It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone.... You were the glimmer. At the end of the tunnel. And you went out. Earthquakes in London is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe. The play deals, through amplified theatricality, with a range of contemporary issues from population growth to climate change. An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 1968 to 2525 and back again. Earthquakes in London first published in 2010 and has subsequently become a much-produced and widely studied drama text. It is published here as a Student Edition alongside commentary and notes by Bridget Escolme. The ancillary material is geared at students and includes: - an introduction outlining the play's plot, character, themes context and performance history - the full text of the play - a chronology of the playwright's life and work - extensive textual notes - questions for further study - an interview with the playwright

It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone.... You were the glimmer. At the end of the tunnel. And you went out. Earthquakes in London is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe. The play deals, through amplified theatricality, with a range of contemporary issues from population growth to climate change. An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 1968 to 2525 and back again. Earthquakes in London first published in 2010 and has subsequently become a much-produced and widely studied drama text. It is published here as a Student Edition alongside commentary and notes by Bridget Escolme. The ancillary material is geared at students and includes: - an introduction outlining the play's plot, character, themes context and performance history - the full text of the play - a chronology of the playwright's life and work - extensive textual notes - questions for further study - an interview with the playwright

An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 1968 to 2525 and back again.

"A truly welcome and refreshing study that puts earthquake impact on history into a proper perspective." --Amos Nur, Emeritus Professor of Geophysics, Stanford University, California, and author of Apocalypse: Earthquakes, Archaeology, and the Wrath of God Since antiquity, on every continent, human beings in search of attractive landscapes and economic prosperity have made a Faustian bargain with the risk of devastation by an earthquake. Today, around half of the world’s largest cities – as many as sixty – lie in areas of major seismic activity. Many, such as Lisbon, Naples, San Francisco, Teheran, and Tokyo, have been severely damaged or destroyed by earthquakes in the past. But throughout history, starting with ancient Jericho, Rome, and Sparta, cities have proved to be extraordinarily resilient: only one, Port Royal in the Caribbean, was abandoned after an earthquake. Earth-Shattering Events seeks to understand exactly how humans and earthquakes have interacted, not only in the short term but also in the long perspective of history. In some cases, physical devastation has been followed by decline. But in others, the political and economic reverberations of earthquake disasters have presented opportunities for renewal. After its wholesale destruction in 1906, San Francisco went on to flourish, eventually giving birth to the high-tech industrial area on the San Andreas fault known as Silicon Valley. An earthquake in Caracas in 1812 triggered the creation of new nations in the liberation of South America from Spanish rule. Another in Tangshan in 1976 catalysed the transformation of China into the world’s second largest economy. The growth of the scientific study of earthquakes is woven into this far-reaching history. It began with a series of earthquakes in England in 1750. Today, seismologists can monitor the vibration of the planet second by second and the movement of tectonic plates millimeter by millimeter. Yet, even in the 21st century, great earthquakes are still essentially "acts of God," striking with much less warning than volcanoes, floods, hurricanes, and even tornadoes and tsunamis.

This book examines historical evidence from the last 2000 years to analyse earthquakes in the eastern Mediterranean and Middle East. Early chapters review techniques of historical seismology, while the main body of the book comprises a catalogue of more than 4000 earthquakes identified from historical sources. Each event is supported by textual evidence extracted from primary sources and translated into English. Covering southern Rumania, Greece, Turkey, Lebanon, Israel, Egypt, Jordan, Syria, and Iraq, the book documents past seismic events, places them in a broad tectonic framework, and provides essential information for those attempting to prepare for, and mitigate the effects of, future earthquakes and tsunamis in these countries. This volume is an indispensable reference for researchers studying the seismic history of the eastern Mediterranean and Middle East, including archaeologists, historians, earth scientists, engineers and earthquake hazard analysts. A parametric catalogue of these seismic events can be downloaded from www.cambridge.org/9780521872928.

"Ancient earthquakes are pre-instrumental earthquakes that can only be identified through indirect evidence in the archaeological (archaeoseismology) and geological (palaeoseismology) record. Special Paper 471 includes a selection of cases convincingly illustrating the different ways the archaeological record is used in earthquake studies. The first series of papers focuses on the relationship between human prehistory and tectonically active environments, and on the wide range of societal responses to historically known earthquakes. The bulk of papers concerns archaeoseismology, showing the diversity of approaches, the wide range of disciplines involved, and its potential to contribute to a better understanding of earthquake history. Ancient Earthquakes will be of interest to the broad community of earth scientists, seismologists, historians, and archaeologists active in and around archaeological sites in the many regions around the world threatened by seismic hazards. This Special Paper frames in the International Geoscience Programme IGCP 567 'Earthquake Archaeology: Archaeoseismology along the Alpine-Himalayan Seismic Zone.'"--Publisher's description.

A highly provocative, mindbending, beautifully designed, and visionary look at the landscape of our rapidly evolving digital era. 50 years after Marshall McLuhan's ground breaking book on the influence of technology on culture in The Medium is the Massage, Basar, Coupland and Obrist extend the analysis to today, touring the world that’s redefined by the Internet, decoding and explaining what they call the 'extreme present'. THE AGE OF EARTHQUAKES is a quick-fire paperback, harnessing the images, language and perceptions of our unfurling digital lives. The authors offer five characteristics of the Extreme Present (see below); invent a glossary of new words to describe how we are truly feeling today; and ‘mindsource’ images and illustrations from over 30 contemporary artists. Wayne Daly’s striking graphic design imports the surreal, juxtaposed, mashed mannerisms of screen to page. It’s like a culturally prescient, all-knowing email to the reader: possibly the best email they will ever read. Welcome to THE AGE OF EARTHQUAKES, a paper portrait of Now, where the Internet hasn’t just changed the structure of our brains these past few years, it’s also changing the structure of the planet. This is a new history of the world that fits perfectly in your back pocket. 30+ artists contributions: With contributions from Farah Al Qasimi, Ed Atkins, Alessandro Bavo, Gabriele Basilico, Josh Bitelli, James Bridle, Cao Fei, Alex Mackin Dolan, Thomas Dozol, Constant Dullaart, Cecile B Evans, Rami Farook, Hans-Peter Feldmann, GCC, K-Hole, Liam Gillick, Dominique Gonzalez-Foerster, Eloise Hawser, Camille Henrot, Hu Fang, K-Hole, Koo Jeong-A, Katja Novitskova, Lara Ogel, Trevor Paglen, Yuri Patterson, Jon Rafman, Bunny Rogers, Bogosi Sekhukhuni, Taryn Simon, Hito Steyerl, Michael Stipe, Rosemarie Trockel, Amalia Ulman, David Weir, Trevor Yeung.