Ecole de Cavalerie by Francois Robichon de la Gueriniere, one of the bibles of classical dressage, most famous for its introduction of the shoulder-in. According to Col. Alois Podhajsky, this is "the most revolutionary book on riding of all times. Its principles are still applied unaltered at the Spanish Court Riding School and may be seen there in daily use." by Francois Robichon de la Gueriniere William Steinkraus writes: "The first of the great 18th-century masterpieces, Francois Robichon de la Gueriniere's Ecole de Cavalerie, boasts not only a marvelous and ground-breaking text---a cornerstone of modern dressage---but also superb engraved plates by Charles Parrocel. La Gueriniere's work is still considered the equestrian 'Bible' of the Spanish Riding School of Vienna, and though it has only recently been translated word for word into English, it stands as an enduring landmark of equestrian literature."

First published in 1733 as Ecole de Cavalerie, this book is considered as the beginning of modern equitation. Here, for the first time, is the complete work.

François Robichon de la Guérinière (1688-1751) was born in Essay, a small town near Alençon, where his father was a lawyer; he was also an officer at the court of the Duchess of Orleans. La Guérinière was a pupil of Antoine de Vendeuil, who was "Écuyer ordinaire de la grande ecurie" in Versailles between 1680 and 1717. In 1715, de la Guérinière received the title as "Écuyer du Roi," which entitled him to give lessons. In 1730, Prince Charles of Lorraine, "Grand Écuyer de France" (Master of the Horse) named him director of the Royal Stables at the Tuileries, which had been founded by Antoine de Pluvinel, Louis XIII's teacher. De Pluvinel is best know for his work: The Maneige Royal, 1626 [Xenophon Press 2010]. La Guérinière's book, École de Cavalerie, was first published in 1731 and again under different titles between 1733 and 1802. It consists of three parts: Knowledge of the Horse In and Out of the Stable; Training; and Treatment of Illness. This expanded volume contains all Chapters I - XXII of the Second Part of École de Cavalerie, entitled ''De La Manière de Dresser Les Chevaux, Suivant Les Diferens Usages Auxquels On Les Destine.'' (The Method of Training Horses According to the Different Ways in Which They Will Be Used). Chapters XIX through XXII are new to this edition and contain valuable information pertinent to today's riders and trainers. In discussing subjects as the training of the war horse, the hunt horse, the coach horse and other matters such as tournaments, jousting, carousels, etc., the author reveals important training advice that will be invaluable to riders of many disciplines. The illustrations used are reproduced from the 1733 edition. Further expanding this edition is an Appendix including a new translation of Chapter VI from Part I: On the bridle. Part II, the training portion of the three volume book heavily references the bridle and the use of the rider's hands. As editor, I felt it was important to include these detailed descriptions and recommendations of the time as most are completely applicable to today's rides especially with the interest in historic bits, bridles and equipment. École de Cavalerie is one of the best works on equitation ever to appear in France. In fact, it would not be an exaggeration to say that after a long struggle beginning in the renaissance academies of Italy, equitation in France suddenly flowed forth from La Guérinière. To quote the late Head of the Spanish Court Riding School in Vienna, Colonel Alois Podhajsky, "It was the great riding master La Guérinière who produced the most revolutionary book on riding of all time. Unlike [those by] his predecessors, his book is clear and easy to understand. He based it on simplicity and facts, in order to be completely understood by his readers." His principles are still "applied unaltered at the Spanish Court Riding School and may be seen there in daily use." It is for these reasons that La Guérinière is considered the Father of French Equitation and the Father of Modern Dressage; and it is impossible to read a book about dressage without finding his name mentioned, credit given to him, and an occasional quote from his work. Thus, the serious horse-person who takes the time to read La Guérinière's work cannot help but enrich his/her own knowledge by discovering the depth and quality of information that forms the base of much of our equestrian theory.

