“Echoes of Exile: A Palestinian Journey” is the poignant memoir of Younes, who recounts his early life in a small Palestinian village, his forced displacement, and the enduring struggle to maintain his identity while living in exile. Through vivid memories and deep reflections, Younes captures the resilience, hope, and unbreakable connection to his homeland, offering a powerful narrative of survival and the quest for belonging.

This book aims to portray migratory experiences, documented in the form of biographical narratives. We are interested in the dynamic aspect of migration, which effectively becomes a complex trajectory, made up of stages, returns, and circulations and no longer simply, as in the industrial era, a bipolar exile (there and here). In these complex and dynamic movements, many trajectories become bifurcations, by which we mean shifting fates. In these stories we found paths, events, and bifurcations, all combined together, in terms of biographical construction based on accumulated experiences. These narratives are both very banal and very unusual journeys, portraying a new international human globalization. They are simultaneously stories of barriers to be crossed in chaotic situations interspersed with peaceful events in quiet contexts. These journeys reveal not only the weight of migration policies, but also the certification policies implemented and developed by various countries. This book presents itineraries, social logics of mobility; the routes become the analysts. If statistics record regularities, the personal approach captures specificities that produce meaning and contribute to a reinterpretation of current forms of mobility. “The superb collection of ethnographies that the reader will find in the pages to follow provide yet further insight into the ways in which movement across state borders represents a creative accomplishment. With cases selected from around the world – the Middle East, North Africa, Latin America, North America, and Europe – the chapter in this book demonstrate that migration is undertaken not only against states and their bureaucracies, but in tension with and possibly in opposition to migrants’ closest associates – precisely the people whom social capital theory paints as the font of the resources that make migration possible. ” – Roger Waldinger, University of California Los Angeles, USA Contents Foreword – Roger Waldinger Introduction – Víctor Zúñiga, Kamel Doraï, Delphine Mercier, and Michel Peraldi Part One: Migrant Families and Their Re-configuration Chinese Migrant Women Creating Meaningful Lives Despite Vulnerable Statuses – Hélène Le Bail Conflict and Migration from Iraq: Building a Life in Exile Amid the Twists and Turns of a Dramatic History – Cyril Roussel From Family Dispersion to Asylum-Seeking: Palestinian Refugees in Lebanon and Syria – Kamel Doraï Part Two: Children’s Movements Across Borders A left-behind child from El Alto. Protection Strategies and Redefinition of Kinship Ties for the Children of Migrant Women in Bolivia – Robin Cavagnoud Journey to the Ordinary “Integration” of an Undocumented Moroccan Migrant in France – Mustapha El Miri Children Circulating Between the United States and Mexico – Víctor Zúñiga and Betsabé Román-González Part Three: From Adventure to Waiting: Emancipation of Restricted Trajectories Life While Waiting: Experiencing the Asylum Application in France – Carolina Kobelinsky A Family Resemblance: Migration, Work and Loyalty – Frédéric Décosse ‘Suzana’s choices’ Working in the maquiladoras, migrating to survive and living transnationally – Delphine Mercier Part Four: From Expatriate to Migrant? From “Expats” to migrants: Mano’s worlds in Marrakesh – Michel Peraldi The Aeronautical Engineer in Flight: Turbulence and the Capacity for Agency Across Borders – Alfredo Hualde Being a Doctor Over Here or Over There Collective action: the foundation of the capacity for agency in the migratory process? – Ariel Mendez Conclusion: Uncertainty, Anticipated – Deborah A. Boehm

Che Guevara left Argentina at 22. At 21, Belén Fernández left the U.S. and didn’t look back. Alone, far off the beaten path in places like Syria and Tajikistan, she reflects on what it means to be an American in a largely American-made mess of a world. After growing up in Washington, D.C. and Texas, and then attending Columbia University in New York, Belén Fernández ended up in a state of self-imposed exile from the United States. From trekking—through Europe, the Middle East, Morocco, and Latin America—to packing avocados in southern Spain, to close encounters with a variety of unpredictable men, to witnessing the violent aftermath of the 2009 coup in Honduras, the international travel allowed her by an American passport has, ironically, given her a direct view of the devastating consequences of U.S. machinations worldwide. For some years Fernández survived thanks to the generosity of strangers who picked her up hitchhiking, fed her, and offered accommodations; then she discovered people would pay her for her powerful, unfiltered journalism, enabling—as of the present moment—continued survival. In just a few short years of publishing her observations on world politics and writing from places as varied as Lebanon, Italy, Uzbekistan, Syria, Mexico, Turkey, Honduras, and Iran, Belén Fernández has established herself as a one of the most trenchant observers of America’s interventions around the world, following in the footsteps of great foreign correspondents such as Martha Gellhorn and Susan Sontag.

