Amid the rising technicalities of modernism, the heart of humanity has been ripped apart, and while religionism is tearing throughout the heart of modernity, everything is hinting at danger to come. Caught amid their dramatic collide, we moderns have been left in a de facto despair. And while the glory each claimed seems a key factor for more tragedies, they are almost overshadowed by the merging supremacy of money lifemammonism. They are all letting us down and parts us moderns from our trustworthy dream of truth, beauty, and justice. Further, it is impossible to read far in the underlying factors and related elements of the coming crises, and all of them are worrisome, either of reorganization of tender nature, of reprogramming of living cells, and of current technotronic engineering of time via digitized machines without finding that they will certainly shake the good grounds of faith and beliefs everywhere. De-risking the inevitable and while working around such a failure, we moderns have to humanly build on our own strength.

The crisis of masculinity surfaced and converged with the crisis of the nation in the late Qing, after the doors of China were forced open by Opium Wars. The power of physical aggression increasingly overshadowed literary attainments and became a new imperative of male honor in the late Qing and early Republican China. Afflicted with anxiety and indignation about their increasingly effeminate image as perceived by Western colonial powers, Chinese intellectuals strategically distanced themselves from the old literati and reassessed their positions vis-à-vis violence.

Join professional fight choreographer Teel James Glenn as he takes you on a journey through the process of creating believable and dramatic action scenes in every kind offiction. Using wit and personal experience, he dissects action scenes for the keys to what makes them work. Readers benefit from his combat experience, including eastern martial arts, the physiology and kinetics of weight training and the dramatic story telling from film and stage acting. From fantasy swordfights, barroom brawls, comic combat to martial arts knockabouts, he not only outlines and explains the whys and wherefores of literary violence, he also explores techniques that allow you to create them yourself with a series of fun and easy to do exercises. He takes the mystery out of writing action, but not the excitement!

"East-West Montage possesses a unique vision that promises to push discussions of globalization, cultural production, ethnic identity, and bodily metaphors in powerful new directions. Ma is to be praised for his sound scholarship and innovative interpretations. Indeed where others specialize in either the collection of details or the unpacking of text, Ma weaves a strong analytic exegesis rooted in thorough research." —Richard King, Washington State University Approximately twelve hours’ difference lies between New York and Beijing: The West and the East are, literally, night and day apart. Yet East-West Montage crosscuts the two in the manner of adjacent filmic shots to accentuate their montage-like complementarity. It examines the intersection between East and West—the Asian diaspora (or more specifically Asian bodies in diaspora) and the cultural expressions by and about people of Asian descent on both sides of the Pacific. Following the introduction "Establishing Shots," the book is divided into seven intercuts, which in turn subdivide into dialectically paired chapters focusing on specific body parts or attributes. The range of material examined is broad and rich: the iconography of the opium den in film noir, the writings of Asian American novelists, the swordplay and kung fu film, Japanese anime, the "Korean Wave" (including soap operas like Winter Sonata and the cult thriller Oldboy), Rogers and Hammerstein’s Orientalist musicals, the comic Blackhawk, the superstar status of the Dalai Lama, and the demise of Hmong refugees and Chinese retirees in the U.S. Highly original and immensely readable,East-West Montage will appeal to many working in a range of disciplines, including Asian studies, Asian American studies, cultural studies, ethnic studies, film studies, popular culture, and literary criticism.

Thesis (Ph.D.)--University of California, Berkeley, 2004.

Joan Messi has spent thirteen lonely years hiding her supernatural abilities from her parents, her classmates, and everyone in her white bread suburban community. However, her little world of secrets is shattered when a pair of strangers arrive from a parallel dimension on the hunt for a nameless criminal. Now, after a lifetime of wondering how she got her powers, Joan might have found the beginnings of an answer. For Daniel Thundyil and his father, elemental powers and ego-maniacal supervillains are nothing new-although this is the first time a mission has brought them to a parallel dimension. Daniel's main concern in this new world isn't the looming threat of a godlike killer; it's fitting in at a school where the food is flavorless, everyone writes backwards in an ancient alphabet, and all the racial hierarchies seem to be reversed.

A more than complete dictionary of Chinese martial arts, from Chinese to English. Years and years in the making, this dictionary has more than all the techniques you need. It contains all the words beyond the basics of the language, to enable you to read martial arts books, whether practical, theoretical, historical, or whatever.