German rider and equine veterinarian Dr. Gerd Heuschmann is well-known in dressage circles—admired for his plain speaking regarding what he deems the incorrect and damaging training methods commonly employed by riders and trainers involved in competition today. Here, he presents an intelligent and thought-provoking exploration of both classical and "modern" training methods, including "hyperflexion" (also known as Rollkur), against a practical backdrop of the horse's basic anatomy and physiology. In a detailed yet comprehensible fashion, Dr. Heuschmann describes parts of the horse's body that need to be correctly developed by the dressage rider. He then examines how they function both individually and within an anatomical system, and how various schooling techniques affect these parts for the good, or for the bad. Using vivid color illustrations of the horse's skeletal system, ligaments, and musculature, in addition to comparative photos depicting "correct" versus "incorrect" movement—and most importantly, photos of damaging schooling methods—Dr. Heuschmann convincingly argues that the horse's body tells us whether our riding is truly gymnasticizing and "building the horse up," or simply wearing it down and tearing it apart. He then outlines his ideal "physiological education" of the horse. Training should mirror the mental and physical development of the horse, fulfilling "classical" requirements—such as regularity of the three basic gaits, suppleness, and acceptance of the bit—rather than disregarding time-tested values for quick fixes that could lead to the degradation of the horse's well-being. Dr. Heuschmann's assertion that the true objectives of dressage schooling must never be eclipsed by simple "mechanical perfection" is certain to inspire riders at all levels to examine their riding, their riding goals, and the techniques they employ while pursuing them.

Horses and horsemen played central roles in modern European warfare from the Renaissance to the Great War of 1914-1918, not only determining victory in battle, but also affecting the rise and fall of kingdoms and nations. When Shakespeare's Richard III cried, "A horse, a horse, my kingdom for a horse!" he attested to the importance of the warhorse in history and embedded the image of the warhorse in the cultural memory of the West. In Riding to Arms: A History of Horsemanship and Mounted Warfare, Charles Caramello examines the evolution of horsemanship—the training of horses and riders—and its relationship to the evolution of mounted warfare over four centuries. He explains how theories of horsemanship, navigating between art and utility, eventually settled on formal manège equitation merged with outdoor hunting equitation as the ideal combination for modern cavalry. He also addresses how the evolution of firepower and the advent of mechanized warfare eventually led to the end of horse cavalry. Riding to Arms tracks the history of horsemanship and cavalry through scores of primary texts ranging from Federico Grisone's Rules of Riding (1550) to Lt.-Colonel E.G. French's Good-Bye to Boot and Saddle (1951). It offers not only a history of horsemen, horse soldiers, and horses, but also a survey of the seminal texts that shaped that history.

As commandant of the cavalry school Alexis-Francois L'Hotte (1825-1904) was obliged to use the methods of the Comte d'Aure, but with his own horses practised the teachings of Baucher. He became one of France's greatest riders.

A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.

In this fascinating account of the battle tanks that saw combat in the European Theater of World War II, Mary R. Habeck traces the strategies developed between the wars for the use of armored vehicles in battle. Only in Germany and the Soviet Union were truly original armor doctrines (generally known as "blitzkreig" and "deep battle") fully implemented. Storm of Steel relates how the German and Soviet armies formulated and chose to put into practice doctrines that were innovative for the time, yet in many respects identical to one another.As part of her extensive archival research in Russia, Germany, and Britain, Habeck had access to a large number of formerly secret and top-secret documents from several post-Soviet archives. This research informs her comparative approach as she looks at the roles of technology, shared influences, and assumptions about war in the formation of doctrine. She also explores relations between the Germans and the Soviets to determine whether collaboration influenced the convergence of their armor doctrines.

Bertalan de Némethy became a legendary figure as coach of the United States Equestrian Team show-jumping squad. During his twenty-five year tenure, he led the team to sustained international triumph in 6 Olympics, 5 Pan American Games, 4 World Championships, and countless international horse shows. Teams coached by de Némethy scored victories in 144 Nations Cups, while his individual riders won no fewer than 72 international Grand Prix, 44 Championships, and hundreds of individual classes all over the world.De Némethy formulated his own training techniques of horse and rider based on his Hungarian Cavalry School background and the principles of classical equitation. From this evolved the celebrated "de Némethy style," the precision and elegance of which are emulated throughout the world today. Classic Show Jumping: The de Nemethy Method is an exposition of this gold-medal technique, illustrated with more than 100 photographs of riders and horses that Bertalan de Némethy has personally trained. Covering all aspects of horsemanship, it is the only book to detail de Némethy's proven method for training world-class jumpers.Classic Show Jumping: The de Némethy Method includes: basic principles of equitation; longe line techniques; the basic training of a horse; modern cavalletti and gymnastic systems; competing over courses; plus much, much more. The material is presented clearly, with easy-to-follow, step-by-step instructions. Every level of rider--beginner, intermediate, and advanced--can benefit from Bertalan de Némethy's genius as a trainer and teacher.