This volume is a collection of fourteen original essays and one poem in honor of the prominent medievalist Gerard J. Brault, upon the occasion of his retirement from teaching at the Pennsylvania State University. World-renowned for his contributions to the French medieval epic (in particular "La Chanson de Roland") and French-Canadian cultural studies, Professor Brault is affectionately remembered as "Mr. Song of Roland" by his colleagues for his unique interpretation of Roland as a triumphant christian hero, rather than a tragic feudal warrior. Among the friend, former students, colleagues, and admirers who contributed to this festschrift are; William Calin (preface), Jeanette Beer, Keight Busby, Kimberlee Campbell, Robert Francis Cook, Bernard Guidot, Edward Heinemann, Catherine Jones, Hans-Erich Keller, Donald Maddox, Andre de Mandach, Emanuel Mickel, Rupert Pickens, Jean Subrenat, Joan Williamson, Jacques Ribard, and the editors, David and Mary Jane Schenck. All essays center on aspects of "La Chanson de Roland" and the French medieval epic in general.

This book explores Grahame’s engagements with classical antiquity in The Wind in the Willows, including ancient epic, parody (Batrachomyomachia), and pastoral imagery. Irby demonstrates how subtle echoes – such as the structure into 12 books, arming scenes, epic catalogues, anabases and katabases, lying tales, Toad’s "cleverness"—cumulatively suggest a link between The Wind in the Willows and classical literature. This study offers the first sustained treatment of classical allusions in The Wind in the Willows, considering the entire novel, not isolated scenes, building on existing scholarship to yield an interpretation through the lens of classical literature and its reception in Victorian and Edwardian England. This volume will provide a unique resource for students and scholars of classical reception and literature, as well as comparative literature, English literature, children’s literature, gender studies, and Grahame’s writing.

Israel’s exodus from Egypt is the Bible’s enduring emblem of deliverance. But more than just an epic moment, the exodus shapes the telling of Israel’s and the church’s gospel. In this guide for biblical theologians, preachers, and teachers, Bryan Estelle traces the exodus motif as it weaves through the canon of Scripture, wedding literary readings with biblical-theological insights.

"This book is almost alone in the literature on Korea for the sweep and sensitivity with which Abelmann situates peasants in the terrain of contested history—which I would describe as what the peasants know in their bones, versus what the state and the landlords wish them to believe."—Bruce Cumings, Northwestern University

Praise for Philip C. Quaintrell's 'The Echoes Saga': 'For lovers of your classic Tolkien, this series has it all' - Alan Coleman - Amazon customer 'Best newcomer to the genre. Philip is up there with Feist and Sanderson' - Philip Spick - Amazon customer 300,000 COPIES SOLD WORLDWIDE -- THE ECHOES OF FATE, A PROPHECY UTTERED UNTO THE WORLD A THOUSAND YEARS AGO, CANNOT BE DENIED... Mankind has lorded over the land of Illian for a thousand years, building on the ruins left by the elves, as if it were their birthright. A thousand years is a long time for an immortal race to see the truth of things, a truth that has remained unsaid for a millennium - elves are superior. They are faster, stronger and connected to the magical realm in a way that man could never grasp. Illian should belong to them. Unaware of the shadow that looms in the east, the six kingdoms of man are fractured, unallied, and clawing at each other's gates for more power. This isn't just war set to ravage the land, but a slaughter - the world of man cannot hope to survive. Thrown into the heart of this war is a man known by many names; an Outlander of the wilds, an assassin, a ranger. Asher was born a thousand years ago, to a life he doesn't remember. Forty years of brutal training and killing for money has beaten the earliest years of his life away, leaving his ties to the oldest of evils a mystery to all... RISE OF THE RANGER LAUNCHES AN UNMISSABLE EPIC FANTASY SERIES. -- 'I read a lot of fantasy books and I can say that this is one of the best I have read' - B. Stewart - Amazon customer ''The Echoes Saga' demonstrates a simple commitment to the power of story' - Stephen Dudley - Amazon customer

