Decades of war started by a genocidal faction of aliens threatens the existence of any human or alien resisting their rule on Earth. Dani survives by scavenging enough supplies to live another day while avoiding the local military and human-hunting Wardens. But then she learns that she is part of the nearly immortal alien race of Echoes—not the human she’s always thought herself to be—and suddenly nothing in her life seems certain. Following her discovery of her alien roots, Dani risks her well-being to save a boy from becoming a slave—a move that only serves to make her already-tenuous existence on the fringes of society in Maine even more unstable, and which forces her to revisit events and people from past lives she can’t remember. Dani believes the only way to defeat the Wardens and end their dominance is to unite the Commonwealth’s military and civilians, and she becomes resolved to play her part in this battle. Her attempts to change the bleak future facing the humans and Echoes living on Earth suffering under the Wardens will lead her to clash with a tyrant determined to kill her and all humankind—a confrontation that even her near-immortal heritage may not be able to help her survive.

"Describes and displays many aspects of the civilization that arose in southern Mexico and northern Central America (Mesoamerica) thousands of years ago" in order to "help readers envision the lives of the people in the Book of Mormon"--jacket.

SHORTLISTED FOR THE AUTHOR'S CLUB FIRST NOVEL AWARD, THE RSL CHRISTOPHER BLAND PRIZE and THE HWA DEBUT CROWN AWARD 'A new classic' SARA COLLINS, author of THE CONFESSIONS OF FRANNIE LANGTON 'Impassioned. Lyrical and affecting' GUARDIAN _____________ Brixton 1981. Sixteen-year-old Michael is already on the wrong side of the law. In in his community, where job opportunities are low and drug-running is high, this is nothing new. But when Michael falls for Ngozi, a vibrant young immigrant from the Nigerian village of Obowi, their startling connection runs far deeper than they realise. Narrated by the spirit of an African woman who lost her life on a slave ship two centuries earlier, her powerful story reveals how Michael and Ngozi's struggle for happiness began many lifetimes ago. Through haunting, lyrical words, one unforgettable message resonates: love, hope and unity will heal us all. _____________ 'A searing, rhapsodic novel. Filled with beauty, devastation and the power of ancestral connections that ripple through the ages' IRENOSEN OKOJIE, author of NUDIBRANCH 'A gorgeous book' ALEX WHEATLE, author of BRIXTON ROCK _____________ Readers love THE BOOK OF ECHOES: 'A powerful and honest debut which is going to stay with me for a long time' ***** 'You can feel Amaka's passion rising off the page' ***** 'BRILLIANT, thoughtful and masterfully crafted' ***** 'Oh my goodness, the book itself is even more beautiful and haunting than the cover' *****

Melissa Albert meets Twin Peaks in this supernatural thriller about one girl's hunt for the truth about her mother's disappearance. In 1973, the thirty-one residents of Bitter Rock disappeared. In 2003, so did my mother. Now, I've come to Bitter Rock to find out what happened to her—and to me. Because Bitter Rock has many ghosts. And I might be one of them. Sophia's earliest memory is of drowning. She remembers the darkness of the water and the briny taste as it filled her throat, the sensation of going under. She remembers hands pulling her back to safety, but that memory is impossible—she's never been to the ocean. But then Sophia gets a mysterious call about an island named Bitter Rock, and learns that she and her mother were there fifteen years ago--and her mother never returned. The hunt for answers lures her to Bitter Rock, but the more she uncovers, the clearer it is that her mother is just one in a chain of disappearances. People have been vanishing from Bitter Rock for decades, leaving only their ghostly echoes behind. Sophia is the only one who can break the cycle—or risk becoming nothing more than another echo haunting the island.

In Echoes, John Sallis mobilizes the figure of echo, used by Heidegger to characterize originary thinking, as the motif around which to organize a radical reading of Heidegger's most important texts.

From the New York Times bestselling author of the Falling Kingdoms series comes the first book in a brand-new duology about forbidden magic and dangerous secrets, for readers of Victoria Aveyard and Margaret Rogerson. Josslyn Drake knows only three things about magic: it’s rare, illegal, and always deadly. So when she’s caught up in a robbery gone wrong at the Queen’s Gala and infected by a dangerous piece of magic—one that allows her to step into the memories of an infamously evil warlock—she finds herself living her worst nightmare. Joss needs the magic removed before it corrupts her soul and kills her. But in Ironport, the cost of doing magic is death, and seeking help might mean scheduling her own execution. There’s nobody she can trust. Nobody, that is, except wanted criminal Jericho Nox, who offers her a deal: his help extracting the magic in exchange for the magic itself. And though she’s not thrilled to be working with a thief, especially one as infuriating (and infuriatingly handsome) as Jericho, Joss is desperate enough to accept. But Jericho is nothing like Joss expects. The closer she grows to Jericho and the more she sees of the world outside her pampered life in the city, the more Joss begins to question the beliefs she’s always taken for granted—beliefs about right and wrong, about power and magic, and even about herself. In an empire built on lies, the truth may be her greatest weapon.

Now in his late 70s, Leon Golub is a leading exponent of history painting - painting as a narrative, symbolic expression of global, social and political relations and of the realities of power. In this book, published to accompany a major retrospective exhibition traveling to Ireland, England and the United States, Jon Bird examines the artist's work from the classically influenced early paintings through depictions of conflict and masculine aggression to compelling images of the last two decades. Despite the widespread critical attention his work has received, the range and extent of his practice and its complex interweaving of the iconographic traditions of both high and popular art have not been properly examined. As a history painter, Golub is acutely aware of the antecedents to his own imagery and symbolism; part of Jon Bird's critical project is to track and define the artist's relationship to modernism. Making a case for Golub's practice of "critical realism" that also takes account of the unconscious, Bird focuses on two themes that dominate Golub's work: how his art figures the body as a sign for social and psychic identity, and what might be termed the symbolic expression of social space.

Of all the medical specialities, Obstetrics is the only one which deals with the health and well-being oftwo individuals: the mother and the fetus. This fascinates the medical student, drawing her or him into the intricacies of the subject. What the student of Obstetrics needs is a book that provides a clear and precise description ofpathophysiology, clinical features, diagnosis, and management based on current guidelines. Essentialsof Obstetrics provides the student with these, in a simple and user-friendly format. Key Features:· Use of hand-drawn and easily reproducible line diagrams, clinical images, and easy-to-read· language