reviews Best Books of the Year First in the Dragons of Terra series, Brian Naslund's Blood of an Exile is a fast-paced adventure perfect for comic readers and fans of heroic fantasy Bershad stands apart from the world, the most legendary dragonslayer in history, both revered and reviled. Once, he was Lord Silas Bershad, but after a disastrous failure on the battlefield he was stripped of his titles and sentenced to one violent, perilous hunt after another. Now he lives only to stalk dragons, slaughter them, collect their precious oil, and head back into the treacherous wilds once more. For years, death was his only chance to escape. But that is about to change. The king who sentenced Bershad to his fate has just given him an unprecedented chance at redemption. Kill a foreign emperor and walk free forever. The journey will take him across dragon-infested mountains, through a seedy criminal underworld, and into a forbidden city guarded by deadly technology. But the links of fate bind us all. Dragons of Terra Series Blood of an Exile Sorcery of a Queen At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Arguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.

In the face of the current environmental crisis—which clearly has moral and spiritual dimensions—members of all the world’s faiths have come to recognize the critical importance of religion’s relationship to ecology. The Wiley Blackwell Companion to Religion and Ecology offers a comprehensive overview of the history and the latest developments in religious engagement with environmental issues throughout the world. Newly commissioned essays from noted scholars of diverse faiths and scientific traditions present the most cutting-edge thinking on religion’s relationship to the environment. Initial readings explore the ways traditional concepts of nature in Christianity, Judaism, Islam, Buddhism, and other religious traditions have been shaped by the environmental crisis. Readings then address the changing nature of theology and religious thought in response to the challenges of protecting the environment. Various conceptual issues and themes that transcend individual traditions—climate change, bio-ethics, social justice, ecofeminism, and more—are then analyzed before a final section examines some of the immediate challenges we face in caring for the Earth while looking to the future of religious environmentalism. Timely and thought-provoking, Companion to Religion and Ecology offers illuminating insights into the role of religion in the ongoing struggle to secure the future well-being of our natural world. With a foreword by Ecumenical Patriarch Bartholomew I, and an Afterword by John Cobb

Written for skeptics and believers alike, A Climate of Desire is an unconventional blend of the provocative ecological wisdom of the biblical writers with contemporary insights from sustainability experts and practitioners. As we enter an increasingly agitated virtual age, and what many affirm is a new period of global warming, the way ahead demands rethinking and collaboration. It also calls us to reconsider our longings and desires. Hence this book, bringing popular culture, faith, and science into dialogue. Filled with anecdotes, suprising flashbacks of history, and concrete and visionary possibilities for change, these pages will both challenge and inspire you to follow a forgotten path that's filled with hope for the decades to come. www.climateofdesire.com

This work is a large, powerfully illustrated interdisciplinary natural sciences volume, the first of its kind to examine the critically important nature of ecological paradox, through an abundance of lenses: the biological sciences, taxonomy, archaeology, geopolitical history, comparative ethics, literature, philosophy, the history of science, human geography, population ecology, epistemology, anthropology, demographics, and futurism. The ecological paradox suggests that the human biological–and from an insular perspective, successful–struggle to exist has come at the price of isolating H. sapiens from life-sustaining ecosystem services, and far too much of the biodiversity with which we find ourselves at crisis-level odds. It is a paradox dating back thousands of years, implicating millennia of human machinations that have been utterly ruinous to biological baselines. Those metrics are examined from numerous multidisciplinary approaches in this thoroughly original work, which aids readers, particularly natural history students, who aspire to grasp the far-reaching dimensions of the Anthropocene, as it affects every facet of human experience, past, present and future, and the rest of planetary sentience. With a Preface by Dr. Gerald Wayne Clough, former Secretary of the Smithsonian Institution and President Emeritus of the Georgia Institute of Technology. Foreword by Robert Gillespie, President of the non-profit, Population Communication.

This volume studies the intersection of capital and ecology primarily in one of the most sensitive geographies of the world, the Eastern Himalayan region. It looks at how the region has become a melting ground of neoliberal developmentalism and ecological subjectivities with the penetrating forces of global and state capitalism, economic projects, and complex power relations. The essays in the volume argue that specific focus on energy infrastructure and energy production has pushed technology and capital towards asset building which has had an adverse effect on the environment, labour relations, indigenous knowledge systems, and traditional livelihood practices in the area. They look at assets like mega dams, electricity transmission networks, natural gas grids, infrastructural and developmental projects, and other alternative ventures which require interventions in the natural world and its resource deposits. Interdisciplinary in approach, the volume adopts a variety of lenses — developmentalism, state strategy, indigenous voices, geopolitics, and environmentalism — to provide a unique and alternative narrative on the various dimensions of the ecological risks and livelihood threats. It will be of great interest to scholars and researchers of politics, development studies, indigenous studies, and Asian studies.

Provides a comprehensive theological framework in which good eating contributes to the healing of communities and the world.

This book presents a provocative and timely reconsideration of modern Scottish literature in the light of ecological thought. Louisa Gairn demonstrates how successive generations of Scottish writers have both reflected on and contributed to the development of international ecological theory and philosophy. Provocative re-readings of works by authors including Robert Louis Stevenson, John Muir, Nan Shepherd, John Burnside, Kathleen Jamie and George Mackay Brown demonstrate the significance of ecological thought across the spectrum of Scottish literary culture. This book traces the influence of ecology as a scientific, philosophical and political concept in the work of these and other writers and in doing so presents an original outlook on Scottish literature from the mid-nineteenth century to the present.