Both Pound and Williams have shown a good poet can revitalize prose style. Earth House Hold (a play on the root meaning of "ecology"), drawn from Gary Snyder's essays and journals, may prove a landmark for the new generation. "As a poet," Snyder tells us, "I hold the most archaic values on earth. They go back to the late Paleolithic; the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying intuition and rebirth; the love and ecstasy of the dance, the common work of the tribe." He develops, as replacement for shattered social structures. a concept of tribal tradition which could lead to "growth and enlightenment in self-disciplined freedom. Whatever it is or ever was in any other culture can be reconstructed from the unconscious through meditation...the coming revolution will close the circle and link us in many ways with the most creative aspects of our archaic past."

"As a poet," Snyder tells us, "I hold the most archaic values on earth. They go back to the late Paleolithic; the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying intuition and rebirth; the love and ecstasy of the dance, the common work of the tribe." He develops, as replacement for shattered social structures. a concept of tribal tradition which could lead to "growth and enlightenment in self-disciplined freedom. Whatever it is or ever was in any other culture can be reconstructed from the unconscious through meditation...the coming revolution will close the circle and link us in many ways with the most creative aspects of our archaic past."

It has been eight years since Hope’s mom died in a car accident. Eight years of shuffling from foster home to foster home. Eight years of trying to hold on to the memories that tether her to her mother. Now Sarah, Hope’s newest foster mom, has taken her from Minneapolis to spend the summer on the Nebraska farm where Sarah grew up. Hope is set adrift, anchored only by her ever-present and memory-heavy backpack. Accustomed to the clamor of city life, Hope is at first unsettled by the silence that descends over the farm each night. But listening deeply, she begins to hear the quiet: the crickets’ chirp, the windsong, the steady in and out of her own breath. Soon the silence is replaced by voices, like echoes sounding across time — the voices of girls who inhabited the old farmhouse before her. Reluctantly, Hope begins to stretch down roots in the earth and accept this new family as her own.

Gary Snyder's second collection, Myths & Texts, was originally published in 1960 by Totem Press. It is now reissued by New Directions in this completely revised format, with an introduction by the author.

“A reaffirmation of a back country of the spirit."—Kirkus Reviews This collection is made up of four sections: "Far West"—poems of the Western mountain country where, as a young man. Gary Snyder worked as a logger and forest ranger; "Far East"—poems written between 1956 and 1964 in Japan where he studied Zen at the monastery in Kyoto; "Kali"—poems inspired by a visit to India and his reading of Indian religious texts, particularly those of Shivaism and Tibetan Buddhism; and "Back"—poems done on his return to this country in 1964 which look again at our West with the eyes of India and Japan. The book concludes with a group of translations of the Japanese poet Miyazawa Kenji (1896-1933), with whose work Snyder feels a close affinity. The title, The Back Country, has three major associations; wilderness. the "backward" countries, and the “back country" of the mind with its levels of being in the unconscious.

The Rammed Earth House is an eye-opening example of how the most dramatic innovations in home design and construction frequently have their origins in the distant past. By rediscovering the most ancient of all building materials - earth - forward thinking home builders can now create structures that set new standards for beauty, durability, and efficient use of natural resources. Rammed earth construction is a step forward into a sustainable future, when homes will combine pleasing aesthetics and intense practicality with a powerful sense of place. Rammed earth homes are built entirely on-site, using basic elements - earth, water, and a little cement. The solid masonry walls permit design flexibility while providing year-round comfort and minimal use of energy. The builder and resident of a rammed earth house will experience the deep satisfaction of creating permanence in a world dominated by the disposable.

Poetry. With patience and precision, Hannah Brooks-Motl's third collection of poems, EARTH, explores the grand themes of love, family, economy, and home with the skill of a true craftsman. As the measured compositions of these poems shift, so do their near-sculptural forms, and a feeling both classical and contemporary develops. At times a paean to poetry, other times a critique of it, EARTH is a breakthrough collection by a poet who's ceaselessly sharp intellect continues to use poetry to gain insight into not only her own wants and needs, but ours, and those of poetry itself.

Postmodern theory at its best--a call for an ecofeminist dialogical method of reading literature and nature.

Apparitions of Asia traces a literary intimacy between the U.S. and East Asia that spans the twentieth century. Commercial and political bridges generated transpacific literary alliances, and Park analyzes American bards who capitalized on these ties and interrogates the price of such intimacies in the work of Asian American poets.