Human beings tell each other tales, be they fireside or through the visual media of movies. This collection of short stories are modern tales told with the feel of ancient legends. From the tale of a bargain made for vengence to what might happen after the Norse end of the worl, Ragnarok, these tales are but echoes of Elder Times. The ten previously published tales have been re-edited and there is one entirely new story collected together in this book.

A collection of folktales from long ago about the Northwest Coast of North America and the Indians who lived there.

“Every time we raise our voices, we hear echoes.” Jo-Anne Elder, from the Foreword Through short stories, journal entries and poetry, the women in Voices and Echoes explore the changing landscape of their spiritual lives. Experienced writers such as Lorna Crozier, Di Brandt and Ann Copeland, as well as strong new voices, appear to speak to each other as they draw from a wealth of personal resources to find a way to face life’s questions and discover meaning in their lives. There is something familiar about these stories and poems — they echo those we’ve heard before and those we’ve half forgotten. Whether they search for a voice in a world where men monopolize or journey into painful memories to free the self from the past, they do not despair, they do not end. Individual entries become the whole story — an unending story of rebirth and reaffirmation. The book begins with an illuminating foreword that introduces readers to the cultural and philosophical background of many of the stories, and concludes with the reflections of scholars, writers and artists that are intended to provoke further discussion.

Hidden under his late wife Ellen's bed, Bill Lewis finds four boxes of stories she wrote during their marriage that he knew nothing about; stories that reminded him of people they knew, places they had been, and events they had shared during their life together and that became for him echoes of Ellen.Echoes of Ellen is a story of love, forgiveness, devotion, and strength in the face of adversity. Bill Lewis fell in love with Ellen shortly after he met her, a love that was immediately returned. Their early years together are idyllic, but time and differences in their wants and needs begins to rend the fabric of their relationship and separation becomes inevitable. An accident that raises difficult questions for Bill becomes the thread that seams the fabric together again though not completely, yet gives him the opportunity to perform one last act of devotion for Ellen.

From comic books to summer blockbusters, all people enjoy art in some form or another. However, few of us can effectively explain why certain books, movies, and songs resonate so profoundly within us. In Echoes of Eden, Jerram Barrs helps us identify the significance of artistic expression as it reflects the extraordinary creativity and unmatched beauty of the Creator God. Additionally, Barrs provides the key elements for evaluating and defining great art: (1) The glory of the original creation; (2) The tragedy of the curse of sin; (3) The hope of final redemption and renewal. These three qualifiers are then put to the test as Barrs investigates five of the world's most influential authors who serve as ideal case studies in the exploration of the foundations and significance of great art.

Joanne Walker has survived an encounter with the Master at great personal cost, but now her father is missing--stolen from the timeline. She must finally return to North Carolina to find him--and to meet Aidan, the son she left behind long ago.

Sounding 1: BEFORE 1840 The notes, journals and characters of Aboriginal Protectors William Thomas and his Chief George Robinson form the backbone of this compilation. With this ethnographic material we learn something of the Kulin worldview into this mostly white-fella history. Sounding 1: Before 1840 describes the initial British and European experiences, events, observations, intentions, self-serving judgements, ignorance, naivete, treachery and so on when they found Oz and proclaimed the continent theirs by the now obvious fiction of terra nullius – Latin legalese for ‘land belonging to no people’. The reader may enjoy separating the grains of truth from the chaff propaganda of Empire capitalism or racist / sectarian Christian bible dogma that was the self-serving mindset of the white land-takers. Batman and Fawkner’s land-hunting deals with local koori’s along with the re-emergence of the remarkable wild white castaway Buckley made their mark on the first settlement at Melbourne. The focus widens in 1836 with Surveyor-General Major Mitchell’s and his Wuradjuri guides ‘conquering the interior’ from the Murray near Mildura to the Western District at Portland and then back north-east across the state to the Murray upstream at Albury. His wheel tracks opened up Victoria from the north. First contact race interactions at Port Phillip and the notion of cultural-coexistence during the first five years leads to the role of ‘successful battler’ and publican Fawkner in the colonial invasion process from Kulin country to sheep-run to city. Sounding 1 then winds up with Melbourne’s first executions and descriptions of Port Phillip as the money melting pot forming the Melbourne hub of world capitalism. Twentieth century academic studies now identify native religion, language zones, tribal locations and clan heads at the time of dispossession by pirate capitalism. In describing the Australian land-rush the chapter echoes oscillate between history, sociology, race theory, trade and class wars, whaling and sealing, imperialism and the monopoly East India Company army mates all pitted against the ‘vanishing race’ of hunter-gathering ‘savages’. The dispossession was virtually complete in Victoria before the 1850’s gold rushes transformed the sheep-runs into banker’s dividend wealth for the ‘winners’. Sounding 2: DISPOSSESSION AT MELBOURNE: Sounding 2 unfolds gently with a wistful early Melbourne memoir involving Batman’s lost lawyer Gellibrand in 1836 but then we confront the frontier ‘kill or be killed’ point of necessity. The violent life, times and fate of mass murderer Fred Taylor who was first employed as overseer for banker Swanston’s Bellarine peninsula land-grab sets the local dispossession tone. Taylor’s repeated atrocities today exposes a credibility gap in Oz – between civilized progress and slaughter, that now looms over all else in Victoria’s birth as an independent state in 1851. The winter of 1837 saw the first violent death of a white squatter and his servant by ‘savage natives’ north-west of Williamstown at Mt Cotterell. Town leaders such as Fawkner and ‘police chief’ Henry Batman formed a posse that also included clan heads from both the Melbourne and Geelong tribal areas. Buckley refused to take part in the vigilante party and its punitive actions belied the humanitarian standards expressed in Batman’s treaty deed. This revenge slaughter and destruction of ‘villages’ by the white invaders forced the Sydney government to investigate and so began administering ‘law and order’ at Port Phillip. By 1838 Sydney trumped Batman’s land-grab and the penal government of NSW on the one hand executing eight ‘whites’ for killing what the newspapers called ‘savages’, while on the other hand providing sufficient speedy cavalry to tackle black resistance in Victoria at places such as west of Colac and near Benalla after the Faithfull massacre. The arrival in 1839 of first governor La Trobe and the Aboriginal Protectorate plan then unfolds the development of town civic structures while tribal life disintegrates. Government and private measures to ‘tame the naked Melbourne natives’ culminated with the dawn Merri Creek round-up in October 1840 of hundreds of Kulins by Major Lettsom’s redcoats and townsmen. This appears as the death blow to tribal life, and with the first shiploads of migrating British colonists arriving in 1841, near genocide for the Kulin, Mara, Kurnai and Murray River first-peoples.

Hello, my name is Echo. Priya Echo is a super nerdy, shy lab scientist at university when one day an experiment goes wrong and gives her magic powers! After falling into her own dream land, she discovers that she has echo powers! Priya awakens and soon meets three kick ass girls who let her into their group, Nadine, Felicia and Dominique. Her so-called friends, who are really bad at not using peer pressure, set her up with a cute guy named Eric. He just wants a normal girlfriend and cannot seem to figure her out. Then one day the university is visited by a famous wizard named Telenon. After a standoff, Priya learns that he wants to steal the entire world's magic. The shy lab girl must learn how to become a brave hero. That is simple enough. Priya already has amazing powers. There is just one tiny little problem. She is too silly! Can Priya learn to be less silly in time to save the world? Maybe she'll end up as one of those legendary heroes with a crazy sword! Come Find Out! A wonderful read for lovers of fantasy, recommended 18 years of age and up.