As climate change and development pressures overwhelm the environment, our emotional relationships with Earth are also in crisis. Pessimism and distress are overwhelming people the world over. In this maelstrom of emotion, solastalgia, the homesickness you have when you are still at home, has become, writes Glenn A. Albrecht, one of the defining emotions of the twenty-first century. Earth Emotions examines our positive and negative Earth emotions. It explains the author's concept of solastalgia and other well-known eco-emotions such as biophilia and topophilia. Albrecht introduces us to the many new words needed to describe the full range of our emotional responses to the emergent state of the world. We need this creation of a hopeful vocabulary of positive emotions, argues Albrecht, so that we can extract ourselves out of environmental desolation and reignite our millennia-old biophilia—love of life—for our home planet. To do so, he proposes a dramatic change from the current human-dominated Anthropocene era to one that will be founded, materially, ethically, politically, and spiritually on the revolution in thinking being delivered by contemporary symbiotic science. Albrecht names this period the Symbiocene. With the current and coming generations, "Generation Symbiocene," Albrecht sees reason for optimism. The battle between the forces of destruction and the forces of creation will be won by Generation Symbiocene, and Earth Emotions presents an ethical and emotional odyssey for that victory.

The leaves of paper / butterfly-wing thin / let light stream through / only one side of each. If “poetry is what we do to break bread with the dead,” as Seamus Heaney put it, Earth Words breaks bread with three earlier writers through the glosa, a poetic form that unfolds as a dialogue. The collection inscribes a series of concentric circles, moving outwards from the eleventh-century world of Wang An-shih through the nineteenth century of Henry Thoreau and into the twentieth century with Emily Carr. Though the environmental and political problems of the twenty-first century feel unique, the figures in this book are met with similar challenges. Wang’s writings embody an ideal relationship between self and nature, preserving a sense of rootedness in times resembling the upheavals of the Trump era. This relationship is confirmed in conversations with Thoreau, whose closeness to nature provides an antidote to our age’s dependence on digital forms of communication. He also grapples with slavery and the failure to respect the full humanity of Indigenous peoples, struggles that ripple out into the present. Carr’s writings and art enter into Indigenous cultures and witness the enduring value of their way of looking at nature. She realizes that the impulse to creatively express one’s being runs through the entire natural world. Culminating in this realization, the concentric circles of Earth Words broaden out to include its twenty-first-century readers as well as its writers in a vision of creative growth.

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This newly (2012) updated dictionary defines words and terms commonly used in discussing the environment, including biodegradable, biome, endangered species, eutrophication, food web, greenhouse effect, oil spill, ozone layer, and wetland. Seymour Simon's clear and compelling definitions, combined with Mark Kaplan's striking and unusual illustrations are sure to captivate young readers and budding environmental activists.

An exploration of the excruciating travails and sudden, immeasurable success of a Roberto Bolaño-esque writer.

In the first collection of Paradise on Earth with Words, poet Eric Scott Grand celebrates those liminal spaces where humankind meets deep blue sea. Baptized by the great Pacific Ocean, Grand's words praise all the warm, bright gifts that wash up here in their stream-of-consciousness tidal flow. From beach days and surfing to wondrous animal-life to dreams of mermaids, these freewheeling poems populate an oceanic paradise that calls out to the author and his readers alike. This book is a signed and sealed invitation to a place you'll never want to leave.

Beginning reader. One line per page. Conservation? Theme. 4-6 yrs.

A lighthearted nonfiction picture book about the formation and history of the Earth--told from the perspective of the Earth itself! "Hi, I’m Earth! But you can call me Planet Awesome." Prepare to learn all about Earth from the point-of-view of Earth herself! In this funny yet informative book, filled to the brim with kid-friendly facts, readers will discover key moments in Earth’s life, from her childhood more than four billion years ago all the way up to present day. Beloved children's book author Stacy McAnulty helps Earth tell her story, and award-winning illustrator David Litchfield brings the words to life. The book includes back matter with even more interesting tidbits. This title has Common Core connections.

The outside layer of our planet is an active place. Earth's crust is always growing and changing. But do you know how Earth's crust forms? And what happens when its plates shift suddenly? Find out more about the moves that make mountains and ocean ridges in this interesting book!

Wicked Words & Epic Tales is a collection of his lyrics, and a variety of the artwork that they inspired. Schaffer is the author of numerous heavy metal anthems such as Watching Over Me, Melancholy (Holy Martyr), Dante's Inferno, the Something Wicked trilogy, Damien, Travel in Stygian, A Question of Heaven, Gettysburg (1863), Raven Wing, Timeless Spirit, Spirit of the Times, and so many others. This volume is a celebration of his works over 30 years of songwriting. Included in this deluxe hardback edition is a totally new concept in audio, on CD format, that Schaffer has dubbed "A Narrative Soundscape." All of the output penned solely by Schaffer is represented in this fantastic visual display of a long and storied career.