In Echoes of Ararat, author Nick Liguori contends that oral traditions of the Flood - and the survival of the few inside the floating Ark - are even more prevalent than previously thought, and they powerfully confirm the truth of the Genesis account. This unprecedented work carefully documents hundreds of native traditions of the Flood - as well as the Tower of Babel and the Garden of Eden - from the tribes of North and South America. Learn what the Cherokee, Lakota, Iroquois, Cheyenne, Inuit, Inca, Aztec, Guarani, and countless other tribes claimed about the early history of the world. Liguori also shares many evidences for the historical reliability of Genesis, and shows that the Genesis Flood account is not dependent on the Epic of Gilgamesh or other Near-Eastern texts, as skeptics claim. Rather, its author Moses had access to ancient records passed down by the early Patriarchs, including Joseph, Jacob, Abraham, and even Noah himself.

Jack Chatwin has visions, which leave tangible evidence - sounds and smells, which linger afterwards. What he sees are two primitive figures, with painted faces - Greyface and Greenface, a brother and sister. He calls them bullrunners. John Garth is a city dowser, searching for the mythical pre-Roman city of Glanum. He hopes to find an entryway to the elusive city beneath Exburgh, Jack's home town. And he thinks Jack's bullrunners may be connected to Glanum . . . Years later, Jack, now grown up, agrees to take part in experiments to investigate his bullrunners - until Greyface, the male, breaks free of Jack and takes corporeal form. The bullrunner kidnaps Jack's young daughter so Jack will force Greenface to follow her brother-husband, even against her own wishes. Though Greyface returns the daughter, he keeps a shadow of her, which takes on a life of its own. If Jack refuses to co-operate, the shadow will drain his daughter's vitality and personality - and her very future. The story of Jack's search for Greenface is interwoven with the connections between the bullrunners and the mystical city of Glanum in this resonant tale of ancient mythic wonder.

Epic battles, hideous monsters and a host of petty gods--the world of Classical mythology continues to fascinate and inspire. Heroes like Herakles, Achilles and Perseus have influenced Western art and literature for centuries, and today are reinvented in the modern superhero. What does Iron Man have to do with the Homeric hero Odysseus? How does the African warrior Memnon compare with Marvel's Black Panther? Do DC's Wonder Woman and Xena the Warrior Princess reflect the tradition of Amazon women such as Penthesileia? How does the modern superhero's journey echo that of the epic warrior? With fresh insight into ancient Greek texts and historical art, this book examines modern superhero archetypes and iconography in comics and film as the crystallization of the hero's journey in the modern imagination.

From the New York Times bestselling author of the Falling Kingdoms series comes the first book in a brand-new duology about forbidden magic and dangerous secrets, for readers of Victoria Aveyard and Margaret Rogerson. Josslyn Drake knows only three things about magic: it’s rare, illegal, and always deadly. So when she’s caught up in a robbery gone wrong at the Queen’s Gala and infected by a dangerous piece of magic—one that allows her to step into the memories of an infamously evil warlock—she finds herself living her worst nightmare. Joss needs the magic removed before it corrupts her soul and kills her. But in Ironport, the cost of doing magic is death, and seeking help might mean scheduling her own execution. There’s nobody she can trust. Nobody, that is, except wanted criminal Jericho Nox, who offers her a deal: his help extracting the magic in exchange for the magic itself. And though she’s not thrilled to be working with a thief, especially one as infuriating (and infuriatingly handsome) as Jericho, Joss is desperate enough to accept. But Jericho is nothing like Joss expects. The closer she grows to Jericho and the more she sees of the world outside her pampered life in the city, the more Joss begins to question the beliefs she’s always taken for granted—beliefs about right and wrong, about power and magic, and even about herself. In an empire built on lies, the truth may be her greatest weapon.