Further - much to his surprise - Turki is not immune to the sting of the bitter anti-American attitudes he encounters in the West Bank.

Since the early 1990s, Israel has greatly expanded a system checkpoints, walls and other barriers in the West Bank and Gaza that restrict Palestinian movement. Israel/Palestine examines how authors and filmmakers have grappled with the spread of these borders. Focusing on the works of Elia Suleiman, Raba'i al-Madhoun, Ghassan Kanafani, Sami Michael and Sayed Kashua, it traces how political engagement in literature and film has shifted away from previously common paradigms of resistance and coexistence and has become reorganised around these now ubiquitous physical barriers. Depictions of these borders interrogate the notion that such spaces are impenetrable and unbreakable, imagine distinct forms of protest, and redefine the relationship between cultural production and political engagement.

This book examines the distinction between literary expatriation and exile through a 'contrapuntal reading' of modern Palestinian and American writing. It argues that exile, in the Palestinian case especially, is a political catastrophe; it is banishment by a colonial power. It suggests that, unlike expatriation (a choice of a foreign land over one’s own), exile is a political rather than an artistic concept and is forced rather than voluntary — while exile can be emancipatory, it is always an unwelcome loss. In addition to its historical dimension, exile also entails a different perception of return to expatriation. This book frames expatriates as quintessentially American, particularly intellectuals and artists seeking a space of creativity and social dissidence in the experience of living away from home. At the heart of both literary discourses, however, is a preoccupation with home, belonging, identity, language, mobility and homecoming.

A powerful account, by Israeli peace activist Miko Peled, of his transformation from a young man who'd grown up in the heart of Israel's elite and served proudly in its military into a fearless advocate of nonviolent struggle and equal rights for all Palestinians and Israelis. His journey is mirrored in many ways the transformation his father, a much-decorated Israeli general, had undergone three decades earlier. Alice Walker contributed a foreword to the first edition in which she wrote, "There are few books on the Israel/Palestine issue that seem as hopeful to me as this one." In the new Epilogue he takes readers to South Africa, East Asia, several European countries, and the West Bank, Gaza, and Israel itself.

One of the great contrarians of international relations scholarship, Fred Halliday was able to combine his understanding of the broad sweep of modern history with a profound knowledge of modern revolutions, the Middle East, and national movements. This collection of Halliday’s political essays written for the online journal openDemocracy between 2004 and 2009 is proof of a subtle worldview that continues to generate questions: What is the relation between religion, nationalism, and progress? Is a new international order possible? When is intervention a force for progress? From the big headline topics such as the Iraq War to the unexpected comparisons of Tibet and Palestine, or Afghanistan and the Falklands, Halliday’s writings provide a perennially surprising and enlightened guide to the major issues of international politics.

How do Palestinians live, imagine and reflect on home and exile in this period of a stateless and transitory Palestine and a sharp escalation in Israeli state violence and accompanying Palestinian oppression? How can exile and home be written? In this volume of new writing, fifteen innovative and outstanding Palestinian writers—essayists, poets, novelists, critics, artists and memoirists—respond with their reflections, experiences, memories and polemics. Their contributions—poignant, humorous, intimate, reflective, intensely political—make for an offering that is remarkable for the candor and grace with which it explores the many individual and collective experiences of waiting, living for, and seeking Palestine. Contributors include: Lila Abu-Lughod, Susan Abulhawa, Suad Amiry, Rana Barakat, Mourid Barghouti, Beshara Doumani, Sharif S. Elmusa, Rema Hammami, Mischa Hiller, Emily Jacir, Penny Johnson, Fady Joudah, Jean Said Makdisi, Karma Nabulsi, Raeda Sa’adeh, Raja Shehadeh, Adania Shibli.

Winner of the Overseas Press Club of America's Cornelius Ryan Award • Finalist for the Pulitzer Prize in Nonfiction A New York Times Book Review Notable Book • Named a Best Book of the Year by New York Magazine and The Progressive "A deeply honest and brave portrait of of an individual sensibility reckoning with her country's violent role in the world." —Hisham Matar, The New York Times Book Review In the wake of the September 11 attacks and the U.S.-led invasion of Iraq, Suzy Hansen, who grew up in an insular conservative town in New Jersey, was enjoying early success as a journalist for a high-profile New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul. Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.” Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.